The Necessity and Nature of Repentance Towards God

The Necessity and Nature of Repentance Towards God

Author: And Son Seeley and Son

Publisher: Kessinger Publishing

Published: 2009-04

Total Pages: 20

ISBN-13: 9781104316723

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.


The Nature, Necessity and Character of True Repentance

The Nature, Necessity and Character of True Repentance

Author: Zachary Crofton

Publisher: Puritan Publications

Published: 2016-10-13

Total Pages: 128

ISBN-13: 1626631913

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When you finish reading this practical work by Zachary Crofton on biblical repentance, you might say to yourself, “I’ve never repented.” That’s the kind of impact he is going to have on you if you read this work even in a cursory manner. In order to have a deeper walk with Christ, repentance is at the heart and life of the sinner who walks comfortably with God. However, repenting, reordering and realigning your fallen mind to sit in connection with God’s will, is not as simple as praying a prayer, as some would have you believe. Crofton says that repentance is a “sense of, and sorrow for sin, as committed against God.” The sinner must spread himself before the Law of God to survey the entire course of his own life. He needs to weigh himself in the balance of God’s perfection. The Gospel-sinner knows he is imperfect, and in view of God’s Law, which shows him his sin, he comes away not just lacking in some spiritual and moral goodness, but sees the utter viciousness of his nature against God’s prescription for holiness. He then sentences himself as accursed of God, agreeing that the Law is right and good, and he knows that he is “bound” to experience God’s Divine fury for his sin in hell by God’s justice which is just and good. He not only sees that he is a true sinner before God, but sorrows under his understanding of sin, and is “ashamed of such a sad and sinful state.” He comes to learn that repentance is a supernatural gift given to him from God, and that he must turn from sin and confess his sin. This kind of repentance is necessary to remove the wrath and judgment of God and to “answer the call of the gospel,” which requires everyone to repent. Crofton explains the characteristics of true biblical repentance from 2 Corinthians 7:11. There are eight characteristics that he covers: godly sorrow, care, clearing of ourselves, indignation, fear, vehement desire, zeal and revenge against sin. And, finally, Crofton demonstrates 10 points which show how you, reader, might gain godly repentance, completely soaking the sinful heart in the blood of Jesus, with great speed, and earnestly looking for repentance only at the hands of God. This is not a scan or facsimile, has been updated in modern English for easy reading and has an active table of contents for electronic versions.


Romanticism and Popular Magic

Romanticism and Popular Magic

Author: Stephanie Elizabeth Churms

Publisher: Springer

Published: 2019-01-16

Total Pages: 303

ISBN-13: 3030048101

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This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture – in the form of curses, spells, future-telling, charms and protective talismans – in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature’s material contexts in the 1790s – from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall’s occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth’s deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads, to Coleridge’s anxious engagement with superstition as a despotic system of ‘mental enslavement’, and Robert Southey’s wrestling with an (increasingly alluring) conservatism he associated with a reliance on ultimately incarcerating systems of superstition.