"John Bartram was the greatest horticulturist and botanist of eighteenth-century America, a farmer-philosopher who won the patronage of King George III and Benjamin Franklin. His son William was a pioneering naturalist who documented his travels though the Florida wilderness in prose and drawings that inspired a generation of romantic poets." "As he follows the Bartrams through their respective careers - and through the tenderness and disappointment of the father-son relationship - Slaughter examines the ways in which each viewed the natural world: as a resource to be exploited, as evidence of divine providence, as a temple in which all life was interconnected and sacred."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This work presents new material in the form of art, letters, and unpublished manuscripts. These documents expand our knowledge of Bartram as an explorer, naturalist, artist, writer, and citizen of the early Republic.
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A selection of writings from naturalists John and William Bartram, who explored Florida in 1765 In 1765 father and son naturalists John and William Bartram explored the St. Johns River Valley in Florida, a newly designated British territory and subtropical wonderland. They collected specimens and recorded extensive observations of the region’s plants, animals, geography, ecology, and Native cultures. The chronicle of their adventures provided the world with an intimate look at La Florida. Travels on the St. Johns River includes writings from the Bartrams' journey in a flat-bottomed boat from St. Augustine to the river's swampy headwaters near Lake Loughman, just west of today’s Cape Canaveral. Vivid entries from John's Diary detail the settlement locations of Indigenous people and what vegetation overtook the river's slow current. Excerpts from William's narrative, written a decade later when he tried to make a home in East Florida, contemplate the environment and the river that would come to be regarded as the liquid heart of his celebrated Travels. A selection of personal letters reveal John's misgivings about his son's decision to become a planter in a pine barren with little shelter, but they also speak to William's belated sense of accomplishment for traveling past his father's footsteps. Editors Thomas Hallock and Richard Franz provide valuable commentary and a modern record of the flora and fauna the Bartrams encountered. Taken together, the firsthand accounts and editorial notes help us see the land through the explorers' eyes and witness the many environmental changes the centuries have wrought.
Understanding the dynamics of British colonialism and the enormous ecological transformations that took place through the mobilization and globalized management of natures. For many critics, Romanticism is synonymous with nature writing, for representations of the natural world appear during this period with a freshness, concreteness, depth, and intensity that have rarely been equaled. Why did nature matter so much to writers of the late eighteenth and early nineteenth centuries? And how did it play such an important role in their understanding of themselves and the world? In Natures in Translation, Alan Bewell argues that there is no Nature in the singular, only natures that have undergone transformation through time and across space. He examines how writers—as disparate as Erasmus and Charles Darwin, Joseph Banks, Gilbert White, William Bartram, William Wordsworth, John Clare, and Mary Shelley—understood a world in which natures were traveling and resettling the globe like never before. Bewell presents British natural history as a translational activity aimed at globalizing local natures by making them mobile, exchangeable, comparable, and representable. Bewell explores how colonial writers, in the period leading up to the formulation of evolutionary theory, responded to a world in which new natures were coming into being while others disappeared. For some of these writers, colonial natural history held the promise of ushering in a “cosmopolitan” nature in which every species, through trade and exchange, might become a true “citizen of the world.” Others struggled with the question of how to live after the natures they depended upon were gone. Ultimately, Natures in Translation demonstrates that—far from being separate from the dominant concerns of British imperial culture—nature was integrally bound up with the business of empire.
A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples. The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.
In Travels, the celebrated 1791 account of the "Old Southwest," William Bartram recorded the natural world he saw around him but, rather incredibly, omitted any reference to the epochal events of the American Revolution. Edward J. Cashin places Bartram in the context of his times and explains his conspicuous avoidance of people, places, and events embroiled in revolutionary fervor. Cashin suggests that while Bartram documented the natural world for plant collector John Fothergill, he wrote Travels for an entirely different audience. Convinced that Providence directed events for the betterment of mankind and that the Constitutional Convention would produce a political model for the rest of the world, Bartram offered Travels as a means of shaping the new country. Cashin illuminates the convictions that motivated Bartram-that if Americans lived in communion with nature, heeded the moral law, and treated the people of the interior with respect, then America would be blessed with greatness.
Travels Through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the Extensive Territories of the Muscogulges, or Creek Confederacy, and the Country of the Chactaws. Containing an Account of the Soil and Natural Productions of Those Regions, Together With Observations on the Manners of the Indians.
Newly expanded and in full color, this groundbreaking book argues that early American natural historians had a distinctly poetic sensibility, producing work that had a visionary intensity. Covering naturalists from John James Audubon to PT Barnum, it considers not only natural history writing, but also illustrations, photographs, and actual collections of flora and fauna. Photography and all associated expenses made possible by a generous grant from Furthermore: a program of the J. M. Kaplan Fund
A juvenile biography of father and son, John and William Bartram, naturalists who lived in the late 18th and early 19th centuries in America. The Bartrams were America's first native botanists, father and son travelers, plant hunters, and master gardeners. They traveled the east coast and observed and wrote about the nature they found. Their story is full of adventure and curiosity. Their interests took them on wide travels, including through Florida in 1774. William Bartram's most famous book is Travels, which is of particular interest for its early description and drawings of Florida. His book is an important part of Florida's early records. This is seventh book in Pineapple Press's Young Readers series of biographies of famous people who influenced Florida. Next in series > > See all of the books in this series
