The Improbable First Century of Cosmopolitan Magazine

The Improbable First Century of Cosmopolitan Magazine

Author: James Landers

Publisher: University of Missouri Press

Published: 2010-11-01

Total Pages: 369

ISBN-13: 0826272339

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Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research. When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives. The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.


Down & Out: The Magazine Volume 2 Issue 1

Down & Out: The Magazine Volume 2 Issue 1

Author: Walter Satterthwait

Publisher: Down & Out Books

Published: 2019-11-18

Total Pages: 127

ISBN-13:

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In this issue, pioneering TV writer and producer April Kelly opens with a wicked story that may remind you to pay attention to what you eat. Brendan DuBois appears with the story of an assassination and its aftermath—from the killer’s point of view. Ray Daniel & Kellye Garrett team up with a story that brings together characters from their own series. Our feature is by Walter Satterthwait, who comes at us with his first new story in a while. The lead character, Fallon, helps—in his own way—solve a murder at a monastery. Edgar Award-winning author Sylvia Maultash Warsh brings us a piece about deception in the world of art, and we welcome Benjamin Boulden back with his second story for us. Robb T. White returns following his Best Mystery Stories of 2019 entry in our pages, and Dane F. Baylis, Richard Prosch and Richard Risemberg debut in our magazine with some of the most entertaining crime fiction you’ll find.


Liberals in Schism

Liberals in Schism

Author: David Dutton

Publisher: Bloomsbury Publishing

Published: 2008-08-18

Total Pages: 310

ISBN-13: 0857737112

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Formed out of a breakaway from the mainstream Liberal party in 1931, the Liberal National party (renamed the 'National Liberal Party' in 1948) preserved a separate identity for almost 40 years. During this time they helped ensure that the Liberals themselves would not return to their former status of a governing party while helping to broaden the electoral appeal of their Conservative allies, contributing significantly to the Tory domination of the British political scene in the middle of the twentieth century. Here, David Dutton shows us for the first time how the National Liberals were a potent force in shaping the evolution of British politics in the middle decades of the twentieth century, before they finally merged with the Conservative party in 1968.


American Little Magazines of the Fin de Siecle

American Little Magazines of the Fin de Siecle

Author: Kirsten MacLeod

Publisher: University of Toronto Press

Published: 2018-01-01

Total Pages: 508

ISBN-13: 1442643161

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In American Little Magazines of the Fin de Siecle, Kirsten MacLeod examines the rise of a new print media form - the little magazine - and its relationship to the transformation of American cultural life at the turn of the twentieth century. Though the little magazine has long been regarded as the preserve of modernist avant-gardes and elite artistic coteries, for whom it served as a form of resistance to mass media, MacLeod's detailed study of its origins paints a different picture. Combining cultural, textual, literary, and media studies criticism, MacLeod demonstrates how the little magazine was deeply connected to the artistic, social, political, and cultural interests of a rising professional-managerial class. She offers a richly contextualized analysis of the little magazine's position in the broader media landscape: namely, its relationship to old and new media, including pre-industrial print forms, newspapers, mass-market magazines, fine press books, and posters. MacLeod's study challenges conventional understandings of the little magazine as a genre and emphasizes the power of "little" media in a mass-market context.