"Nilsson studied the geographical aspects of the Greek myths. He proved that almost without exception, the places in the myths, especially those in the great cycle of stories, are the very same places as those now known from archaeology to have been important Bronze-Age sites ... Nilsson made it amply clear, in a host of interesting details which he worked out with ingenuity and almost always good sense, that the memory of the great Bronze-Age centres survived, and that the stories told of them ... truly reflected, in Classical times, the Mykenaian Age. To have discovered this great bridge was the triumphant achievement of Nilsson." [Back cover].
The last major work of the giant of the field. Martin P. Nilsson set himself the task of tracing the elements of Greekmythology, as they appear in Homer's Iliad, to their source in Mycenaean culture, a much earlier period. His conclusions, drawn from a very limited empirical material - archaeology, very few relevant Linear B texts - are remarkably compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
In an innovative sequence of topics, Ken Dowden explores the uses Greeks made of myth and the uses to which we can put myth in recovering the richness of their culture. Most aspects of Greek life and history - including war, religion and sexuality - which are discernable through myth, as well as most modern approaches, are given a context in a book which is designed to be useful, accessible and stimulating.
The extraordinary story of the loss and rediscovery of the city that fought Troy, told through archaeology, literature, and poetic black-and-white photography The Mycenaean civilization flourished more than 800 years before the classical Greeks, with a complex society, strong artistic tendencies, and a distinct system of writing. Famous for its lion gate and citadel, Mycenae was long believed to be the city that fought Troy in Homer’s epic, the Iliad. But after flourishing nearly three thousand years ago the society vanished, becoming nothing more than a legend. Mycenae: From Myth to History brings readers into the heart of this mystery, as it was being solved, through lively text, stunning photographs, and an original take on Greek history and mythology. Using the pivotal summer of 1954—a year after Linear B, the mysterious language present on all Mycenaean artifacts, was decoded—as her entry point, author Athina Cacouri reveals the fascinating archaeological history of the site, from the pioneering work of Heinrich Schliemann to the discovery of hundreds of “seal stones,” marked with an unknown language. Cacouri’s text is complemented by the photographs of Robert A. McCabe, whose lens captured the site before it was opened to the general public, giving his atmospheric images a poignant, unmatched immediacy. An original play, commissioned for this volume from renowned American playwright John Guare, sets the mythological stage for the archaeological discoveries to come by recounting the history of the House of Atreus and King Agamemnon’s Trojan War, while commentary on the photographs from archaeologist Lisa Wace French ties those myths to very real discoveries at the site. An essay by Daniel Fallu, detailing the importance of Mycenae’s geology, rounds out this unparalleled survey of one of Greece’s treasured archaeological sites. A multifaceted look at a brilliant civilization and the tireless work that led to its rediscovery, Mycenae is a fast-paced, lushly illustrated exploration of one of the most intriguing mysteries of antiquity that is sure to delight lovers of classical civilization, photography, and travel.
Nilsson's seminal work on Minoan-Myceanaean religion had its second edition in 1950 prior to the decipherment of Linear B; yet he found much in the archaeological record of the Bronze Age which he associated with later Greek religion. In that respect his insights were vindicated by the reading of those tablets which bore the names of classical Greek divinities, though at tme time new conclusions were needed about Indo-European arrival in Greek lands. Dietrich, with Nilsson very much in mind, starts from the premises that beliefs and their associated rites are inherently conservative; that, even where populations change, they tend to do so gradually, creating fusions rather than wholesale disruptions in ritual practice. An understanding of classical Greek religion thus, necessarily, depends on appreciation of its forerunners in the Bronze Age; and they, in turn, on evidence from the better documented religions of the Middle East. Dietrich's four main chapters deal first with those eastern links; then with the old traditions of Minoan Crete; next with the interplay of pre-Greek Minoan and Greek Mycenaean cultures; and finally he attempts to bridge the commonly assumed divide between bronze age and archaic Greece. Appendixes deal with Minoan peak-sanctuaries, with Apollo at Delphi, and (sympathetically) with Nilsson's pervasive view that Greek mythology was first formulated in the Mycenaean age. In these areas a great deal more work has been done since 1974. Dietrich's thoroughly researched work was at once trend-setting and provocative. It is here made available for the first time in paperback; for it still contains much of importance for the student of Greek religion.
The Greeks were obsessed with their past; it infused every aspects of their culture. In this interesting and insightful book, John Boardman explores 'How the Greeks re-created their mythical past' in a physical, artistic and literary sense and how they drew on this nostalgia to comment on contemporary behaviour. He discusses how finds of massive fossil bones, strange natural features and eerie places, along with stories from other cultures, plus a bit of imagination, were combined to form the essence of Greek myth. 'By the end of this book the reader may be persuaded that a major source for Greek myth was also the result of the Greeks' imaginative response to the natural world around them and to the artefacts of their predecessors'.
Following on from Rodney Castleden's best-selling study Minoans, this major contribution to our understanding of the crucial Mycenaean period clearly and effectively brings together research and knowledge we have accumulated since the discovery of the remains of the civilization of Mycenae in the 1870s. In lively prose, informed by the latest research and using a full bibliography and over 100 illustrations, this vivid study delivers the fundamentals of the Mycenaean civilization including its culture, hierarchy, economy and religion. Castleden introduces controversial views of the Mycenaean palaces as temples, and studies their impressive sea empire and their crucial interaction with the outside Bronze Age world before discussing the causes of the end of their civilization. Providing clear, easy information and understanding, this is a perfect starting point for the study of the Greek Bronze Age.
The last major work of the giant of the field. Martin P. Nilsson set himself the task of tracing the elements of Greekmythology, as they appear in Homer's Iliad, to their source in Mycenaean culture, a much earlier period. His conclusions, drawn from a very limited empirical material - archaeology, very few relevant Linear B texts - are remarkably compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
**** A reprint, without changes, of the Knopf edition, 1961 (which is cited in BCL3). Like the original (undoubtedly), this, too, is printed on acidic paper. Annotation copyrighted by Book News, Inc., Portland, OR
