The companion volume to an exhibit of the same name at the Museum of Fine Arts in Boston from July 2005 to January 2006 illustrates and describes the Museum's collection of instruments from Korea south to Java and west to Turkey, along with some loaned by local organizations. Clark, a researcher at the Museum's Department of Musical Instruments, includes notes on the pieces, a map, a glossary of musical terms, and lists of further reading and suggested listening. Annotation 2005 Book News, Inc., Portland, OR (booknews.com).
In this richly imaginative novel, Mingmei Yip--author of Peach Blossom Pavilion and Petals From the Sky--follows one woman's daunting journey along China's fabled Silk Road. As a girl growing up in Hong Kong, Lily Lin was captivated by photographs of the desert--its long, lonely vistas and shifting sand dunes. Now living in New York, Lily is struggling to finish her graduate degree when she receives an astonishing offer. An aunt she never knew existed will pay Lily a huge sum to travel across China's desolate Taklamakan Desert--and carry out a series of tasks along the way. Intrigued, Lily accepts. Her assignments range from the dangerous to the bizarre. Lily must seduce a monk. She must scrape a piece of clay from the famous Terracotta Warriors, and climb the Mountains of Heaven to gather a rare herb. At Xian, her first stop, Lily meets Alex, a young American with whom she forms a powerful connection. And soon, she faces revelations that will redefine her past, her destiny, and the shocking truth behind her aunt's motivations. . . Powerful and eloquent, Song of the Silk Road is a captivating story of self-discovery, resonant with the mysteries of its haunting, exotic landscape.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
A look at the cultural, or intercultural, exchange that took place in the Silk Roads and the role this has played in the shaping of cultures and civilizations.
To travel upon the Silk Road is to travel through history. Millennia older than California's Camino Real, and perhaps even a few years senior to the roads of the Roman Empire, the Silk Road is a network of routes stretching from delta towns of China all the way to the Mediterranean Sea – a cultural highway considered to be essential to the development of some of the world's oldest civilizations. It was upon this road that that Chinese silk traveled and was exchanged for incense, precious stones, and gold from India, the Middle East and as far the Mediterranean, contributing to the great tradition of commercial and idea exchange along the way. In the fall of 1992, celebrated translator, writer, and scholar Bill Porter left his home in Hong Kong and decided to travel from China to Pakistan by way of this famous and often treacherous Silk Road. Equipped with a plastic bottle of whiskey, needle–nose pliers, and the companionship of an old friend, Porter embarks upon the journey on the anniversary of Hong Kong's liberation from the Japanese after World War II and concludes in Islamabad, the capital of Pakistan, at the end of the monsoon season. Weaving witty travel anecdotes with the history and fantastical mythology of China and the surrounding regions, Porter exposes a world of card–sharks, unheard–of ethnic minorities, terracotta soldiers, nuclear experiments in the desert, emperors falling in love with bathing maidens, monks with miracle tongues, and a giant Buddha relaxing to music played by an invisible band. The Silk Road is the second of a three–book memoir series about Porter's travels in and around China to be published by Counterpoint. With an eye for cultural idiosyncrasies and a vast knowledge of history, Porter continues to make with his mark as an expert and travel writer.
An eight-lesson curriculum unit that explores the cultural and economic significance of the Silk Road, a series of routes that crisscrossed Eurasia from the first millennium BCE through the middle of the second millennium CE. The unit begins with an overview of the Silk Road's geography and history. Subsequent lessons explore specific elements of exchange along the Silk Road: languages, goods, belief systems, arts, music, and populations.
Join the caravan for an exciting year-long trek along China's ancient Silk Road. Following the rhyming, treasure-filled story are informational endnotes about the history of the Silk Road, the story of silk, important cities of China, and a full-spread map. Ages: 4-10 Colour illustrations
Silk Road: The Study of Drama Culture is the translated edition of the Chinese academic book of the same title written by Professor LI Qiang from Shaanxi Normal University, China. The book breaks through the concept of regarding Han Drama as the center, yet elaborates the Silk Road drama as an inclusive culture and a prevailing literary art form in human civilization. Relying on his extensive experience and broad vision, the author conducts the thorough study by means of literature, artifacts and academic fieldwork. The book studies the drama culture of all ethnic groups from Asia, Europe and Africa and touches upon the cultural exchanges between China and its neighboring countries, between the East and the West. The carefully presented details in this book are aimed to explore all the related fields such as dramaturgy, philology, phonology, religion, history, geography, archeology, ethnology, and folklore between the East and the West from the perspective of cultural anthropology. The explanations in the book contribute to an in-depth study on the origins of the Silk Road and the drama culture along the Silk Road.
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
