A young journalist goes to Venice, Italy, to interview a famous violinist, who tells the story of his parents' incarceration by the Nazis, and explains why they can no longer listen to the music of Mozart.
"Remember, what's down inside you, all covered up—the things of your soul. The important, secret things . . . The story of you, all buried, let the music caress it out into the open." When Allegra was a little girl, she thought she would pick up her violin and it would sing for her—that the music was hidden inside her instrument. Now that Allegra is twelve, she believes the music is in her fingers, and the summer after seventh grade she has to teach them well. She's the youngest contestant in the Ernest Bloch Young Musicians' Competition. She knows she will learn the notes to the concerto, but what she doesn't realize is she'll also learn how to close the gap between herself and Mozart to find the real music inside her heart. The Mozart Season includes an interview with author Virginia Euwer Wolff.
No matter how you might try to hide in a war to escape your past, it is always close at hand. Lady Sophia Huntington Villiers is no stranger to intrigue, as her work with Alan Turing’s Bombe Machines at Bletchley Park during the war attests. Now, as part of Simon Barre’s covert team in post-war Vienna, she uses her inimitable charm and code name Starling to infiltrate the world of relics: uncovering vital information that could tilt the stakes of the mounting Cold War. When several influential men charge her with finding the death mask of Mozart, Sophie wonders if there is more than the composer’s legacy at stake and finds herself drawn to potential answers in Prague. Simon Barrington, the illegitimate heir of one of Sussex’s oldest estates, used the previous war to hide his insecurities about his past. Now, he uses his high breeding to gain access to all four allied quarters of the ruined city in an attempt to slow the fall of the Iron Curtain. He has been in love with Sophie Villiers since the moment he met her, and a marriage of convenience to save Simon’s estate has always kept her close. Until now, when Sophie’s mysterious client in Prague forces him to wonder if her allegiance to him—and their cause—is in question. Torn between his loyalty to his cause and his heart, Simon seeks answers about Sophie only to learn that everything he thought he knew about his involvement in both wars is based on a lie. “Murky espionage and burgeoning passion twine beautifully together in The Mozart Code’s superbly evocative prose—an enchanting read!” —Kate Quinn, New York Times bestselling author of The Rose Code “Vienna is the new Paris in The Mozart Code, a World War II spy novel with deft, chess-like plotting, and plenty of old-fashioned romance.” —Susan Elia MacNeal, New York Times bestselling author of the Maggie Hope novels and Mother Daughter Traitor Spy “The Mozart Code is a smart, luscious romance, a thrilling suspense, and a thunderously good read. McMillan is a rising star in historical fiction.” —Aimie K. Runyan, bestselling author of The School for German Brides “Rife with secret codes, haunting melodies, betrayal and sacrifice, at its heart this is a story about the courage it takes to love and be loved. Highly recommended!” —Kimberly Brock, author of The Lost Book of Eleanor Dare “Beautifully lush and atmospheric, The Mozart Code is a novel full of nuances and brimming with danger, romance, and intrigue.” —Jenni L. Walsh, author of Becoming Bonnie and The Call of the Wrens “The Mozart Code left me breathless.” —Joy Callaway, international bestselling author of The Fifth Avenue Artists Society and The Greenbrier Resort Post World War II historical romance Stand-alone novel (features characters from The London Restoration) Book length: 95,000 words Includes discussion questions for book clubs
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
This is an ambitious attempt to separate what is actually known (and can be known) about Mozart from the many myths and legends that have grown up about his life and character, notably the circumstances of his death and his alleged immaturity, drinking, extravagance, womanizing, unreliability, and professional failure.
Offers eleven short stories, accompanied by essays and commentaries that illuminate the craft of storytelling and the influences of people and places on the author's works.
“During his picaresque, chameleon career, [Da Ponte] was always on the move. Jew and Catholic, priest and womaniser, poet and bankrupt, shopkeeper and university professor, he began his long life in and around Venice and ended it in New York. It is hard to imagine a more flamboyant personal history, a gift to the biographer Anthony Holden, who relishes his subject’s sheer exuberance.” — Lucasta Miller, The Guardian “Lorenzo da Ponte was, at various times, a Catholic priest, a gambler, a philanderer, an entrepreneur, a poet, a friend of Casanova, an enemy of the Venetian state, a teacher, a shopkeeper, a courtier and a troublemaker. The tangled yarn of his life would be worth spinning even had he not also written the libretto for Mozart’s three greatest operas. In The Man Who Wrote Mozart, Anthony Holden unravels the full nine decades of Da Ponte’s picaresque life, eight of which did not involve his friend Wolfgang... Holden’s narrative verve spans continents and centuries. His life of Da Ponte is engrossing and bound to be definitive.” — Rafael Behr, The Guardian “[T]he writer who evokes Mozart’s world most vividly - albeit obliquely - is the journalist and music critic Anthony Holden... Da Ponte’s life... is certainly a rollicking yarn... a riproaring read.” — Hugh Canning, Sunday Times “Anthony Holden writes extremely well, telling the racy story energetically... He provides a rattlingly good read, filled with vivid anecdotes.” — Spectator “Anthony Holden steers through this incredible picaresque story with elan, well paced gusto and a gentle, if not uncritical, eye... Anthony Holden’s book is a fine achievement.” — The Oldie “Anthony Holden’s... biography, brings assiduous new research to Da Ponte’s early and late life and tells his story in journalistic deadpan.” — The Tablet “Holden’s companionable new biography is a refreshing take on an old story.” — Mail on Sunday “[E]ntertaining.” — The Herald “He writes with a sincere enthusiasm about the creative partnership with Mozart.” — Sunday Telegraph “The trajectory of Lorenzo Da Ponte’s life was remarkable.” — London Review of Books “This is a tale of a literary adventurer, full of mystery... Holden does his readers a favour by making his subject interesting to an audience beyond opera lovers.” — Sunday Business Post “[A] genuine pleasure. At turns amusing, poignant and instructive, it engagingly captures the chemistry between librettist and composer that produced those masterpieces of the operatic repertoire.” — Irish Times “Phew! The only problem with this sparkling biography is keeping up with the headlong pace set by what was really an extraordinary life.” — Classic FM Magazine “Anything biographical or musical that Anthony Holden writes is automatically worth reading, and this exquisitely written book sees him discourse eruditely on both topics.” — Observer “Clear, impartial, accessible and concise.” — The Times “An enjoyable biography of a remarkable man.” — The Sunday Times “Anthony Holden’s compelling narrative does justice to the man and to the highs and lows of his unusually varied career.” — Waterstone’s Books Quarterly
An unforgettable love story and the incredible chronicle of a musical genius and a mathematical prodigy who share a diagnosis of Asperger’s syndrome. When Jerry and Mary Newport met, the connection was instant. A musical genius and a mathematical wonder, the two shared astronomic IQs, but they also shared something else—they both were diagnosed with Asperger's syndrome, a form of autism that affects millions of Americans and makes social contact painfully unbearable. When Jerry and Mary married, they were catapulted into the limelight. They appeared on 60 Minutes and soon were known as "superstars in the world of autism," shining examples of two people who refused to give up in the face of their mutual challenge. But just when it appeared that their lives would enjoy a fairy-tale ending, their marriage fell apart. The Hollywood feeding frenzy was too much to handle, and they divorced. After heartbreaking years of soul searching, Jerry and Mary remarried. Today, with their union stronger than ever, they have dedicated themselves to helping countless other people with Asperger's and autism lead lives of dignity.
The memoir that inspired the two-time Golden Globe Award–winning comedy series: “Funny . . . heartbreaking . . . [and] utterly absorbing” (Lee Smith, New York Times–bestselling author of Guests on Earth). Oboist Blair Tindall recounts her decades-long professional career as a classical musician—from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, where musicians trade sexual favors for plum jobs and assignments in orchestras across the city. Tindall and her fellow journeymen musicians often play drunk, high, or hopelessly hungover, live in decrepit apartments, and perform in hazardous conditions—working-class musicians who schlep across the city between low-paying gigs, without health-care benefits or retirement plans, a stark contrast to the rarefied experiences of overpaid classical musician superstars. An incisive, no-holds-barred account, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the orchestra pit. The book that inspired the Amazon Original series starring Gael García Bernal and Lola Kirke, this is “a fresh, highly readable and caustic perspective on an overglamorized world” (Publishers Weekly).