The Motif of Hope in African American Preaching during Slavery and the Post-Civil War Era: There's a Bright Side Somewhere explores the use of the motif of hope within African American preaching during slavery (1803–1865) and the post-Civil War era (1865–1896). It discusses the presentation of the motif of hope in African American preaching from an historical perspective and how this motif changed while in some instances remained the same with the changing of its historical context. Furthermore, this discussion illuminates a reality that hope has been a theme of importance throughout the history of African American preaching.
This first-of-its-kind biography tells the story of Rev. James Page, who rose from slavery in the nineteenth century to become a religious and political leader among African Americans as well as an international spokesperson for the cause of racial equality. Winner of the Rembert Patrick Award by The Florida Historical Society, Florida Non-Fiction Book Award by the Florida Book Awards, Harry T. and Harrietter V. Moore Award by the Florida Historical Society James Page spent the majority of his life enslaved—during which time he experienced the death of his free father, witnessed his mother and brother being sold on the auction block, and was forcibly moved 700 miles south from Richmond, VA, to Tallahassee, FL, by his enslaver, John Parkhill. Page would go on to become Parkhill's chief aide on his plantation and, unusually, a religious leader who was widely respected by enslaved men and women as well as by white clergy, educators, and politicians. Rare for enslaved people at the time, Page was literate—and left behind ten letters that focused on his philosophy as an enslaved preacher and, later, as a free minister, educator, politician, and social justice advocate. In Father James Page, Larry Eugene Rivers presents Page as a complex, conflicted man: neither a nonthreatening, accommodationist mouthpiece for white supremacy nor a calculating schemer fomenting rebellion. Rivers emphasizes Page's agency in pursuing a religious vocation, in seeking to exhibit "manliness" in the face of chattel slavery, and in pushing back against the overwhelming power of his enslaver. Post-emancipation, Page continued to preach and to advocate for black self-determination and independence through black land ownership, political participation, and business ownership. The church he founded—Bethel Missionary Baptist Church in Tallahassee—would go on to be a major political force not only during Reconstruction but through today. Based upon numerous archival sources and personal papers, as well as an in-depth interview of James Page and a reflection on his life by a contemporary, this deeply researched book brings to light a fascinating life filled with contradictions concerning gender, education, and the social interaction between the races. Rivers' biography of Page is an important addition, and corrective, to our understanding of black spirituality and religion, political organizing, and civic engagement.
Preaching the Manifold Grace of God is a two-volume work describing theologies of preaching from the historical and contemporary periods. Volume 1 focuses on historical theological families: Orthodox, Roman Catholic, Lutheran, Reformed, Anabaptist, Anglican/Episcopal, Wesleyan, Baptist, African American, Stone-Campbell, Friends, and Pentecostal. Volume 2 focuses on families that are evangelical, liberal, neo-orthodox, postliberal, existential, radical orthodox, deconstructionist, Black liberation, womanist, Latinx liberation, Mujerista, Asian American, Asian American feminist, LGBTQAI, Indigenous, postcolonial, and process. In each case, the author describes the circumstances in which the theological family emerged and describes the purposes and characteristics of preaching from that perspective.
In this compelling research, Kent Michael Shaw I reveals a concise and comprehensive work on the development of Missions Theology informed by the perspectives from early African American missionaries. Missiology Reimagined unveils the hidden and ignored missions history of enslaved and free African Americans during the antebellum period of the United States. This book helps the student of missiology decipher how the events of the 1800s shaped the missions theology of Black Americans. The enslaved of that day constructed a hermeneutic and interpreted the sacred text through a lens that contradicted their enslaver's version of Christianity. Through these constructs, they critically engaged in scripture and formulated a theology of mission contextualized for their lived experience. This insight compelled them to risk death and re-enslavement to pursue a global mandate from God. These pioneering missionaries would emerge as experts in the field of global evangelism, heralding them as both missionaries and missiologists. Since they were practitioners and students of Scripture, an applied mission’s theology would materialize. The reader will observe how this theological formation influenced the black church in the nineteenth century and their missiology reimagined. These men and women held two titles: missionary and missiologist. These pioneer missionaries would emerge as early experts in the field of global evangelism. As practitioners and students of scripture, an applied mission’s theology evolved. The reader will observe how this theological formation would shape the black church in the nineteenth century and a reimagined missiology.
The art of preaching is one of the most important acts of ministry. The sermon serves as a transformative force—imparting knowledge, challenging beliefs, and convicting hearts. Recognizing the importance of this sacred task, Handbook of Contemporary Preaching, 2nd Edition equips pastors with invaluable tools and insights, enabling them to prepare and deliver sermons that resonate deeply with their congregations. In a single volume, editor Michael Duduit compiles the insight, methods, and experience of over fifty celebrated preachers, including R. Albert Mohler, Hershael York, Robert Smith Jr., Bryan Chappell, Jim Shaddix, Tony Merida, Ed Stetzer, and many others. This handbook covers every aspect of contemporary preaching: The roots of contemporary preaching Contemporary preaching methods, including expository, topical, doctrinal, narrative, and alternative preaching models Sermon preparation and presentation Preaching and the biblical text Preaching as a part of ministry Preaching to the needs of people in contemporary contexts With its expansive bibliography and topical format, Handbook of Contemporary Preaching, 2nd Edition is designed to be a timeless resource in every pastor’s library. In this book, pastors, teachers, and seminarians will find invaluable insight and comprehensive guidance for the art of preaching. Contributors: R. Albert Mohler, Nathan Finn, Chuck Fuller, Tyshawn Gardner, Scott Gibson, Chris Rappazini, Robert Smith, Jr., Calvin Miller, Bryan Chapell, Frank Pollard, David S. Dockery, Scott Pace, Hershael York, Lloyd John Ogilvie, Stuart Briscoe, Jeffery Campbell, Ralph Douglas West, Eric Johnson, David Allen, Simon Vibert, Stephen Rummage, Daniel Block, Ken Mathews, Paul House, C. Hassell Bullock, Heath Thomas, Robert Sloan, Sidney Greidanus, Channing Crisler, Scott Hafemann, Richaed Melick, Al Fasol, Jim Shaddix, Don Sunukijian, Michael Quicke, Tony Merida, Jesse Nelson, Clayborn Lea, Mike Glenn, Micah Fries, Ed Stetzer, Kris Barnett, Bryan Carter, James Emery White, Tim McKnight, Charlie Dates, Mike Milton, Rick Blackwood, James Noble, Maurice Watson, Vic Anderson, Timothy Mann, Ben Brammer, Clayton King, and Dennis Phelps
This book examines the impact of white racialization in homiletics. The first section, Racial Hegemony, interrogates the white, colonial bias of Euro-American homiletical practice, pedagogy, and theory with particular attention to the intersection of preaching and racialization. The second section, Resistance and Possibilities, contributes diverse critical homiletical approaches emerging in conversation with racially-minoritized scholarship and racially subjugated knowledge and practice. By reading this book, preachers and professors of preaching will encounter alternative, non-dominant homiletical pathways toward a more just future for the church and the world.
This book explores the church's engagement with worship and theology as a result of the pandemic, especially as it relates to digital worship and the means of grace. Organized around the four-fold pattern of Sunday worship—Gathering, Word, Meal, Sending—this collection of essays provides source material for both theological discernment and practical implementation. Topics include preparing and theologizing worship no matter the modality, engaging the questions of embodiment as related to the incarnation of Christ, and looking at the theology of church in a digital age. Renowned scholars in the field explore how online worship provides for the visibility of the gospel, how to lament and pray in the midst of pandemic and future crises, and how the mission of the church through its worship can continue regardless of physical restrictions. This timely collection appeals to researchers, professionals, and practitioners in the field.
Reverend Albert Cleage Jr. and the Black Prophetic Tradition: A Reintroduction of The Black Messiah considers how Albert Cleage Jr., in his groundbreaking book of sermons, The Black Messiah (1969), reconfigures the rules of the game as it relates to Christianity and the social political realities of Black people in Detroit and across the country. Taking a rhetorical approach, this book explores how and what The Black Messiah (1969) has contributed to the broader scope of Black Liberation Theology and Black religious rhetoric. Scholars of rhetoric, communication, religious studies, and African American history will find this book particularly useful.
In The Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion, Armondo R. Collins theorizes Black Nationalist rhetorical strategies as an avenue to better understanding African American communication practices. The author demonstrates how Black rhetors use writing about God to create a language that reflects African Americans’ shifting subjectivity within the American experience. This book highlights how the Black God trope and Black Nationalist religious rhetoric function as an embodied rhetoric. Collins also addresses how the Black God trope functions as a gendered critique of white western patriarchy, to demonstrate how an ideological position like womanism is voiced by authors using the Black God trope as a means of public address. Scholars of rhetoric, African American literature, and religious studies will find this book of particular interest.
