The Moral Universe of Shakespeare's Problem Plays

The Moral Universe of Shakespeare's Problem Plays

Author: Vivian Thomas

Publisher: Routledge

Published: 2021-03-30

Total Pages: 196

ISBN-13: 100035010X

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What is it that makes Shakespeare’s problem plays problematic? Many critics have sought for the underlying vision or message of these puzzling and disturbing dramas. Originally published in 1987, the key to Viv Thomas’s new synthesis of the plays is the idea of fracture and dissolution in the universe. From the collapse of ‘degree’ in Troilus and Cressida to the corruption at the heart of innocence in Measure for Measure, to the puzzling status of virtue and valour in All’s Well, the most obvious feature of these plays in their capacity to prompt new questions. In a detailed discussion of each play in turn, the author traces the dominant themes that both distinguish and unite them, and provides numerous insights into the sources, background, texture and morality of the plays.


Shakespeare and Moral Agency

Shakespeare and Moral Agency

Author: Michael D. Bristol

Publisher: A&C Black

Published: 2011-11-03

Total Pages: 358

ISBN-13: 1441120475

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Shakespeare and Moral Agency presents a collection of new essays by literary scholars and philosophers considering character and action in Shakespeare's plays as heuristic models for the exploration of some salient problems in the field of moral inquiry. Together they offer a unified presentation of an emerging orientation in Shakespeare studies, drawing on recent work in ethics, philosophy of mind, and analytic aesthetics to construct a powerful framework for the critical analysis of Shakespeare's works. Contributors suggest new possibilities for the interpretation of Shakespearean drama by engaging with the rich body of contemporary work in the field of moral philosophy, offering significant insights for literary criticism, for pedagogy, and also for theatrical performance.


Face-to-Face in Shakespearean Drama

Face-to-Face in Shakespearean Drama

Author: Matthew James Smith

Publisher: Edinburgh University Press

Published: 2019-05-22

Total Pages: 304

ISBN-13: 147443570X

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This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.


Shakespeare's Moral Compass

Shakespeare's Moral Compass

Author: Neema Parvini

Publisher: Edinburgh University Press

Published: 2018-08-13

Total Pages: 342

ISBN-13: 1474432891

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Examines the aesthetics, concepts and politics of chaotic and obscured moving images.


The Castle of Perseverance

The Castle of Perseverance

Author: Anonymous

Publisher: Franklin Classics

Published: 2018-10-07

Total Pages: 166

ISBN-13: 9780341751014

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Double Vision

Double Vision

Author: Tzachi Zamir

Publisher: Princeton University Press

Published: 2012-06-24

Total Pages: 251

ISBN-13: 0691155453

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Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.


Shakespeare and the Problem Play

Shakespeare and the Problem Play

Author: E.L. Risden

Publisher: McFarland

Published: 2012-10-22

Total Pages: 233

ISBN-13: 078647243X

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Shakespeare's plays provide a rich source of genre variation as well as moral or ethical issues that invite deep study. The genre issue often proves the very moral crux where Shakespeare raises the most complex questions. He aimed to build good plays, not simple fulfillments of genre demands. To him "good plays" meant leaving his audience with problems to consider. This book begins with those works most commonly appearing in studies of problem plays, The Merchant of Venice, Troilus and Cressida, All's Well That Ends Well, Measure for Measure; moves to some comedic problem plays, Much Ado About Nothing, A Midsummer Night's Dream, and Twelfth Night; and then to tragic problem plays, Hamlet, Othello, and King Lear. It concludes with some problems in the history and romance genres for the issues they raise in love, adventure, and governance: Henry IV, Part 1, Henry V, Cymbeline, The Tempest, and Love's Labor's Lost.


Shakespeare and the Ethics of War

Shakespeare and the Ethics of War

Author: Patrick Gray

Publisher: Berghahn Books

Published: 2019-09-13

Total Pages: 170

ISBN-13: 1789202639

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How does Shakespeare represent war? This volume reviews scholarship to date on the question and introduces new perspectives, looking at contemporary conflict through the lens of the past. Through his haunting depiction of historical bloodshed, including the Trojan War, the fall of the Roman Republic, and the Wars of the Roses, Shakespeare illuminates more recent political violence, ranging from the British occupation of Ireland to the Spanish Civil War, the Balkans War, and the past several decades of U. S. military engagement in Iraq and Afghanistan. Can a war be just? What is the relation between the ruler and the ruled? What motivates ethnic violence? Shakespeare’s plays serve as the frame for careful explorations of perennial problems of human co-existence: the politics of honor, the ethics of diplomacy, the responsibility of non-combatants, and the tension between idealism and Realpolitik.


Women and Revenge in Shakespeare

Women and Revenge in Shakespeare

Author: Marguerite A. Tassi

Publisher: Susquehanna University Press

Published: 2011

Total Pages: 345

ISBN-13: 1575911310

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Can there be a virtue in vengeance? Can revenge do ethical work? Can revenge be the obligation of women? This wide-ranging literary study looks at Shakespeare's women and finds bold answers to questions such as these. A surprising number of Shakespeare's female characters respond to moral outrages by expressing a strong desire for vengeance. This book's analysis of these characters and their circumstances offers incisive critical perceptions of feminine anger, ethics, and agency and challenges our assumptions about the role of gender in revenge. In this provocative book, Marguerite A. Tassi counters longstanding critical opinions on revenge: that it is the sole province of men in Western literature and culture, that it is a barbaric, morally depraved, irrational instinct, and that it is antithetical to justice. Countless examples have been mined from Shakespeare's dramas to reveal women's profound concerns with revenge and justice, honor and shame, crime and punishment. In placing the critical focus on avenging women, this book significantly redresses a gender imbalance in scholarly treatments of revenge, particularly in early modern literature.