Motion Picture Synchrony
Author: Ernst Luz
Publisher:
Published: 1925
Total Pages: 84
ISBN-13:
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Author: Ernst Luz
Publisher:
Published: 1925
Total Pages: 84
ISBN-13:
DOWNLOAD EBOOKAuthor: Henning Ambjörn Sjörs
Publisher: Penn State Press
Published: 2022-11-18
Total Pages: 217
ISBN-13: 1646022521
DOWNLOAD EBOOKThis book explores the relationship between the so-called ventive morpheme in Akkadian (-am) and the related suffixes -n and -a in other Semitic languages, including Amarna Canaanite, Ugaritic, Hebrew, and Arabic. Using formal reconstructions of the various morphemes and a functional analysis of their different usages, Ambjörn Sjörs convincingly argues that these endings are cognate morphemes that were formally and functionally related to the ventive morpheme in Akkadian. Sjörs provides a systematic description of non-allative ventive verbs in Old Babylonian, the energic and volitive in Amarna Canaanite, the energic and lengthened prefix conjugation in Ugaritic, the lengthened imperfect consecutive in Biblical Hebrew, and the subjunctive and energic in Classical Arabic. Sjörs explains how these verb forms were used within the framework of grammaticalization theory and demonstrates how the suffixes are historically related. Clearly and persuasively argued, Motion, Voice, and Mood in the Semitic Verb sheds valuable light on the Akkadian ventive and its relationship to the other related morphemes. It will be welcomed by linguists specializing in Akkadian, Amarna Canaanite, Ugaritic, Hebrew, and Arabic.
Author: Edwin Styles Metcalf
Publisher:
Published: 1907
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKAuthor: Nellie J. Zambrana-Ortiz
Publisher: Springer Science & Business Media
Published: 2011-04-29
Total Pages: 317
ISBN-13: 9400706650
DOWNLOAD EBOOKThis personal, creative, critical work from a leading scholar of psychology is rooted in three novel concepts and aims to share critical pedagogy in the spirit of nascent potential found in the context of a colonial Puerto Rico. First comes the idea of ‘pedagogy in (e)motion’, or the emotional matrix of the teaching and learning process. Secondly, the author explores the notion of ‘street pedagogy’ as a genuine and powerful professional tool. And thirdly, the book underscores what Zambrana-Ortiz calls ‘the interconnection of the artscience within the political and biographical act of teaching’. The purpose is to inform education teaching practice with the radical framework that, like the neurosciences, believes emotions to be a vital precursor to the planning of action, the process of decision-making and the broadening of our cognitive parameters. The chapters focus on different and yet complementary dimensions of a college teaching initiative boasting a unique interplay between a transgressive narrative, reinvented methodology and authentic samples of students’ contributions to the project. Traditionally, emotional and visceral experiences have been downplayed and rejected as fundamental components of knowledge. This book makes the case for their reinstatement, and proposes that the pleasure and commitment of teaching itself can be seen as resistance given the challenging social and political context, the bureaucracy of the Puerto Rican higher education system, and the cynicism of the self-confessed cognoscenti who think that little political progress can come from within the university system. Such resistance has proved for the author a source of inspiration and has contributed to her creation and reconceptualization of approaches to critical and useful pedagogy. D edication To my students who inspire many stories and provoke many emotions and challenge my capacities... To Aura, Ignacio and Jaime for their unconditional love and their everyday lessons... A cknowledgments Many friends, mentors and colleages from the University of Puerto Rico and United States were very important pieces to my creative work. Thanks to Donaldo Macedo who encouraged the initial proposal and to Joe Kincheloe for accepting it and bringing guidance in the right moment. Colleages like Roamé Torres and Angeles Molina, from their directive positions, were extremely supportive while Sandra Macksoud, José Solís, Pedro Subirats, and Ada Prabhavat gave me guidance and constant insights in editing and translation, as well as crucial material for my narrative. Juan Vadi enhanced my graphic elements with his talent; while college mentors, current colleages, teachers, and former graduate and undergraduate students allowed me to write their stories and reflections binging fresh accents and life to the book. Thanks for ever!
Author: David Gregg
Publisher:
Published: 1893
Total Pages: 396
ISBN-13:
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