The Modern Procession
The Modern Procession

Author: Francis Alÿs

Publisher:

Published: 2004

Total Pages: 168

ISBN-13:

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On the morning of Sunday, June 23, 2002, 100 participants gathered at The Museum of Modern Art in midtown Manhattan, along with a 12-person Peruvian brass band, and a horse, dogs, and numerous palanquins, atop which sat replicas of three masterpieces from the museum's collection--Picasso's "Les Demoiselles d'Avignon," Duchamp's ready-made "Bicycle Wheel" and a Giacometti--and a living representative of contemporary art, Kiki Smith. Three hours later they ended their procession at the museum's new temporary home, in Queens. Along the way, which ran from 11 West 53 Street, over the Queensboro Bridge, and up Queens Boulevard, the procession absorbed 100 additional participants, and enacted a very public spectacle--part saint's day procession and part secular celebration--of the museum's historic move to MoMA QNS.

Procession
Procession

Author: David Acton

Publisher: Univ of California Press

Published: 2015-11-13

Total Pages: 288

ISBN-13: 0520288009

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This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909Ð1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory. His art derived inspiration from music (jazz and classical) and nature (seasonal change, plant forms, the sea). Also central to his work were the dramatic confrontations of the civil rights movement, in which he was an active participant among the New York art scene. Bridging the Harlem Renaissance, Abstract Expressionism, and beyond, Lewis is a crucial figure in American abstraction whose reinsertion into the discourse further opens the field for recognition of the contributions of artists of color. Bringing much-needed attention to LewisÕs output and significance in the history of American art, Procession is a milestone in Lewis scholarship and a vital resource for future study of the artist and abstraction in his period. Published in association with Pennsylvania Academy of the Fine Arts, Philadelphia. Exhibition dates: Pennsylvania Academy of the Fine Arts, Philadelphia: November 13, 2015ÐApril 3, 2016 Amon Carter Museum of American Art, Fort Worth: June 4ÐAugust 21, 2016 Chicago Cultural Center: September 17, 2016ÐJanuary 8, 2017 Ê

Art Moves
Art Moves

Author: Pascale Rihouet

Publisher: Harvey Miller

Published: 2019-06-27

Total Pages: 323

ISBN-13: 9781909400832

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Preface -- Introduction -- Civic glamour on the move -- Candles --The flamboyance of death --The sovereign's progress -- Crisis processions and the power of banners --The extraordinary relic transfer of 1609 -- Epilogue -- Appendices.

The Modern Pilgrim
The Modern Pilgrim

Author: Paul Post

Publisher: Peeters Publishers

Published: 1998

Total Pages: 388

ISBN-13: 9789042906983

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This book is the product of a relatively long history of pilgrimage research in a Dutch theological setting. It is intended as a report for an international audience on this long-running programme. Two lines are followed in the book. The first is the track of liturgical studies, in which an historical, European ethnological and anthropological approach has predominated. The second is a social science track, with specific content coming from psychology of religion. The combination of these two lines has been extremely fruitful. In addition to results of various surveys of contemporary pilgrimage practice and the expansion of research into ritual and cultural context in which modern pilgrims find themselves, special attention is also bestowed on historiographic issues involved in orienting pilgrimage research, and its theoretical and methodological aspects. The places of pilgrimage examined here are Wittem, Dokkum and Amsterdam in The Netherlands, Banneux in Belgium, Lourdes and La Salette in France, and Santiago de Compostela in Spain. The central question which informs the whole study is to what extent one can perhaps speak of a new type of pilgrim today, the "modern pilgrim".

Greek Festivals, Modern and Ancient
Greek Festivals, Modern and Ancient

Author: Evy Johanne Håland

Publisher: Cambridge Scholars Publishing

Published: 2017-06-20

Total Pages: 551

ISBN-13: 144389611X

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This volume represents a multi-faceted, cross-period product of fieldwork conducted in contemporary Greece in combination with ancient sources. Based on a comparative analysis of important religious festivals and life-cycle rituals, the book investigates the importance of cults connected with the Greek female sphere and its relation to the official male-dominated ideology. Within these festivals are encountered supplementary, complementary or competing ideologies connected with men and women, and it is shown that there is not a one-way power structure or male dominance within Greek culture, but rather competing powers linked to the two sexes and their respective spheres. In addition to gender, the book also explores the relationship between the “great” and “little” societies, in the form of official and popular religion. As such, it will serve to broaden the reader’s knowledge of ancient, but also modern, society, because it concerns the relationship between various spheres of life which each possess their own competing and overlapping, but also co-existing, value-systems.

South Asian Religions on Display
South Asian Religions on Display

Author: Knut A. Jacobsen

Publisher: Routledge

Published: 2008-03-03

Total Pages: 401

ISBN-13: 1134074581

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Religious procession is a significant dimension of religion in South Asia. Processions are central not only in Hinduism, but also Islam, Christianity, Jainism and Sikhism, which have large procession rituals. The last years have seen an increase in processions and ritualizations of space both in South Asia and in the South Asian Diaspora. Processions are religious display events and the increase in processions are functions of religious pluralism and competition about public space as well as economic prosperity and a revival of religious identities. Processions often bring together religion and politics since they are about public space, domination and contestation. Written by leading specialists on religious processions and ritualization of public space in South Asia and in the Diaspora, this volume presents current research on the interpretations of the role of processions, the recent increase in processions and changes in the procession traditions. South Asian Religions on Display will appeal to students and scholars of Asian studies, anthropology, religion and political science.

The Modern Brazilian Stage
The Modern Brazilian Stage

Author: David George

Publisher: University of Texas Press

Published: 2011-03-30

Total Pages: 197

ISBN-13: 0292729766

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Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language—the plays, the companies that produced them, and the performances that set a standard for all future stagings. George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s—Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina—along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina. The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues. Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.