Joan Miró (1893-1983) drew his creative inspiration for his paintings, sculptures and ceramics from a great array of sources, particularly from natural objects--such as stones, woods, bits of iron, branches, peacock feathers, pebbles or other suggestive forms--which he would collect on his daily walks and arrange in his studio into a unified inspirational universe. In this beautifully produced volume, photographs by Jean-Marie del Moral document the magical and enticing world of Miró's studio. Alongside images of his inspirational objects and intimate arrangements of household things, numerous sculptures, puppets, sketches and other works by the artist are reproduced, with gorgeous color and black-and-white interior shots and portraits of Miró at work and attending a theatrical performance for which he designed the costumes.
Lavishly illustrated with 230 full color images, this family-oriented art resource introduces children ages 7 to 12, as well as their parents and educators, to more than 50 great artists and their work, with corresponding activities and explorations that inspire artistic development, focused looking, and even creative writing. Thematic chapters range from examining portraiture and landscape to playing with space and storytelling. Within each chapter a diverse range of American and European artists, art mediums, and time periods is represented. This treasure trove of artwork from the National Gallery of Art includes, among others, works by Raphael, Rembrandt, Georgia O’Keeffe, Henri Matisse, Chuck Close, Jacob Lawrence, Pablo Picasso, and Alexander Calder, representing a wide range of artistic styles and techniques. Written by museum educators with decades of hands-on experience in both art-making activities and making art relatable to children, the activities include sculpting a clay figure inspired by Edgar Degas; drawing an object from touch alone, inspired by Joan Miro’s experience as an art student; painting a double-sided portrait with one side reflecting physical traits and the other side personality traits, inspired by Leonardo da Vinci’s Ginevra de' Benci; and creating a story based on a Mary Cassatt painting. Educators, homeschoolers, and families alike will find their creativity sparked by this art extravaganza. The National Gallery of Art in Washington, DC, maintains one of the world's most renowned collections of American and European masterpieces from the thirteenth century to the present. An important component of the National Gallery of Art is its educational mission. This book was written and compiled by the museum's educators and is a collective effort of the Education Division at the National Gallery of Art.
Lavishly illustrated with hundreds of full-color images, this family-oriented art resource introduces children to more than 50 great artists and their work, with corresponding activities and explorations that inspire artistic development, focused looking, and creative writing. This treasure trove of artwork from the National Gallery of Art includes, among others, works by Raphael, Rembrandt, Georgia O’Keeffe, Henri Matisse, Chuck Close, Jacob Lawrence, Pablo Picasso, and Alexander Calder, representing a wide range of artistic styles and techniques. Written by museum educators with decades of hands-on experience in both art-making activities and making art relatable to children, the activities include sculpting a clay figure inspired by Edgar Degas; drawing an object from touch alone, inspired by Joan Miro’s experience as an art student; painting a double-sided portrait with one side reflecting physical traits and the other side personality traits, inspired by Leonardo da Vinci’s Ginevra de' Benci; and creating a story based on a Mary Cassatt painting. Educators, homeschoolers, and families alike will find their creativity sparked by this art extravaganza.
In this remarkably stimulating and erudite series of essays, Eugene Chen Eoyang explores many of the underlying paradigms and presumptions in world literature, highlighting issues of cultural interchange and cultural hegemony. Translation is seen in this perspective as a central rather than a peripheral factor in understanding the meanings of literary works. Taking concrete examples from Chinese literature, Eoyang illuminates not only the semantic collisions that underlie the complexities of translation, but also the cultural identities reflected in language and values. The title alludes to a passage from Emerson, reminding us that the object on view is not only the vision we see but is also the organ through which that vision is apprehended. The confrontation with a radical "other" - which is, for many Westerners, what Chinese literature represents - is thus both a discovery and a self-discovery. Part of the book's originality is that it identifies a new audience - one that is incipiently bicultural, or knowledgeable about what has been called "East" as well as what has been called "West." Readers with an interest in the theory and practice of translation will find this an inspiring and indispensable work, one that prepares the way for a comparative poetics that recognizes the intense subjectivities in every culture and at the same time establishes a basis for a comparison that tries to transcend, even as it acknowledges, provincialities.
Selective Eye ®, is of the career photography of Jason Hailey - his pioneering works in abstract color photography which presage a focus of contemporary art on environmental issues, and advertising projects of people and products, celebrities, industrial/automotive and calendar models; it spans a thirty period from 1955-1985. Included are Hailey's commentaries on art philosophy and photography, as well pictures of family, friends, and life activities. The book showcases the adventurous life of being a creative photographer. Jason is grateful for a rewarding profession career and hopes through this work to inspire others towards advancing the art and craft of contemporary photography.
The sculptor Alexander Calder (1898-1976) and the painter Joan Miró (1893-1983) first met in Paris in 1928 and became life-long friends. This original and visually stunning book places the mobile sculptures of Calder alongside the poetical paintings of Miró and provides fresh insights into the visual dialogue between these two artists. What did the painter see in the sculptor? What did the sculptor see in the painter? These questions are answered through an extensive examination of the exchange of artwork and correspondence between the two artists, maintained across two continents and through the turmoil of war.
Considered one of the great artist of the 20th century, Joan Miro has bequeathed us a definitive body of work whose influence has continued to grow over the years. Miro did not paint dreams but instead , through his works, provided the spectator with certain elements so that he would be the one that dreamed. He never worked under the influence of hypnosis, drugs or alcohol. Nevertheless, his artistic personality and the way he represented on canvas what inspiration dictated to him led André Breton to exclaim: Miro is the most surrealist of us all!!. A creative force in the plastic field who felt an equal passion for the word, for the most daring poetic plays, a lover of objects and the bare truth of materials, Miro always revealed himself as an oneiric artist, a seeeker after the constellations that inspired some of his finest works. Jacques Dupin the main authority in Miro work details all those items in his amazing essay: The Birth of Signs. 72 illustrations
This collection of four prose and four intimately told verse stories was first published in 1977, and the following year Peter Taylor was given the Gold Medal Award for the short story by the American Academy and Institute of Arts and Letters. Set mostly in Nashville and Memphis amid Taylor's fictional genteel Tennessee society, these tales belie serene manners and lovely neighborhoods with undercurrents of irony, violence, disgrace, sexual transgressions, and generational divide. Often shadowing male despair in the modern world, they describe the power of unleashed passion once the restraint of custom has given way.
