From a personally assembled database of 13,859 classical musicians, What Killed the Great and not so Great Composers delves into the medical histories of a wide variety of composers from both a musical and medical standpoint. Biographies of musicians from Johann Sebastian Bach of the Baroque period to Benjamin Britten of the Modern era explore in depth their illnesses and the impact their diseases had on musical productivity. Other chapters referenced to specific composers are devoted to such diverse ailments as deafness, mental disorders, sexually transmitted diseases, surgery and war injuries, to name a few. A unique section of statistics and demographics analyzes various aspects of composers’ lives such as their longevity related to contemporaneous nonmusical populations, the incidence of various illnesses they experienced over the centuries and the type of medical problems suffered by the so-called top 100 classical musicians. Although a precise and complete accounting of the great composers’ ailments may never be possible, a general understanding of the medical problems experienced by these unique individuals, nevertheless, can heighten one’s appreciation of their creative processes despite the hardships imposed by their physical and mental illnesses. Although some individuals surrendered to their disabilities for a variety of reasons, others were able to rise above their infirmities and produce the wonderful music mankind has enjoyed through the centuries.
As the sound-producing mechanism for the bassoon, the reed is a vital component in the sound of the entire instrument. While pre-manufactured reeds are widely available for purchase at music stores, this one-size-fits-all option hardly does justice to the unique needs of the musician and the piece. Many bassoonists, including seasoned professional bassoonist Eric Arbiter, instead choose to craft their own reeds. A nuanced and difficult craft to master, reed-making involves specialized machinery and necessitates special attention to the thickness, and even topography, of the reed itself. When done correctly, however, this process results in a reed that not only produces a more beautiful sound, but also holds up to even the most demanding musical performances. In The Way of Cane, Arbiter demystifies this process for bassoonists of all levels of experience. Drawing from his decades-long experience as both musician and reed-maker, Arbiter provides a comprehensive yet accessible overview of the craft, from the differing sound qualities produced by changing the dimensions of the reed's blades to the changes in the reed's behaviors as it passes through cycles of wetting and drying during production. Small changes in each of these variables, Arbiter explains, contribute to the ultimate goal of producing a bassoonist's ideal sound. With step-by-step instructions, detailed photos that further illuminate the reed-making process, and a companion website featuring the author's own recordings. The Way of Cane emphasizes the importance of the reed to the bassoon's sound, as well as the harmony between reed and musician.
Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
Frederick Delius is among the most celebrated English composers of the 20th century. Widely studied and performed, his works are considered models of the British impressionist school and continue to fascinate students and scholars centuries later. This research guide serves as a ready reference for students and scholars, but will also be interesting to read and useful for anyone who wants to know where to begin to learn more about this important composer.
We are earthen vessels for the Creator God. His light shines on us with the seven candlesticks of the menorah from above with star lights keeping the cross of Christ in our hearts so that what is as above is also with us below. God wants us to live life in peace and to depart in fullest capacity, rejecting evil. He may appear slow in anger, but He is rich in blessings and forgiveness. We exist in creation with our souls and spirits wearing organic and inorganic matter. We are most virtuous and worthy. We live in matter but apart from matter with a yearning to know the Creator who does not dwell in matter. With our devoted practices in religions, we try to come close to adorn Him, and with our rigor in science, we try to discover Him. His presence cannot be found upon by us from the lower three dimensions where we live on earth. Our searching methodologies and equations have no meaning unless they express the thoughts of Almighty God who dwells in the higher, nonmaterial, seven dimensions above, residing below on earth. A designed, predetermined time on earth is approaching steadily. We will be transformed, and we shall proclaim, "As below on earth so above in the heavens, and as above in the heavens so below on earth. All are one, unified together, integrated under the divine will of God as ONE." His mysterious, three-dimensional universe is beyond extraordinary. It is full of natural lights coming from His stars, the seven bright stars of His constellations. The supernatural lights of the higher seven dimensions are behind them to maintain their existence. Together they make the "tree of divine dimensions." They all will manifest in the Millennium Age to deliver the new heavens with the new earth to initiate the New World for humanity. The heavens and earth will be one under the Creator of all, God in His holy triduum.
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