The Midnight Eye Guide to New Japanese Film

The Midnight Eye Guide to New Japanese Film

Author: Tom Mes

Publisher:

Published: 2005

Total Pages: 365

ISBN-13: 9781880656891

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Thanks to directors such as Kitano, Miike and Miyazaki, Japanese cinema has recently undergone something of a resurgence. This title profiles the work of these established film-makers, as well as looking at the creations of new, up-and-coming directors.


Historical Dictionary of Japanese Cinema

Historical Dictionary of Japanese Cinema

Author: Jasper Sharp

Publisher: Scarecrow Press

Published: 2011-10-13

Total Pages: 565

ISBN-13: 0810875411

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The cinema of Japan predates that of Russia, China, and India, and it has been able to sustain itself without outside assistance for over a century. Japanese cinema's long history of production and considerable output has seen films made in a variety of genres, including melodramas, romances, gangster movies, samurai movies, musicals, horror films, and monster films. It has also produced some of the most famous names in the history of cinema: Akira Kurosawa, Hayao Miyazaki, Beat Takeshi, Toshirô Mifune, Godzilla, The Ring, Akira, Rashomon, and Seven Samurai. The Historical Dictionary of Japanese Cinema is an introduction to and overview of the long history of Japanese cinema. It aims to provide an entry point for those with little or no familiarity with the subject, while it is organized so that scholars in the field will also be able to use it to find specific information. This is done through a detailed chronology, an introductory essay, and appendixes of films, film studios, directors, and performers. The cross-referenced dictionary entries cover key films, genres, studios, directors, performers, and other individuals. This book is an excellent access point for students, researchers, and anyone wanting to know more about Japanese cinema.


Unchained Melody

Unchained Melody

Author: Tom Mes

Publisher:

Published: 2017

Total Pages: 155

ISBN-13: 9780993306044

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"In this volume, expert Tom Mes takes us through the extraordinary career of this Japanese actess, whose commanding screen presence and piercing gaze defined an entire age of Japanese cinema from the 1960s onwards. From her early years in the wildly popular films of the Nikkatsu studio to career-defining roles in Lady Snowblood and Female Prisoner Scorpion, Tom als explores Kaji's many collaborations with master film-makers such as Kinji Fukasaku and Kon Ichikawa and delves into her twilight reign on the television screens of Japan, as well as spolighting Meiko Kaji the singer. Unchained Melody profiles her collaborating directors and looks at the varied cinematic tastes of Japanese film audiences over a period of several decades, providing an intriguing snapshot not only iinto Meiko Kaji's career and the film industry of the time, but also of Japanese culture itself"--Page 4 of cover.


The Anime Encyclopedia

The Anime Encyclopedia

Author: Jonathan Clements

Publisher: Stone Bridge Press, Inc.

Published: 2006

Total Pages: 906

ISBN-13:

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An encyclopedia of Japanese animation and comics made since 1917.


Behind the Pink Curtain

Behind the Pink Curtain

Author: Jasper Sharp

Publisher:

Published: 2008

Total Pages: 420

ISBN-13:

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Takes the reader on a wild joy ride deep into the hinterlands of Japanese culture, society and radical politics by way of the weird and wonderful world of the country's distinctive sex film movements. Focusing on one of the most notorious secrets of Japanese filmmaking, the erotic Pink Film (or pinku eiga) genre, Behind the Pink Curtain features numerous interviews with leading figures in the field and offers an exhaustive, yet colourful, trawl through Japan's most vibrant and prolific film sector.


The Paths of Zatoichi

The Paths of Zatoichi

Author: Jonathan Wroot

Publisher: Rowman & Littlefield

Published: 2021-10-01

Total Pages: 203

ISBN-13: 1793601224

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The Paths of Zatoichi charts the history and influence of the Japanese film and television franchise about Zatoichi the blind swordsman. The franchise is comprised of 29 films and 100 TV episodes (starring the famous Shintaro Katsu, who starred in 26 of the 29 feature films). They all follow the adventures of a blind masseur in medieval Japan, who wanders from village to village and often has to defend himself with his deadly sword skills. The first film was released in 1962 and the most recent in 2010. These dates demonstrate how the franchise can be used as a means of charting Japanese cinema history, via the shifts in production practices and audience preferences which affected the Zatoichi series and numerous other film and TV texts. Zatoichi signifies a huge area of Japanese film history which has largely been ignored in much existing scholarly research, and yet it can reveal much about the appeal of long-running characters, franchises, and their constant adaptation and influence within global popular culture.


Re-agitator

Re-agitator

Author: Tom Mes

Publisher: FAB Press

Published: 2013

Total Pages: 0

ISBN-13: 9781903254714

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Re-Agitator. collects more than ten years' worth of Tom Mes' writing on respected Japanese filmmaker Takashi Miike. From dusty film sets in Japan to festival intrigue on the Riviera, and from the straight-to-video ghetto to the stage, Mes covers the full scope of this unclassifiable filmmaker's life and work - with the kind of detail and intimacy that only an insider can provide. This luxurious coffee-table hardback also contains previously unpublished material and explores the background and development of the Japanese film industry over the past 20 years.


Time and Place are Nonsense

Time and Place are Nonsense

Author: Tom Vick

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780934686334

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Japanese film director Seijun Suzuki began his career making increasingly outrageous B movies for Nikkatsu Studios in the 1950s and 1960s (he was eventually fired for his stylistic excesses). More than 10 years later, he reinvented himself as an independent filmmaker with a uniquely eccentric vision. He remains a cult figure outside of Japan and his influence can be seen in the work of directors as diverse as Jim Jarmusch, Baz Luhrmann, and Quentin Tarantino. This study aims to enhance the appreciation of his films by analysing them in light of the cultural and political turmoil of post-WWII Japan and the aesthetic traditions that inform them.


Hiroshima

Hiroshima

Author: John Hersey

Publisher: Vintage

Published: 2020-06-23

Total Pages: 210

ISBN-13: 0593082362

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Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.


Visions of Japanese Modernity

Visions of Japanese Modernity

Author: Aaron Andrew Gerow

Publisher: Univ of California Press

Published: 2010

Total Pages: 273

ISBN-13: 0520256727

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In this study, Aaron Gerow focuses on the early period in which the institutional and narrational structure of Japanese cinema was in flux, arguing that the transnational intertext is less important than the power-laden operations by which the meaning of cinema itself was discursively defined. Both progressive critics of the 'pure film' movement and the more conservative Japanese cultural bureaucrats demanded a unitary text that suppressed the hybrid and unpredictable meanings attendant on early Japanese cinema's informal exhibition contexts. Gerow points out the irony that the progressive and individualist pure film movement critics worked in concert with the Japanese state to undo the 'theft' of Japanese cinema, proposing to replace representations of Japan in Western films by exporting a Japanese cinema 'reformed' to emulate the international norm.