A book that introduces you to the era that gave us the Crusades and the Black Death. A fresh and lively look at history, cunningly disguised as a tabloid newspaper, with features galore!
After a sleepless night spent longing for his absent wife Sita, Rama, god-prince and future king, surveyed his army camps on a clear autumn morning and spied a white goose playing in a pond of lotus flowers. Seeing this radiant creature who so resembled his lost beloved, he began to plead with the bird to give her a message of love and fierce revenge. This is the setting of the Hamsasandesa A Message for the Goose, a sandesa or "messenger poem" by the medieval saint-poet and philosopher Venkatanatha, a seminal figure for the Srivaisnava religious community of Tamil Nadu, South India, and a master poet in Sanskrit and Tamil. In The Flight of Love, Steven P. Hopkins situates Venkatanatha's Sanskrit sandesa within the wider comparative context of South Indian and Sri Lankan literatures. He traces the significance of messenger poetry in the construction of sacred landscapes in pre-modern South Asia and explores the ways the Hamsasandesa re-envisions the pan-Indian story of Rama and Sita, rooting its protagonists in a turbulent emotional world where separation, overwhelming desire, and anticipated bliss, are written into the living particularized bodies of lover and beloved, in the "messenger" goose and in the landscapes surrounding them. Hopkins's translation of the Hamsasandesa into fluid American English verse is framed by a comparative introduction, including an extended essay on translation, detailed linguistic notes, and an expanded thematic commentary that weaves together traditional religious interpretations of the poem with themes of contemporary literary relevance.
When the battered body of a young woman is discovered on a remote Greek island, the local police are quick to dismiss her death as an accident. Then a stranger arrives, uninvited, from Athens, announcing his intention to investigate further. His methods are unorthodox, and he brings his own mystery into the web of dark secrets and lies. Who has sent him, on whose authority is he acting, and how does he know of dramas played out decades ago?
Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.
A dazzling collection of illusions and visual tricks - you won't believe your eyes! Imagine...a stepladder without steps, a clock without hands, a tree without a trunk, a kiss without a mouth, a bicycle with square wheels, a topsy turvy world where anything is possible. With a little imagination, the world can become a different place altogether. This collection features picture puzzles, topsy turvy heads, tricks of the eye and lots more. Filled with flaps to lift, foldouts to pull, and even a wheel to turn, this is entertainment sure to fire any child or adult's imagaintion! Ages 4+
Describes the life and work of the courageous man who changed the way people saw the galaxy, by offering objective evidence that the earth was not the fixed center of the universe
This work offers a theoretical introduction to the portrayal of medievalism in popular film. Employing the techniques of film criticism and theory, it moves beyond the simple identification of error toward a poetics of this type of film, sensitive to both cinema history and to the role these films play in constructing what the author terms the "medieval imaginary." The opening two chapters introduce the rapidly burgeoning field of medieval film studies, viewed through the lenses of Lacanian psychoanalysis and the Deleuzian philosophy of the time-image. The first chapter explores how a vast array of films (including both auteur cinema and popular movies) contributes to the modern vision of life in the Middle Ages, while the second is concerned with how time itself functions in cinematic representations of the medieval. The remaining five chapters offer detailed considerations of specific examples of representations of medievalism in recent films, including First Knight, A Knight's Tale, The Messenger: The Story of Joan of Arc, Kingdom of Heaven, King Arthur, Night Watch, and The Da Vinci Code. The book also surveys important benchmarks in the development of Deleuze's time-image, from classic examples like Bergman's The Seventh Seal and Kurosawa's Kagemusha through contemporary popular cinema, in order to trace how movie medievalism constructs images of the multivalence of time in memory and representation. Instructors considering this book for use in a course may request an examination copy here.
Drawing on traditional Muslim sources, Michael Cook describes Muhammad's life and teaching. He also attempts to stand back from this traditional picture to show how far it is historically justified.
Rattle through 1000 years of horrible history, from the fifth century to the sixteenth century Famine, plague and public execution – the medieval period wasn't the best time for some, but heroic rulers like Charlemagne, William the Conqueror and Henry V made sure that it was full of action. Brimming with facts, this book helps you get under the skin of the people who lived at the time, from impoverished peasants to opulent monarchs. From the Dark Ages to the Renaissance and all the upheavals in between, this book takes the pain out of medieval history. The Black Death – assess the deadly pandemic that swept through Britain and Europe killing millions of people The Holy Roman Empire strikes back – understand how the empire fought to maintain its position Falling apart – witness the arrival of powerful armies from the east and invaders from the north, and the dramatic effects of religious schisms Heading for the Holy Land – uncover the reasons why crusading became so popular, and ultimately so unsuccessful, between the eleventh and fourteenth centuries Living in the medieval world – understand the lives of monks and monarchs, peasants and popes, and travellers and traders of the period Waging conflicts, battles and wars – a look through the troubles that shaped the medieval age; from the fall of the Roman Empire to the Wars of the Roses Open the book and find: Why the peasants revolted Where Chaucer gained inspiration to write The Canterbury Tales Which religious groups fought for power How the Magna Carta shaped our present-day legal system Why the Vikings may have got to America before Columbus Profiles of the best and worst medieval monarchs How Joan of Arc made her name The great and grisly histories of surviving medieval castles Go to Dummies.com for videos, step-by-step examples, how-to articles or to shop!