The Margrave #4

The Margrave #4

Author: Catherine Fisher

Publisher: Penguin

Published: 2011-08-09

Total Pages: 198

ISBN-13: 1101517670

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The fourth installment in the Relic Master quartet! Galen and Raffi's quest has brought them to the Pits of Maar. There, below the surface of the world, in the deepest darkness, a most evil thing is waiting for them to come. Watch a Video


The Relic Master

The Relic Master

Author: Catherine Fisher

Publisher: Random House

Published: 1999

Total Pages: 222

ISBN-13: 0099263939

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Raffi is apprenticed to the Relic Master, Galen, whose task is to keep safe the relics of a bygone age. But his powers are weakening and he and Raffi set off to meet the Makers in the City of the Crows and discover why. The journey is beset with dangers and Raffi's courage is tested at every turn. They are joined by the enigmatic girl Carys and face an uncertain future in the City of Destruction. Will they be able to summon the Crow to help them? Or will the everpresent Watch eventually eliminate them?


Margrave Of The Marshes

Margrave Of The Marshes

Author: Alexandra Ravenscroft

Publisher: Random House

Published: 2012-05-31

Total Pages: 524

ISBN-13: 1448126738

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Through nigh-on forty years of laconic brilliance on Radio 1, a musical taste which defined a culture and his wildly popular Radio 4 show, Home Truths, John Peel reached out to an audience that was as diverse as his record collection. He was a genuinely great Briton, beloved by millions. John's unique voice and sensibility were evident in everything he did, and nowhere is that more true than in these pages. Margrave of the Marshes is the astonishing book John Peel began to write before his untimely death in October 2004, completed by the woman who knew him best, his wife Sheila. It is a unique and intimate portrait of a life, a marriage and a family which is every bit as extraordinary as the man himself - a fitting tribute to a bona fide legend.


Historical Dictionary of Baroque Music

Historical Dictionary of Baroque Music

Author: Joseph P. Swain

Publisher: Scarecrow Press

Published: 2013-06-06

Total Pages: 396

ISBN-13: 0810878259

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Although it lies far back, running roughly from about 1600 to 1750, the Baroque period is far from forgotten and Baroque music is played widely today as well, exercising numerous musicians and attracting rather substantial audiences. It experienced the emergence of a new sort of music, increasingly secular and increasingly good listening, if you will, and also the start of opera. Some of the Baroque composers appear among the most popular of all time, such as Bach, Handel and Vivaldi. So yes, this is a book for researchers, but it is also a good book for anyone who enjoys this music. The Historical Dictionary of Baroque Music certainly fills a significant space in the whole sub-series on music, since it tells us much more not only about the music but also the age that generated it. This is done particularly well in an insightful introduction, with the flow of events traced by the chronology. The dictionary section fills in the missing details with over 400 entries on the most important composers and musicians, some of the musical works themselves, important places and institutions, and a smattering of technical terms. The bibliography directs us to further reading.


Edward Bulwer-Lytton: Collected Works

Edward Bulwer-Lytton: Collected Works

Author: Edward Bulwer-Lytton

Publisher: DigiCat

Published: 2022-05-17

Total Pages: 8525

ISBN-13:

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This unique and meticulously edited collection of Edward Bulwer-Lytton's greatest works includes: Novels & Novellas:_x000D_ The Last Days of Pompeii_x000D_ The Pilgrims of the Rhine_x000D_ Rienzi, the last of the Roman tribunes_x000D_ Falkland_x000D_ Pelham_x000D_ The Disowned_x000D_ Devereux_x000D_ Paul Clifford_x000D_ Eugene Aram_x000D_ Godolphin_x000D_ Asmodeus at Large_x000D_ Ernest Maltravers_x000D_ Alice, or The Mysteries (A sequel to Ernest Maltravers)_x000D_ Calderon, the Courtier_x000D_ Leila, or The Siege of Granada_x000D_ Zicci: A Tale (A prequel to Zanoni)_x000D_ Zanoni_x000D_ Night and Morning_x000D_ The Last of the Barons_x000D_ Lucretia_x000D_ Harold, the Last of the Saxons_x000D_ The Caxtons: A Family Picture_x000D_ A Strange Story_x000D_ My Novel, or Varieties in English Life_x000D_ The Haunted and the Haunters, or The House and the Brain_x000D_ What Will He Do With It?_x000D_ The Coming Race, or Vril: The Power of the Coming Race_x000D_ Kenelm Chillingly_x000D_ The Parisians_x000D_ Pausanias, the Spartan _x000D_ Short Stories:_x000D_ The Incantation_x000D_ The Brothers_x000D_ Poetry:_x000D_ The New Timon_x000D_ Constance_x000D_ Milton_x000D_ Eva_x000D_ The Fairy Bride_x000D_ The Beacon_x000D_ The Lay of the Minstrel's Heart_x000D_ Narrative Lyrics; or, The Parcæ_x000D_ King Arthur_x000D_ Corn-Flowers I_x000D_ Corn-Flowers II_x000D_ Earlier Poems_x000D_ The Land of Promise: A Fable_x000D_ Play:_x000D_ The Lady of Lyons, or Love and Pride_x000D_ Historical Works:_x000D_ Athens: Its Rise and Fall_x000D_ _x000D_ _x000D_ _x000D_


Music at German Courts, 1715-1760

Music at German Courts, 1715-1760

Author: Samantha Owens

Publisher: Boydell Press

Published: 2011

Total Pages: 506

ISBN-13: 1843835983

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Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN