In the tradition of Mailman of the Birdsville Track, The Man from Coolibah details the life of outback cattle property owner, helicopter muster operator and knockabout bloke Milton Jones. The youngest in a family of five, Milton Jones grew up on large properties in the outback. His father was a farm manager and so his early life was a world away from that of city kids. Milton left school in Queensland in his mid teens and moved back to the Northern Territory. Mustering was in his blood and so his first job was as a bullcatcher. Milton Jones is a man of his environment; tough and hardworking with a firm opinion on most things that he isn?t afraid to share. The story of how he bought Coolibah Station in 1988 in cash and the way he has built up his country empire is just one element of this book. For him, wrangling crocs, mustering cattle, fighting bush fires and riding rodeo are the norm. Over 500 km away from nearest city, Darwin, his life is lived on horseback, his days ruled by the sunlight. With the help of a seasonal workforce, plus his 42 choppers and a dozen or so horses, his business musters cattle from across the territory. The Man from Coolibah shows us what it is like to live in the never never and brings the Outback to life. For the men and women who live in Milton?s world, things are changing but the harshness and beauty of the outback stays the same.
Winner of the Commonwealth Writers' Prize for Best Book A New York Times Book Review Notable Book of the Year On a property in New South Wales, a widower named Holland lives with his daughter, Ellen. Over the years as she grows into a beautiful woman, Holland plants hundreds of different eucalyptus trees on his land, filling the landscape, making a virtual outdoor museum of trees. When Ellen is nineteen, Holland announces that she may only marry the man who can correctly name the species of each and every gum tree on his property. A strange contest begins, and Ellen is left unmoved by her suitors until she chances on a strange young man resting under the Coolibah tree whose stories will amaze and dazzle her. A modern fairy tale, and an unforgettable love story, that bristles with spiky truths and unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus affirms the seductive power of storytelling itself.
The fascinating lives and turbulent times of Henry Lawson and Andrew 'Banjo' Paterson - the two men who wrote Australia's story. Today most of us know that Henry Lawson and Andrew 'Banjo' Paterson were famous writers. We know about Matilda, Clancy of the Overflow and the Man from Snowy River; The Drover's Wife, While the Billy Boils and Joe Wilson and his mates, but little else. Here, in a compelling and engaging work, James Knight brings Henry and Banjo's own stories to life. And there is much to tell. Both were country born, just three years and three hundred kilometres apart, Henry on the goldfields of Grenfell and Banjo on a property near Orange, but their paths to literary immortality took very different routes - indeed at times their lives were ones of savage and all too tragic contrasts. Banjo, born into a life of comparative privilege, would rise from country boy to Sydney Grammar student, solicitor, journalist, war correspondent and revered man about town. Henry's formal education only began when his feminist mother finally won her battle for a local school but illness and subsequent deafness would make continuing his lessons difficult, seeing him find work as a labourer, a coach painter and a journalist, all the while wrestling with poverty, alcoholism and mental illness. Both men would become household names during their lifetimes. Both would have regrets. Henry and Banjo details two incredibly fascinating lives and delves into the famous (and not so famous) writings of the two men who had the power to influence and change Australia.
This handbook makes available short grammatical sketches of Australian languages. Each grammar is written in a standard format, following guidelines provided by the editors, and includes a sample text and vocabulary text. The contributions to this volume are salvage studies, giving all the information that is available on four languages which are on the point of extinction, and an assessment of what linguistic impressions can be inferred from the scant material that is available on the extinct languages of Tasmania.
Prelude to Waking: A Novel in the First Person and Parentheses (1950) is a novel by Australian writer Miles Franklin, which was originally published under the author's pseudonym "Brent of Bin Bin". The novel is set in England, France, and the USA, in the period immediately following World War I. The story is told by Nigel Barraclough about Merlin Giltinane and her father and brother from Australia.
Standing on the broken ground of resource extraction settings, the state is sometimes like a chimera: its appearance and intentions are misleading and, for some actors, it is unknowable and incomprehensible. It may be easily mistaken for someone or something else, like a mining company, for example. With rich ethnographic material, this volume tackles critical questions about the nature of contemporary states, studied from the perspective of resource extraction projects in Papua New Guinea, Australia and beyond. It brings together a sustained focus on the unstable and often dialectical relationship between the presence and the absence of the state in the context of resource extraction. Across the chapters, contributors discuss cases of proposed mining ventures, existing large-scale mining operations and the extraction of natural gas. Together, they illustrate how the concept of absent presence can be brought to life and how it can enhance our understanding of the state as well as relations and processes forming in extractive contexts, thus providing a novel contribution to the anthropology of the state and the anthropology of extraction. ‘The Absent Presence fills a major gap in our knowledge about the relationship between states and companies – at a time when resource extraction seems to be more contested than ever. Bainton and Skrzypek have curated an incredibly impressive volume that should be read by all those interested in exploring corporate and state power, and the ever-present impacts of extraction. A highly recommended read.’ — Professor Deanna Kemp, Director of the Centre for Social Responsibility in Mining, The University of Queensland ‘Countless books have been written on the sovereign state and how it imposes a particular kind of order on economic and social interactions. What is original and compelling about this collection is the portrait of how two very different states converge when it comes to “extractive ventures”. From the presumption of exclusive sovereignty over mineral resources, to the bargains that are struck with major (often global) corporations, and the relative indifference to environmental impacts, there is a remarkable consistency in the patterns that are referred to as “state effects”. These effects are brought from the background to the foreground in this book through the blending of creative and critical thinking with detailed empirical research.’ — Tim Dunne, Pro-Vice-Chancellor and Professor of International Relations, The University of Queensland ‘This brilliant and intriguing title provides a timely contribution to understanding the actual functions and strategies of state (and state-like) institutions in resource arenas. The dialectics of presence-absence and its refractions at different levels and scales of government allow the authors to go beyond stereotypes about the (strong, weak, failed or corrupt) state, highlighting more commonalities than expected between Papua New Guinea and Australia, and even New Caledonia.’ — Dr Pierre-Yves Le Meur, Anthropologist, Senior Researcher, French National Research Institute for Sustainable Development, Joint Research Unit SENS (Knowledge Environment Society)
