Katha proudly presents Indira Goswami's hugely successful novel, The Man from Chinnamasta. Set in the times of unrest and turmoil at the turn of the twentieth century, the novel paints the hoary history of Assam's most famous temple of the Sakta cult, Kamakhya.The story flows as swiftly as the Brahmaputra; it holds the reader's attention as seductively. And as the narrative moves inexorably towards its end, we see the power of the storyteller in Indira Goswami. This evocative translation by Prashant Goswami makes the novel a must read for all lovers of good fiction.
Irreverence and the Sacred brings together some of the most cutting edge, interdisciplinary, and international scholars working today in order to debate key issues in the critical and comparative study of religion. The project is inspired in large part by the work of Bruce Lincoln, whose influential and wide-ranging scholarship has consistently posed challenging, provocative, and often-irreverent questions that have really pushed the boundaries of the field of religious studies in important, sometimes controversial ways. Retracing the history of the discipline of religious studies, Lincoln argues that the field has tended to champion a "validating, feel-good" approach to religion, rather than posing more critical questions about religious claims to authority and their role in history, politics, and social change. A critical approach to the history of religions, he suggests, would focus on the human, temporal, and material aspects of phenomena that are claimed to have a superhuman, eternal, or transcendent status. This volume takes up Lincoln's challenge to "do better," by engaging in critical analyses of four key themes in the study of religion: myth, ritual, gender, and politics. The book also interrogates the "politics of scholarship" itself, critically examining the relations of power and material interests at work in the study as well as the practice of religion. The scholars involved in this project include not only some of the most important figures in the American study of religion--such as Wendy Doniger, Russell McCutcheon, Ivan Strenski, and Lincoln himself--but also European scholars whose work is hugely influential overseas but not as well known in the U.S.--such as Stefan Arvidsson, Claude Calame, Nicolas Meylan, and others.
Pages Stained with Blood is a thought-provoking and candid history of the 1984 riots. Indira Goswami reacts to the bloodshed and the savagery that followed Prime Minister Indira Gandhi s assassination and weaves a powerful tale of human frailties and mindless violence.
"In the Western popular imagination, there is a singular association between Tantra and sex. But behind sensationalist stories of Tantric lovemaking lies a rich spiritual and textual tradition of which sexual union is only a small, and fiercely debated, part. In The Path of Desire, Hugh B. Urban takes us on an ethnographic journey to Assam, the heartland of Tantric practice in contemporary India, revealing the vibrant, dynamic lived tradition of Hindu Tantra. The Path of Desire expands our definition of kāma, a central concept of Tantra generally translated as "desire," to focus on mundane and worldly desires such as healing and childbearing. This more holistic notion of desire manifests itself in popular folk practice, which Urban categorizes in four forms: institutional Tantra, comprised of gurus, disciples, and esoteric rituals; public Tantra, involving offerings and temple celebrations; folk Tantra, focusing on practices of healing, protection, material wellbeing, and desire fulfillment; and pop Tantra, or how Tantra is portrayed in popular media such as paperbacks, comic books, and movies. The result is a nuanced understanding of Tantra as a diverse lived tradition"--
The Blue-necked God (Nilakantha Braja), published in 1976, is one of Indira Goswami’s early novels and the first time that a writer highlighted the exploitation and poverty of widows, dumped in a ‘sacred’ city to eke out their days in prayer by uncaring, callous families under the guise of religious sanction and tradition. It was a book that raised many eyebrows when it was first published for this amazing narrative combined fact and fiction, autobiography and reflection in a fascinating mix as she tried to depict the confusion and the mental agony she herself experienced after the death of her husband through her character Saudamini. The physical, emotional, financial deprivation faced by the young widow has been woven into a perceptive text that drew on the author’s own research and experiences as she roamed the streets of Vrindavan and exposed, for the first time, the uglier side of the city and its traditions. ‘Indira Goswami is one of the pre-eminent literary figures in India and a woman of remarkable courage and conviction... She has also been an important voice in championing women’s causes, and has done much to highlight the plight of widows. [She] is one of those rare figures whose achievements as a writer are closely paralleled by their accomplishments as a social and political activist.’ - Amitav Ghosh Published by Zubaan.
Ecofeminism and the Indian Novel tests the theories of ecofeminism against the background of India’s often different perceptions of environmental problems, challenging the hegemony of Western culture in thinking about human problems. This book moves beyond a simple application of the concepts of ecofeminism, instead explaining the uniqueness of Indian novels as narratives of ecofeminism and how they can contribute to the development of the theory of ecofeminism. In examining a selection of novels, the author argues that Indian texts conceptualize the ecological crisis more as a human problem than as a gender problem. The book proposes that we should think of ecofeminism as ecohumanism instead, seeing human beings and nature as a part of a complex web. Novels analysed within the text include Kamala Markandaya’s Nectar in a Sieve (1954), Shivram Karanth’s Return to Earth (2002) and Na D’Souza’s Dweepa (2013). Ecofeminism and the Indian Novel will be of great interest to students and scholars of ecofeminism, ecocriticism, ecological feminism, environmental humanities, gender studies, ecological humanities, feminist studies and Indian literature.
When the last reel winds down in the projection room of the old cinema house, Madita Junghans, the German with Indian genes, teams up with her boyfriend Nikolaus as detective couple, Nick and Mattie, to set off on a search for Madita s biological father. Their only clue is that he is an Indian. Mattie s mother lives in a psychotic dream world. Her foster father Hinnarck is anything but talkative. Mattie and Nick soon get sucked into a deadly adventure, centred around a dark chapter of Indo-Germanic history.
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
This book engages with the life and works of Indira Goswami, the first Assamese woman writer to win the highest national literary award, the Jnanpith Award, in 2001. From sociological treatises to a springboard of a socio-political milieu, Goswami’s texts are intersections of the local and the global, the popular and the canonical. The writer’s penchant for transcending boundaries gives a new contour and shape to the social and cultural domains in her texts. That every character is a representative of the society, that the context comes alive in every evocation of class struggle, power play, caste discrimination and gendered narratives add an interesting semantic load to her texts. While tracing the trajectories discussed above, this book foregrounds Goswami’s act of going beyond the margins of varied kinds, both abstract and concrete, in search of egalitarian and democratic spaces of life. The book looks at Indira Goswami’s works with a special emphasis on the author situated within the Assamese literary canon. It not only discusses the themes and issues within her writing, but also focuses on the distinct language and style she uses. The volume includes non-fictional prose, excerpts from her short stories and novels, viewpoints of critics, letters and entries from diaries, as well as interviews with Goswami about her writing and personal life. It engages with her works in the context of her multifaceted, almost mythical life, especially her avowed ‘activism’ against animal sacrifice and militancy in her latter career. Part of the Writer in Context series, this book will be useful for scholars and researchers of Indian literature, Assamese literature, English literature, postcolonial studies, cultural studies, global south studies, gender studies and translation studies.
