This new volume gathers some of Williams' most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas, including "The Pretty Trap," a cheerful take on "The Glass Menagerie," and "Interior: Panic," a stunning precursor to "A Streetcar Named Desire."
"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.
Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958). The first, which won both the Pulitzer Prize and Drama Critics Award, has proved every bit as successful as William's earlier A Streetcar Named Desire. The other two plays, though different in kind, both have something of the quality of Greek tragedy in 20th-century settings, bringing about catharsis through ritual death.
The thirteen one-act plays collected in this volume include some of Tennessee Williams's finest and most powerful work. They are full of the perception of life as it is, and the passion for life as it ought to be, which have made The Glass Menagerie and A Streetcar Named Desire classics of the American theater. Only one of these plays (The Purification) is written in verse, but in all of them the approach to character is by way of poetic revelation. Whether Williams is writing of derelict roomers in a New Orleans boarding house (The Lady of Larkspur Lotion) or the memories of a venerable traveling salesman (The Last of My Solid Gold Watches) or of delinquent children (This Property is Condemned), his insight into human nature is that of the poet. He can compress the basic meaning of life—its pathos or its tragedy, its bravery or the quality of its love—into one small scene or a few moments of dialogue. Mr. Williams's views on the role of the little theater in American culture are contained in a stimulating essay, "Something wild...," which serves as an introduction to this collection.
A play produced only twice in the 1940s and now published for the first time reveals that Tennessee Williams anticipated the themes of Star Trek by decades.
"A classic, breathtaking adventure brimful of dangerous magic and clever politics. A book that will thrill and delight any fantasy fan."―Tasha Suri, author of The Jasmine Throne In this fresh epic fantasy bursting with intrigue and ambition, questioned loyalties, and broken magic, one woman will either save an entire continent or bring about its downfall. "Guard the tower, ward the stone. Find your answers writ in bone. Keep your trust through wits or war--nothing must unseal the door." Deep within Gloamingard Castle lies a black tower. Sealed by magic, it guards a dangerous secret that has been contained for thousands of years. As Warden, Ryxander knows the warning passed down through generations: nothing must unseal the Door. But one impetuous decision will leave her with blood on her hands--and unleash a threat that could doom the world to fall to darkness. Praise for The Obsidian Tower: "Block out time to binge this can't-stop story filled with danger and unexpected disaster. From the fresh take on time-honored tropes to a crunchy, intrigue-filled story, The Obsidian Tower is a must-read for lovers of high fantasy."―C. L. Polk, World Fantasy award-winning author of The Midnight Bargain "Deftly balances two of my favorite things: razor-sharp politics and characters investigating weird, dark magic. A must-read."―Emily A. Duncan, author of New York Times bestseller Wicked Saints Rooks and Ruin The Obsidian Tower The Quicksilver Court The Ivory Tomb For more from Melissa Caruso, check out: Swords and Fire The Tethered Mage The Defiant Heir The Unbound Empire
“The peak of my virtuosity was in the one-act plays—like firecrackers in a rope.” —Tennessee Williams This new collection of fantastic, lesser-known one-acts contains some of Williams’s most potent, comical and disturbing short plays?Upper East Side ladies dine out during the apocalypse in Now the Cats With Jeweled Claws, while the poet Hart Crane is confronted by his mother at the bottom of the ocean in Steps Must Be Gentle. Five previously unpublished plays include A Recluse and His Guest, and The Strange Play, in which we witness a woman’s entire life lived within a twenty-four-hour span. This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.
Two of Tennessee Williams's most revered dramas in a single paperback edition for the first time. Orpheus Descending is a love story, a plea for spiritual and artistic freedom, as well as a portrait of racism and intolerance. When charismatic drifter Valentine Xavier arrives in a Mississippi Delta town with his guitar and snakeskin jacket, he becomes a trigger for hatred and a magnet for three outcast souls: storekeeper Lady Torrance, “lewd vagrant” Carol Cutrere, and religious visionary Vee Talbot. Suddenly Last Summer, described by its author as a “short morality play,” has become one of his most notorious works due in no small part to the film version starring Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift that shocked audiences in 1959. A menacing tale of madness, jealousy, and denial,the horrors in Suddenly Last Summer build to a heart-stopping conclusion. With perceptive new introductions by playwright Martin Sherman — he reframes Orpheus Descending in a political context and explores the psychology and sensationalism surrounding Suddenly Last Summer — this volume also offers Williams’s related essay, “The Past, the Present, and the Perhaps,” and a chronology of the playwright’s life and works.
One of Tennessee Williams's first plays, "Not About Nightingales" portrays the lives of inmates in a Pennsylvania prison who were steamed to death after leading their fellow prisoners on a hunger strike.