Ducky is unlucky—somehow things just always seem to go wrong. So he decides to look for a four-leaf clover; that will do the trick! But when he goes to the park, there is none to be found. However, what Ducky finds instead is much greater: he meets Piggy, Bunny, and Pup and realizes that having friends makes him the luckiest duck of all! Lucky Ducky is a bright and bubbly new picture book that shows young readers how luck is all about how you perceive it and that anyone has the power to turn his or her luck around.
A heart-warming tale of Lucky, a young rubber duck who was afraid of the water. Will he overcome his fear? Find out in this unique richly illustrated children's book. A wonderfully fun story of overcoming fear, building self-esteem, and determination. You'll find yourself rooting for little Lucky! Go Lucky! This is the first published project from this talented team of author/illustrator.
When a violent ocean storm causes a crate holding assorted plastic tub toys -- including one resilient little duck -- to wash overboard, the course of Ducky's life alters drastically. This engaging story based on a real event includes an author's note.
Whether you want to dash off a limerick, ponder a sonnet or plot an epic poem, this write-in activity book is here to help. Each page is bursting with tips and inspiration for writing all kinds of poems - and inventing brand new styles too. With links to websites where you can listen to many of the poems in this book, and find more helpful writing tips.
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
