Theological colleges preparing ministerial candidates for ordination are constantly engaged in revising their curricula. In the American Catholic Church at this time (in 2022), this process is guided by the US bishops’ document the Program of Priestly Formation. Mount Angel Seminary believes that its theological curriculum centered on the Eucharist and known as communion ecclesiology offers an integrated approach to priestly formation in all four dimensions of that document: academic, personal, spiritual, and pastoral. The various essays in this book both illustrate how this is done and offer an example to other institutions involved in priestly formation.
In this book, Curtis Gruenler proposes that the concept of the enigmatic, latent in a wide range of medieval thinking about literature, can help us better understand in medieval terms much of the era’s most enduring literature, from the riddles of the Anglo-Saxon bishop Aldhelm to the great vernacular works of Dante, Chaucer, Julian of Norwich, and, above all, Langland’s Piers Plowman. Riddles, rhetoric, and theology—the three fields of meaning of aenigma in medieval Latin—map a way of thinking about reading and writing obscure literature that was widely shared across the Middle Ages. The poetics of enigma links inquiry about language by theologians with theologically ambitious literature. Each sense of enigma brings out an aspect of this poetics. The playfulness of riddling, both oral and literate, was joined to a Christian vision of literature by Aldhelm and the Old English riddles of the Exeter Book. Defined in rhetoric as an obscure allegory, enigma was condemned by classical authorities but resurrected under the influence of Augustine as an aid to contemplation. Its theological significance follows from a favorite biblical verse among medieval theologians, “We see now through a mirror in an enigma, then face to face” (1 Cor. 13:12). Along with other examples of the poetics of enigma, Piers Plowman can be seen as a culmination of centuries of reflection on the importance of obscure language for knowing and participating in endless mysteries of divinity and humanity and a bridge to the importance of the enigmatic in modern literature. This book will be especially useful for scholars and undergraduate students interested in medieval European literature, literary theory, and contemplative theology.
God’s Patients approaches some of Chaucer’s most challenging poems with two philosophical questions in mind: How does action relate to passion, to being-acted-on? And what does it mean to submit one’s will to a law? Responding to critics (Jill Mann, Mark Miller) who have pointed out the subtlety of Chaucer’s approach to such fundamentals of ethics, John Bugbee seeks the source of the subtlety and argues that much of it is ready to hand in a tradition of religious (and what we would today call “mystical”) writing that shaped the poet’s thought. Bugbee considers the Clerk’s, Man of Law’s, Knight’s, Franklin’s, Physician’s, and Second Nun’s Tales in juxtaposition with an excellent informant on a major stream of medieval religious culture, Bernard of Clairvaux, whose works lay out ethical ideas closely matching those detectable beneath the surface of the poems. While some of the positions that emerge—most spectacularly the notion that the highest states of human being are ones in which activity and passivity cannot be disentangled—are anathema to much modern ethical thought, God’s Patients provides evidence that they were relatively common in the Middle Ages. The book offers striking new readings of Chaucer’s poems; it proposes a nuanced hermeneutical approach that should prove fruitful in reading a number of other high- and late-medieval works; and, by showing how assumptions about its two fundamental questions have shifted since Chaucer’s time, it provides a powerful new way of thinking about the transition between the Middle Ages and modernity.
A small collection of writings by Benedictines across the centuries, representing various expressions of monastic personal and public prayer, as well as reflections on the Rule of St. Benedict.
This timely volume ventures into the subject of sadomasochism in varied aspects of medieval life. Saint’s Lives and mystical treatises provide evidence of failed sadism and empowering masochism. Literary culture in the form of epics and courtly tales preserve stories of eroticised power. These exciting chapters join together to form a picture of medieval culture that is kinky in its practice and deeply psychological at its core.
Thomas Merton was arguably the twentieth century's most widely published and widely read spiritual writer. This book explores Merton's prophetic writings and experience as they offer guidance for those seeking to experience God, to simplify their lives, to live more humanly, and to shape Christian community in the face of alienation, consumerism, noise, and technology. The book includes parts of three previously unpublished conference contributions by Merton on technology. Exploring Merton's thoughts on monastic renewal, prayer, radical simplicity, ecology, technology, war, peace and interfaith dialogue, Dekar reminds us why Merton was so influential and why he continues to be so.
Cognitive linguists and biblical and patristic scholars have recently given more attention to the presence of conceptual blends in early Christian texts, yet there has been so far no comprehensive study of the general role of conceptual blending as a generator of novel meanings in early Christianity as a religious system with its own identity. This monograph points in that direction and is a cognitive linguistic exploration of pastoral metaphors in a wide range of patristic texts, presenting them as variants of THE CHURCH IS A FLOCK network. Such metaphors or blends, rooted in the Bible, were used by Patristic writers to conceptualize a great number of particular notions that were constitutive for the early church, including the responsibilities of the clergy and the laity, morality and penance, church unity, baptism and soteriology. This study shows how these blends became indispensable building blocks of a new religious system and explains the role of conceptual blending in this process. The book is addressed to biblical and patristic scholars interested in a new, unifying perspective for various strands of early Christian thought and to cognitive linguists interested in the role of conceptual integration in religious language. Produced with the support of the Faculty of Philology, Jagiellonian University in Kraków, Poland.
This book constitutes the second volume of a three-volume study of Christian testimonies to divine suffering: God's Wounds: Hermeneutic of the Christian Symbol of Divine Suffering, vol. 2, Evil and Divine Suffering. The larger study focuses its inquiry into the testimonies to divine suffering themselves, seeking to allow the voices that attest to divine suffering to speak freely, then to discover and elucidate the internal logic or rationality of this family of testimonies, rather than defending these attestations against the dominant claims of classical Christian theism that have historically sought to eliminate such language altogether from Christian discourse about the nature and life of God. This second volume of studies proceeds on the basis of the presuppositions of this symbol, those implicit attestations that provide the conditions of possibility for divine suffering-that which constitutes divine vulnerability with respect to creation-as identified and examined in the first volume of this project: an understanding of God through the primary metaphor of love ("God is love"); and an understanding of the human as created in the image of God, with a life (though finite) analogous to the divine life-the imago Dei as love. The second volume then investigates the first two divine wounds or modes of divine suffering to which the larger family of testimonies to divine suffering normally attest: (1) divine grief, suffering because of betrayal by the beloved human or human sin; and (2) divine self-sacrifice, suffering for the beloved human in its bondage to sin or misery, to establish the possibility of redemption and reconciliation. Each divine wound, thus, constitutes a response to a creaturely occasion. The suffering in each divine wound also occurs in two stages: a passive stage and an active stage. In divine grief, God suffers because of human sin, betrayal of the divine lover by the beloved human: divine sorrow as the passive stage of divine grief; and divine anguish as the active stage of divine grief. In divine self-sacrifice, God suffers in response to the misery or bondage of the beloved human's infidelity: divine travail (focused on the divine incarnation in Jesus of Nazareth) as the active stage of divine self-sacrifice; and divine agony (focused on divine suffering in the crucifixion of Jesus of Nazareth) as the passive stage of divine self-sacrifice.
Challenging the dominant Van Tillian approach in Reformed apologetics, this book by a leading expert in contemporary Reformed theology sets forth the principles that undergird a classic Reformed approach. J. V. Fesko's detailed exegetical, theological, and historical argument takes as its starting point the classical Reformed understanding of the "two books" of God's revelation: nature and Scripture. Believers should always rest on the authority of Scripture but also can and should appeal to the book of nature in the apologetic task.
This book constitutes the first volume of a three-volume study of Christian testimonies to divine suffering: God's Wounds: Hermeneutic of the Christian Symbol of Divine Suffering, Divine Vulnerability and Creation. This study first develops an approach to interpreting the contested claims about the suffering of God. Thus, the larger study focuses its inquiry into the testimonies to divine suffering themselves, seeking to allow the voices that attest to divine suffering to speak freely, to discover and elucidate the internal logic or rationality of this family of testimonies, rather than defending these attestations against the dominant claims of classical Christian theism that have historically sought to eliminate such language altogether from Christian discourse about the nature and life of God. Through this approach this volume of studies into the Christian symbol of divine suffering then investigates the two major presuppositions that the larger family of testimonies to divine suffering normally hold: an understanding of God through the primary metaphor of love ("God is love"); and an understanding of the human as created in the image of God, with a life (though finite) analogous to the divine life--the imago Dei as love. When fully elaborated, these presuppositions reveal the conditions of possibility for divine suffering and divine vulnerability with respect to creation.
