Versailles

Versailles

Author: Tony Spawforth

Publisher: Macmillan + ORM

Published: 2010-03-16

Total Pages: 407

ISBN-13: 1429928786

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“An illuminating portrait” of the palace―its architecture, its scandals, its politics, and its role in France’s tumultuous history (The New York Times Book Review). The story of Versailles is one of historical drama, under the last three kings of France's old regime, mixed with the high camp and glamour of the European courts, all in an iconic home for the French arts. The palace itself has been radically altered since 1789, and the court was long ago swept away. Versailles sets out to rediscover what is now a vanished world: a great center of power, seat of royal government, and, for thousands, a home both grand and squalid, bound by social codes almost incomprehensible to us today. Using eyewitness testimony as well as the latest historical research, Tony Spawforth offers the first full account of Versailles in English in over thirty years. Blowing away the myths of Versailles, he analyses afresh the politics behind the Sun King’s construction of the palace and shows how Versailles worked as the seat of a royal court. He probes the conventional picture of a “perpetual house party” of courtiers and gives full weight to the darker side: not just the mounting discomfort of the aging buildings but also the intrigue and status anxiety of its aristocrats. The book brings out clearly the fateful consequences for the French monarchy of its relocation to Versailles and also examines the changing place of Versailles in France’s national identity since 1789. Includes photographs “Animates the palace that was home to the most charismatic monarchy in Europe for a century, until the French Revolution . . . well-researched and highly engrossing.” —Publishers Weekly


Plunder

Plunder

Author: Cynthia Saltzman

Publisher: Farrar, Straus and Giroux

Published: 2021-05-11

Total Pages: 221

ISBN-13: 0374710392

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One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.


The Sky Over the Louvre

The Sky Over the Louvre

Author: Yslaire

Publisher: Nbm Publishing Company

Published: 2011

Total Pages: 66

ISBN-13: 9781561636020

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The story of a painting of the Supreme Being, ordered by Robespierre from the famous painter, David - a painting that was never made. It's also the story of another painting, that of the young Bara, a 13-year-old martyr of the Republic. From the inauguration of the Louvre - a former royal palace - as the museum for the people, to the death of Robespierre, The Sky Over the Louvre tells the eerie and disturbing tale of an artist coming up against Robespierre during the French Revolution.


The Louvre

The Louvre

Author: Genevieve Bresc-Bautier

Publisher: Rizzoli Publications

Published: 2020-09-08

Total Pages: 0

ISBN-13: 0847868931

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Experience the Louvre's majestic halls, grand galleries, and stunning artworks in this exquisite visit to the world-renowned museum­--highlighting beloved works of art alongside hidden gems, all situated in the palace's stunning architectural spaces. Every year, more than ten million visitors from around the world visit the Louvre's 68,000 square meters of gallery space containing more than 35,000 works of art. The Louvre is widely considered the most innovative of the world's preeminent museums. This gorgeous tome is a celebration of an enduring institution and the magnificent works of art that it houses. Rather than showing only isolated images of the artworks themselves, this book shows many of the pieces in the context of the beautiful galleries and spaces where they live, to give the reader an experience similar to being at the Louvre. The Louvre explores the eight centuries of fascinating history surrounding the museum, which began in the Middle Ages as a fortress, then became a royal residence which continued to enlarge, expand, and develop over the centuries with the most brilliant architects and painters being called to work on this architectural masterpiece. In 1793, the Louvre confirmed its role as a "temple of the arts" when it was made the first national museum open to the public. From then on, its collections continued to grow from its roots in the old royal collection, benefiting from acquisitions, archaeological discoveries, donations, and bequests. Centuries of growth, evolution, and transformation culminated in the 1980s with the "Grand Louvre" project symbolized by I.M. Pei's world-famous and critically acclaimed modernist pyramid.


The Making of Paris

The Making of Paris

Author: Russell Kelley

Publisher: Rowman & Littlefield

Published: 2021-03-01

Total Pages: 321

ISBN-13: 1493050540

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Paris has long been the world’s most popular destination and, in the view of many, the world’s most beautiful city – the product of two thousand years of continuous improvement and refinement. The Making of Paris is the story of how Paris evolved from a small fishing village on an island in the middle of the Seine River into the City of Light. The focus of the book is on the city as seen from the street, in order to understand the evolution of the urban landscape of Paris through the rues and boulevards and the buildings and monuments from its long and storied past.


National Galleries

National Galleries

Author: Simon Knell

Publisher: Routledge

Published: 2016-01-22

Total Pages: 274

ISBN-13: 1317432428

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Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.


The Palace of Tears

The Palace of Tears

Author: Alev Lytle Croutier

Publisher: Delta

Published: 2002-01-02

Total Pages: 194

ISBN-13: 0385334915

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It is 1868. On a balmy autumn afternoon in Paris, young winemaker Casimir de Châteauneuf wanders into a small shop filled with curiosities from the Orient. There he spies a cache of fine miniature portraits. Above all others, an ivory-skinned beauty captivates him. Her eyes ... one blue, the other yellow. That night they pursue Casimir in his dreams, as one burning question consumes him: Who is she? Thus begins Alev Croutier’s lush, stirring adventure of the heart — a mesmerizing tale of forbidden passion, true love, and destiny. For Casimir will forsake his family, his vocation, and his country to find the object of his obsession. His journey will lead him across desert and sea, from the Royal Court in Paris to a sultan’s palace in Istanbul. And there he will find the woman of his reveries, the woman with one blue eye, the other yellow. But in this city of passion, in a Palace of Tears, Casimir is about to discover what it will mean to make a dream real ... and what awaits him when his lover is set free.


The Louvre

The Louvre

Author: James Gardner

Publisher: Atlantic Monthly Press

Published: 2020-05-05

Total Pages: 441

ISBN-13: 0802148794

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The centuries-long history of the Louvre, from humble fortress to Royal palace to the world’s greatest art museum—with photos and building maps. Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of the site and buildings themselves—a fascinating story that historian James Gardner elegantly chronicles in this authoritative history. More than seven thousand years ago, men and women camped on a spot called le Louvre for reasons unknown. Centuries later, King Philippe Auguste of France constructed a fortress there, just outside the walls of a nascent Paris. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I. In 1682, when Louis XIV moved his court to Versailles, the Louvre languished until the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since—through the Napoleonic era, the Commune, two World Wars, to the present—the Louvre has been a witness to French history, and expanded to become home to a legendary art collection that includes the Mona Lisa and Venus de Milo. Includes sixteen pages of full-color photos illustrating the history of the Louvre, a full-color map detailing its evolution from fortress to museum, and black-and-white images throughout the narrative.


Revolutionary Paris and the Market for Netherlandish Art

Revolutionary Paris and the Market for Netherlandish Art

Author: Darius A. Spieth

Publisher: BRILL

Published: 2017-11-06

Total Pages: 535

ISBN-13: 9004276750

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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.