Just as a compass provides direction for an explorer, so does motivation provide direction for characters in fiction. The "compass" of character motivation is composed of four points: Lack, Yearning, Resistance, and Desire. In The Compass of Character you'll learn to deeply consider the key question "What does my character want?" and learn techniques to answer that question by writing realistic and empathetic characters without falling into formulaic, unsatisfying results that only diminish the character. Bestselling author and acclaimed writing instructor David Corbett provides writers with the essentials for building characters with motivations that range from clear to complex by exploring topics such as: • human yearning • pathological maneuvers • the pain of life vs. the promise of life • backstory and behavior • mechanics of growth and transformation • dramatizing mistaken desire and misbegotten yearnings • moral arguments The key to fascinating characters is rendering subtle inner states in straightforward external circumstances, which requires a fundamental understanding of the simple building blocks of complex motivation as they manifest themselves in behavior, where complexity of purpose collides with the messy, indifferent world. The Compass of Character is the one book that can guide writers to that end with both instruction and inspiration.
The most notorious love letters in American history-supposedly destroyed a century ago-mysteriously reappear, and become the coveted prize in a fierce battle for possession that brings back to life the lawless world evoked in the letters themselves. Lisa Balamaro is an ambitious arts lawyer with a secret crush on her most intriguing client: former rodeo rider and reformed art forger, Tuck Mercer. In his newfound role as expert in Old West artifacts, Tuck gains possession of the supposedly destroyed correspondence between Doc Holliday and his cousin and childhood sweetheart, Mattie-who would become Sister Mary Melanie of the Sisters of Mercy. Given the unlikelihood the letters can ever be fully authenticated, Tuck retains Lisa on behalf of the letters' own, Rayella Vargas, to sell them on the black market. But the buyer Tuck finds, a duplicitous judge from the Tombstone area, has other, far more menacing ideas. As Lisa works feverishly to make things right, Rayella secretly enlists her ex-marine boyfriend in a daring scheme of her own. When the judge learns he's been blindsided, he rallies a cadre of armed men for a deadly standoff reminiscent of the moment in history that made Doc famous: The Gunfight at the OK Corral.
Tommy Shakes is a career criminal, and not a very good one. He earned his name as a heroin addict. Now he’s just a drunk, drinking so much that he spends much of his time in bathrooms, exploding from one end or the other. He’s in a marriage he wants to salvage. He convinces himself that his wife, Carla, will allow him to stay with her and their teenage son, Malik, if he can bring home enough money. She tells him that won’t do it, he needs to quit crime altogether, but Tommy gets a crack at a big heist and decides to pull the job. The job is ripping off a popular restaurant that runs an illegal sports book in back. A lot of money gets paid out on football Sundays; the plan is to pull the robbery on Saturday night. The back room has armed guards but, according to Smallwood, Tommy’s contact on the job, there’s no gang protection. Tommy recons the job and finds two problems: Smallwood’s plan will get them all killed or up on murder one, and one security guy works for a local gangster, Joey Lee. Tommy’s desperate for money and figures he can make his own plan. As to the gangster, there’s enough money that it’s worth the risk. They pull the robbery but one gang member gets gun happy and it turns into a bloodbath, which includes killing Lee’s man. Now they’re wanted for murder, and the law is the least of their problems. Praise for TOMMY SHAKES: “With his pitch-perfect ear for dialogue, his knack for crisp pacing, and his unerring eye for what might be called the milieu of functional dissolution, Rob Pierce has revealed himself in story after story as a poet of the luckless, the bard of the misbegotten. In the hero of his latest and best, Tommy Shakes, he has found his Frankie Machine.” —David Corbett, award-winning author of The Long-Lost Love Letters of Doc Holliday “Tight as a drum, vicious as a pitbull. I don’t remember the last time I read something that scratched the scuzzy itch of noir as well as Tommy Shakes. Just, maybe don’t read it with a full stomach.” —Rob Hart, author of the Ash McKenna series “When you pick up Tommy Shakes, make sure you have nothing to do, because you’re not going to want to put this one down. Rob Pierce at the tip-top of his game. Watch out, y’all.” —Eryk Pruitt, author of What We Reckon “When I was in rehab, a psyche ward in Boston, I read the book Crime Novels: American Noir of the ’50s. Willeford, Goodis, Thompson, Highsmith, and Himes. Had it all. Wretchedness, duplicity, alcoholism, and hopelessness. Tommy Shakes by Rob Pierce would’ve slotted in there perfectly. Nobody does grim and grave better.” —Joe Clifford, author of Junkie Love and the Jay Porter Thriller Series “Rob Pierce writes the downtrodden like Rodin casts bronze, and Tommy Shakes is his masterpiece.” —Benjamin Whitmer, author of Cry Father and Pike “If you like the kind of noir that makes you want to break out the hand sanitizer, Rob Pierce is the King—and the King does not disappoint with Tommy Shakes. Hard and mean and in your face like noir ought to be.” —Todd Robinson, author of The Hard Bounce and Rough Trade “Pure noir prose. Dark, disturbing, devastating. A journey through Pierce’s Oakland is a hellish thrill-ride. Or thrilling hell-ride.” —Tom Pitts, author of 101 and American Static “Tommy can’t get a break, but it’s not like he’s out to give himself one. This book is as relentless as it is bleak, yet oddly inspiring. You won’t just root for an underdog, you’ll root for collapse!” —Nick Mamatas, author of I Am Sabbath and Providence
Some stories are all about the crime. These stories are about the maelstrom of what happens after... A hard-bitten crew of professional thieves pull off the score of their lives, coming away with seven million in cash. Like any heist there are some unforeseen complications, and unfortunately they don’t get away without a few bodies dropping. But despite this, they get away with the swag. Seven million. Enough to change their lives, make new identities, start fresh. But that’s when the real trouble begins... In this unique, riveting, linked anthology, we follow each member of the crew of culprits as they go their separate ways after the heist, and watch as this perfect score ends up a perfect nightmare. Featuring stories penned by acclaimed writers Brett Battles, Gar Anthony Haywood, Zoë Sharp, Manuel Ramos, Jessica Kaye, Joe Clifford and David Corbett, CULPRITS examines what happens next to these criminals once they take their cut and go their separate ways, only to find that the end of the heist was the beginning of their troubles.
The best resource for getting your fiction published! Novel & Short Story Writer's Market 2020 is the go-to resource you need to get your short stories, novellas, and novels published. The 39th edition of NSSWM features hundreds of updated listings for book publishers, literary agents, fiction publications, contests, and more. Each listing includes contact information, submission guidelines, and other essential tips. This edition of Novel & Short Story Writer's Market also offers • Interviews with bestselling authors N.K. Jemisin, Min Jin Lee, James Patterson, and Curtis Sittenfeld. • A detailed look at how to choose the best title for your fiction writing. • Articles on creating antagonistic characters and settings. • Advice on working with your editor, keeping track of your submissions, and diversity in fiction.
The latest entry in Laurie R. King and Leslie S. Klinger’s popular Sherlock Holmes-inspired mystery series, featuring fifteen talented authors and a multitude of new cases for Arthur Conan Doyle’s most acclaimed detective. Sherlock Holmes has not only captivated readers for more than a century and a quarter, he has fascinated writers as well. Almost immediately, the detective’s genius, mastery, and heroism became the standard by which other creators measured their creations, and the friendship between Holmes and Dr. Watson served as a brilliant model for those who followed Doyle. Not only did the Holmes tales influence the mystery genre but also tales of science-fiction, adventure, and the supernatural. It is little wonder, then, that when the renowned Sherlockians Laurie R. King and Leslie S. Klinger invited their writer-friends and colleagues to be inspired by the Holmes canon, a cornucopia of stories sprang forth, with more than sixty of the greatest modern writers participating in four acclaimed anthologies. Now, King and Klinger have invited another fifteen masters to become In League with Sherlock Holmes. The contributors to the pair’s next volume, due out in December 2020, include award-winning authors of horror, thrillers, mysteries, westerns, and science-fiction, all bound together in admiration and affection for the original stories. Past tales have spanned the Victorian era, World War I, World War II, the post-war era, and contemporary America and England. They have featured familiar figures from literature and history, children, master sleuths, official police, unassuming amateurs, unlikely protagonists, even ghosts and robots. Some were new tales about Holmes and Watson; others were about people from Holmes’s world or admirers of Holmes and his methods. The resulting stories are funny, haunting, thrilling, and surprising. All are unforgettable. The new collection promises more of the same!
DIVCaught up in a scheme to smuggle his deported uncle back across the border, a young American must fight to save his family, himself, and the woman he loves /divDIV At eighteen, Roque Montalvo is a gifted guitarist and a hit with women, but the rest of his life is a struggle. Orphaned at birth and scraping by in a rough Northern California town, he helps support his hardworking aunt and tends to his ex-marine brother—a physical and emotional wreck after his tour in Iraq. Then, to make matters worse, his uncle gets snared in a workplace raid and federal immigration agents deport him back to El Salvador. /divDIV /divDIVWhen Montalvo’s loose-cannon cousin, himself a former deportee, shows up unannounced, he draws Montalvo into a scheme to rescue his uncle and bring him back home. It’s a perilous undertaking in the best of cases, now that gangs and organized crime control the smuggling routes, and the risk ratchets higher when Montalvo learns he’ll be transporting not just his uncle, but also a Palestinian refugee and a young beauty destined for the clutches of a fierce Mexican crime boss. A gritty, realistic, and unforgettable adventure where all borders are tested, Do They Know I’m Running? tightropes the perilous line between menace and hope, danger and home./div
The bestselling author of The Art Forger and The Muralist delivers a page-turning historical thriller of art and revenge, of history and love, that will transport readers to 1920s Paris and America. It’s the summer of 1922, and nineteen-year-old Paulien Mertens finds herself in Paris—broke, disowned, and completely alone. Everyone in Belgium, including her own family, believes she stole millions in a sophisticated con game perpetrated by her then-fiancé, George Everard. To protect herself from the law and the wrath of those who lost everything, she creates a new identity, a Frenchwoman named Vivienne Gregsby, and sets out to recover her father’s art collection, prove her innocence—and exact revenge on George. When the eccentric and wealthy American art collector Edwin Bradley offers Vivienne the perfect job, she is soon caught up in the Parisian world of post-Impressionists and expatriates—including Gertrude Stein and Henri Matisse, with whom Vivienne becomes romantically entwined. As she travels between Paris and Philadelphia, where Bradley is building an art museum, her life becomes even more complicated: George returns with unclear motives . . . and then Vivienne is arrested for Bradley’s murder. B. A. Shapiro has made the historical art thriller her own. In The Collector’s Apprentice, she gives us an unforgettable tale about the lengths to which people will go for their obsession, whether it be art, money, love, or vengeance.
Out Front the Following Sea is a historical epic of one woman's survival in a time when the wilderness is still wild, heresy is publicly punishable, and being independent is worse than scorned--it is a death sentence. At the onset of King William's War between French and English settlers in 1689 New England, Ruth Miner is accused of witchcraft for the murder of her parents and must flee the brutality of her town. She stows away on the ship of the only other person who knows her innocence: an audacious sailor--Owen--bound to her by years of attraction, friendship, and shared secrets. But when Owen's French ancestry finds him at odds with a violent English commander, the turmoil becomes life-or-death for the sailor, the headstrong Ruth, and the cast of Quakers, Pequot Indians, soldiers, highwaymen, and townsfolk dragged into the fray. Now Ruth must choose between sending Owen to the gallows or keeping her own neck from the noose.
“The Last Letter is a haunting, heartbreaking and ultimately inspirational love story.“—InTouch Weekly Beckett, If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. It’s not fair. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart. She’s going to need help. So if I’m gone, that means I can’t be there for Ella. I can’t help them through this. But you can. So I’m begging you, as my best friend, go take care of my sister, my family. Please don’t make her go through it alone. Ryan
