The book will trace the history of the School from its early years into the twentieth century, bringing the story right up to date by celebrating the flourishing community that is the School today.
When in 1858 Newman was retiring from the Catholic University in Dublin, friends approached him when confronted with the problem of where to educate their sons and he became the central figure in the establishment of the Oratory School. Newmand and his co-founders - a trio of brilliant Catholic laymen, two parliamentary barristers and Lord Acton - faced stiff resistance in setting up the first Catholic public school; and once it opened their troubles were compunded by a staff mutiny and threats of closure from Rome. This is no standard story because the Oratory School was no standard school. It was the school's fate to be caught up in many of the key controversies of the time, not least because of its association with Newman; and for this reason the tale of its formative years under Newman provides important insights into Victorian life and English Catholic history. The story of the early years of the school, which counted Gerard Manley Hopkins among its masters, Hilaire Belloc among its pupils, and Newman as its guiding light, is told here fully for the first time.
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.
Reclaiming the Piazza III is a timely contribution, showing how the Catholic theological tradition in its perennial wisdom engages with, and helps redress, the challenges of our times. In its content and collaborative approach, this book models the very kind of "bridge building" it identifes as a fundamental characteristic of the New Evangelization. It will also serve as a rich resource for anyone, of all faiths or none, interested in learning more about the vital roles which faith, reason, and a spirit of charity play in resourcing our culture today.
At the same time, official speeches and proceedings on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves."--Jacket.
“A delightful mix of grammar and growth, words and wonder.” – The Washington Post An entertaining exploration of the richness and relevance of the Latin language and literature, and an inspiring account of finding renewed purpose through learning something new and challenging After thirty-five years as a book editor in New York City, Ann Patty stopped working and moved to the country. Bored, aimless, and lost in the woods, she hoped to challenge her restless, word-loving brain by beginning a serious study of Latin at local colleges. As she begins to make sense of Latin grammar and syntax, her studies open unexpected windows into her own life. The louche poetry of Catullus calls up her early days in 1970s New York, Lucretius elucidates her intractable drivenness and her attraction to Buddhism, while Ovid’s verse conjures a delightful dimension to the flora and fauna that surround her. Women in Roman history, and an ancient tomb inscription give her new understanding and empathy for her tragic, long deceased mother. Finally, Virgil reconciles her to her new life—no longer an urban exile, but a rustic scholar, writer and teacher. Along the way, she meets an impassioned cast of characters: professors, students and classicists outside of academia who keep Latin very much alive. Written with humor, heart, and an infectious enthusiasm for words, Patty’s book is an object lesson in how learning and literature can transform the past and lead to an unexpected future.
In 1908 Ellen Wilkinson, a fiery adolescent from a working-class family in Manchester, was “the only girl who talks in school debates.” By midcentury, Wilkinson had helped found Britain’s Communist Party, earned a seat in Parliament, and become a renowned advocate for the poor and dispossessed at home and abroad. She was one of the first female delegates to the United Nations, and she played a central role in Britain’s postwar Labour government. In Laura Beers’s account of Wilkinson’s remarkable life, we have a richly detailed portrait of a time when Left-leaning British men and women from a range of backgrounds sought to reshape domestic, imperial, and international affairs. Wilkinson is best remembered as the leader of the Jarrow Crusade, the 300-mile march of two hundred unemployed shipwrights and steelworkers to petition the British government for assistance. But this was just one small part of Red Ellen’s larger transnational fight for social justice. She was involved in a range of campaigns, from the quest for official recognition of the Spanish Republican government, to the fight for Indian independence, to the effort to smuggle Jewish refugees out of Germany. During Wilkinson’s lifetime, many British radicals viewed themselves as members of an international socialist community, and some, like her, became involved in socialist, feminist, and pacifist movements that spanned the globe. By focusing on the extent to which Wilkinson’s activism transcended Britain’s borders, Red Ellen adjusts our perception of the British Left in the early twentieth century.