In remote areas of Europe, local history museums struggle to connect with the rapidly changing and increasingly diverse communities around them. Insa Müller asks how these museums can recast themselves to strengthen the links to their communities. Combining theoretical deliberations, empirical investigations of the case of two Norwegian islands and a museum experiment, she offers starting points for rethinking the local history museum, while at the same time providing suggestions for locally adapted museum practice.
Insa Müller asks how local history museums can recast themselves to strengthen the links to their communities. Combining theoretical deliberations, empirical investigations of the case of two Norwegian islands, and a museum experiment, she offers starting points for rethinking this institution.
A nation's heritage is one of the most potent forces for generating tourism: the Tower of London is the greatest 'visitor attraction' in Britain. But it is pushed into insignificance by comparison with the visitors travelling to Disneyland, Epcot and the other entertainment complexes in the USA; and it will be dwarfed by Euro-Disneyland east of Paris. So how should heritage attractions respond: should they find their own specific audiences and resources? This book, written by a leading hertage specialist, is essential reading for all those concerned both with heritage and leisure managment. International in scope, it examines successfgul examples of heritage management for tourism, and equally some failures. It aims to lay some useful ground rules which should underpin all heritage developments designed to attract tourism on a major scale.
1. Technology myths and histories -- 2. Digital stories from the developing world -- 3. Native Americans, networks, and technology -- 4. Multiple voices : performing technology and knowledge -- 5. Taking back our media.
The museum and heritage sector has been shaken by debates over how to address colonialism, migration, Islamophobia, LGBTI+ and multiple other forms of difference. This major multi-researcher ethnography of museums and heritage in Berlin provides new insight into how ›diversity‹ is understood and put into action in museums and heritage. Exploring new initiatives and approaches, the book shows how these work - or do not - in practice. By doing so, it highlights ways forward - for research and action - for the future. The fieldwork locations on which this book is based include the Humboldt Forum, the Museum of Islamic Art, the Museum für Naturkunde, and the Memorial to the Murdered Jews of Europe, as well as Berlin streets and protests.
One of the world's most intensively studied societies, Bali has hosted scholars and writers as renowned as Margaret Mead, Gregory Bateson, Miguel Covarrubias, Fred Barth, and Hildred and Clifford Geertz. Staying Local in the Global Village is part of a continuing tradition in which Balinese and foreign scholars reflect on the processes of transformation that link Bali to Indonesia and the world beyond. The chapters in this volume are based on research carried out in the early 1990s, when Suharto's New Order still enjoyed widespread legitimacy in Indonesia. Even then, political consensus in Bali was weakened by the inhabitants' view of themselves as an exploited minority of Hindus in a nation dominated by Islamic Javanese. As this book reveals, the ambivalent positioning of Balinese vis-à-vis the national and the global in recent decades has been played out in many different spheres of life. Contributors take up a number of themes that reflect different articulations of the local throughout the twentieth century. Early chapters provide a bird's-eye view of the public culture, local history, definitions of "Balinese-ness," and political struggles over land and sacred space. Later chapters explore specific aspects of Balinese participation in the transformations associated with the tourism-dominated provincial economy, the growth of communications and mass media, and the incursions of the nation-state trough its imperatives of economic development and rationalist discourses. New forms of traditional hegemony, status struggles over the priesthood, contestation about cultural authenticity by marginal groups within the island itself, women's work, the performing arts, and television watching, are all considered in this light, providing a highly nuanced and "local" perspective of global processes in Bali. Contributors: Linda Connor, Mark Hobart, Brett Hough, Graeme MacRae, Ayami Nakatani, Michel Picard, I Gde Pitana, Thomas Reuter, Raechelle Rubinstein, Putu Suasta, Margaret Wiener
How do participatory museum projects with forced migrants impact both the museum and the participants? What happens during these projects and what is left of them afterwards? Based on interviews with museum practitioners, facilitators and project participants, Susanne Boersma brings together unique insights into museum work with forced migrants. Her study of participatory projects in Germany, the Netherlands and the UK reveals museums' limiting infrastructures, the shortcomings of their ethical frameworks, and the problems of addressing forced migrants as 'communities'. Outlining the diverging objectives, experiences and outcomes of participatory projects, she suggests how these might be united in practice.
We are living in the global village. Our village are connected by internet, email, Facebook, Twitter and other social media. Communication and hi-techechnologies have given us the opportunity to connect to friends, family, colleagues, customers and even complete strangers. Connections are opening new interesting horizons, new opportunities and new challenge. The world is a global village. Never fear! Success always wait for fearless people.This book includes 60 short stories. These stories were my experiences of our global village. Hope my stories can help you to add skills for living in our global village.
The Journal of Cultural Management and Cultural Policy offers international perspectives on a wide range of issues in cultural management and cultural policy research and practice. This issue looks at the effects political upheavals and processes of social transformation have on the conditions for cultural production, dissemination, education, policy, and management. The transfer from one political party to another, even when it occurs through legitimate political processes, can mean the difference between funding and lack of funding, restrictive versus liberal policies, or freedom of expression and censorship. The 1989 transformations in Central and Eastern Europe are one example among many others. Current upheavals in many countries have major implications for cultural management and politics given that artistic autonomy is at risk or already restricted with the potential to fundamentally reorder the cultural field. The contributors confront and reflect upon instances of political upheaval and social change that have had a pronounced effect on the arts.
We are living in the global village. Our village are connected by internet, email, Facebook, Twitter and other social media. Communication and hi-techechnologies have given us the opportunity to connect to friends, family, colleagues, customers and even complete strangers. Connections are opening new interesting horizons, new opportunities and new challenge. The world is a global village. Never fear! Success always wait for fearless people.This book includes 60 short stories. These stories were my experiences of our global village. Hope my stories can help you to add skills for living in our global village.
