The Lively Audience

The Lively Audience

Author: Patricia Palmer

Publisher: Taylor & Francis

Published: 2023-12-22

Total Pages: 175

ISBN-13: 1003820301

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The Lively Audience (1986) studies television from the children’s own point of view. Contrary to most prevailing opinion, it contends that television has much to teach children, and that their relationship with the medium is not one of passive dependency after all. Research shows that what children gain from television depends very much on the child’s age and social experience, and that children ‘see’ television differently from adults. This book examines this issue, and gives us a different understanding of the child audience and the impact of their television viewing.


Reading Audiences

Reading Audiences

Author: David Buckingham

Publisher: Manchester University Press

Published: 1993

Total Pages: 252

ISBN-13: 9780719038709

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Contains qualitative studies examining the role of the media in the formation of the social, sexual and cultural identities of today's youth.


Media Texts, Authors and Readers

Media Texts, Authors and Readers

Author: David Graddol

Publisher: Multilingual Matters

Published: 1994

Total Pages: 300

ISBN-13: 9781853592195

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A collection of 18 articles, most previously published, illustrating some recent applications of linguistics and literary criticism to the electronic mass media. They cover texts and linguistic theory, the structure of texts, the problem of authorship, and the role of the reader/viewer. One of four readers for use in an Open University course. Annotation copyright by Book News, Inc., Portland, OR


Audience as Performer

Audience as Performer

Author: Caroline Heim

Publisher: Routledge

Published: 2015-07-30

Total Pages: 234

ISBN-13: 1317633547

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'Actors always talk about what the audience does. I don’t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself. This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions: If the audience are performers, who are their audiences? How have audiences’ roles changed throughout history? How do talkbacks and technology influence the audience’s role as critics? What influence does the audience have on the creation of community in theatre? How can the audience function as both consumer and co-creator? Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences’ activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.


Captive Audience

Captive Audience

Author: Susan Crawford

Publisher: Yale University Press

Published: 2013-01-08

Total Pages: 351

ISBN-13: 0300167377

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Ten years ago, the United States stood at the forefront of the Internet revolution. With some of the fastest speeds and lowest prices in the world for high-speed Internet access, the nation was poised to be the global leader in the new knowledge-based economy. Today that global competitive advantage has all but vanished because of a series of government decisions and resulting monopolies that have allowed dozens of countries, including Japan and South Korea, to pass us in both speed and price of broadband. This steady slide backward not only deprives consumers of vital services needed in a competitive employment and business market—it also threatens the economic future of the nation. This important book by leading telecommunications policy expert Susan Crawford explores why Americans are now paying much more but getting much less when it comes to high-speed Internet access. Using the 2011 merger between Comcast and NBC Universal as a lens, Crawford examines how we have created the biggest monopoly since the breakup of Standard Oil a century ago. In the clearest terms, this book explores how telecommunications monopolies have affected the daily lives of consumers and America's global economic standing.


How to Write for a General Audience

How to Write for a General Audience

Author: Kathleen Kendall-Tackett

Publisher: American Psychological Association

Published: 2007-06-15

Total Pages: 182

ISBN-13: 1433804824

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In this book, Kathleen A. Kendall-Tackett, a seasoned psychologist with a successful record in publishing for a broad market, shows academics how to communicate their ideas effectively to a wider audience. With humor and personal anecdotes, she provides practical information on coming up with ideas for articles and books, beating procrastination, and writing effective, jargon-free prose.


Studying Audiences

Studying Audiences

Author: Virginia Nightingale

Publisher: Psychology Press

Published: 1996

Total Pages: 194

ISBN-13: 9780415024471

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"A critical overview of two decades of research into the television audience" -- [i].


Audiences

Audiences

Author: Nicholas Abercrombie

Publisher: SAGE

Published: 1998-04-07

Total Pages: 210

ISBN-13: 1446264556

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`This book is worth reading for a number of reasons. It is the first introductory work of critical audience research that suggests how we can study the connection of media consumption in general with every day life, and it also goes beyond its competitors in showing how postmodern thinking can help us in the analysis of a "whole way of life"′ - Journal of Communication Audiences are problematic and the study of audiences has represented a key site of activity in the social sciences and humanities. Offering a timely review of the past 50 years of theoretical and methodological debate Audiences argues the case for a paradigmatic shift in audience research. This shift, argue the authors, is necessitated by the emergence of the `diffused audience′. Audience experience can no longer be simply classified as `simple′ or `mass′, for in modern advanced capitalist societies, people are members of an audience all the time. Being a member of an audience is no longer an exceptional event, nor even an everyday event, rather it is constitutive of everyday life. This book offers an invaluable review of the literature and a new point of departure for audience research.


Artists in the Audience

Artists in the Audience

Author: Greg Taylor

Publisher: Princeton University Press

Published: 2018-06-05

Total Pages: 209

ISBN-13: 0691186278

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Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.