The liturgy of the Church of Sarum (the ordinary and canon of the mass), together with the kalendar, tr. with a preface and notes by C. Walker
Author:
Publisher:
Published: 1866
Total Pages: 146
ISBN-13:
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Author:
Publisher:
Published: 1866
Total Pages: 146
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DOWNLOAD EBOOKAuthor: Frank Edward Brightman
Publisher:
Published: 1915
Total Pages: 772
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DOWNLOAD EBOOKAuthor: Ruth Ellis Messenger
Publisher: Library of Alexandria
Published: 2020-09-28
Total Pages: 226
ISBN-13: 1465614605
DOWNLOAD EBOOKThe first mention of Christian Latin hymns by a known author occurs in the writings of St. Jerome who states that Hilary, Bishop of Poitiers (c. 310-366), a noted author of commentaries and theological works, wrote a Liber Hymnorum. This collection has never been recovered in its entirety. Hilary’s priority as a hymn writer is attested by Isidore of Seville (d. 636) who says: Hilary, however, Bishop of Poitiers in Gaul, a man of unusual eloquence, was the first prominent hymn writer. More important than his prior claim is the motive which actuated him, the defense of the Trinitarian doctrine, to which he was aroused by his controversy with the Arians. A period of four years as an exile in Phrygia for which his theological opponents were responsible, made him familiar with the use of hymns in the oriental church to promote the Arian heresy. Hilary wrested a sword, so to speak, from his adversaries and carried to the west the hymn, now a weapon of the orthodox. His authentic extant hymns, three in number, must have been a part of the Liber Hymnorum. Ante saecula qui manens, “O Thou who dost exist before time,” is a hymn of seventy verses in honor of the Trinity; Fefellit saevam verbum factum te, caro, “The Incarnate Word hath deceived thee (Death)” is an Easter hymn; and Adae carnis gloriosae, “In the person of the Heavenly Adam” is a hymn on the theme of the temptation of Jesus. They are ponderous in style and expression and perhaps too lengthy for congregational use since they were destined to be superseded. In addition to these the hymn Hymnum dicat turba fratrum, “Let your hymn be sung, ye faithful,” has been most persistently associated with Hilary’s name. The earliest text occurs in a seventh century manuscript. It is a metrical version of the life of Jesus in seventy-four lines, written in the same meter as that of Adae carnis gloriosae.
Author: Eyal Poleg
Publisher:
Published: 2016
Total Pages:
ISBN-13:
DOWNLOAD EBOOKTraces how the Bible came to be known by lay people through different mediums. It brings together intellectual and religious history with art history, music, literature and social history to trace how the Bible was sung and preached, revered and studied in thirteenth- and fourteenth-century England
Author: Davies Gilbert
Publisher:
Published: 1838
Total Pages: 434
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DOWNLOAD EBOOKAuthor: William Dunn Macray
Publisher:
Published: 1868
Total Pages: 396
ISBN-13:
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Publisher: Wipf and Stock Publishers
Published: 2004-11-09
Total Pages: 691
ISBN-13: 1592449964
DOWNLOAD EBOOKSarum Missal in English, by A. Harford Pearson was originally published by The Church Press Company in 1868. This 2004 Wipf & Stock edition is a digital scan of the original 1868 edition.
Author: Siobhán Dowling Long
Publisher: Rowman & Littlefield
Published: 2015-09-03
Total Pages: 373
ISBN-13: 0810884526
DOWNLOAD EBOOKThere have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.
Author: John Henry Blunt
Publisher:
Published: 1866
Total Pages: 304
ISBN-13:
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