“Loved this book. Zany fun. But since it’s George Romero, there’s a touch of evil behind it all!” —R.L. Stine, author of Goosebumps and Fear Street When everything is easily crushable under well-meaning feet, how can a Humongo ever fit in in such a little world? From the creator of Night of the Living Dead and the zombie movement that permeates our culture today, comes a sarcastic and cynical children's tale of different creatures trying to coexist in a benign, yet power-hungry environment. In line with Antoine de Saint-Exupery's Little Prince, The Little World of Humongo Bongo is a beautiful metaphor on the evolution of our civilization, depicted with humour and simplicity. Featuring illustrations by Romero himself, welcome to a zany little world captured by the lens of one of the world's visionary film creators. With a foreword by Tony Timpone.
A terrifying tale of supernatural horror set in a cursed Louisiana bayou, from the minds of legendary director George Romero and bestselling author Daniel Kraus. In 2019, while sifting through University of Pittsburgh Library’s System’s George A. Romero Archival Collection, novelist Daniel Kraus turned up a surprise: a half-finished novel called Pay the Piper, a project few had ever heard of. In the years since, Kraus has worked with Romero’s estate to bring this unfinished masterwork to light. Alligator Point, Louisiana, population 141: Young Renée Pontiac has heard stories of “the Piper”—a murderous swamp entity haunting the bayou—her entire life. But now the legend feels horrifically real: children are being taken and gruesomely slain. To resist, Pontiac and the town’s desperate denizens will need to acknowledge the sins of their ancestors—the infamous slave traders, the Pirates Lafitte. If they don’t . . . it’s time to pay the piper.
“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death! George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete. Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero's widow, to complete The Living Dead. Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it. It begins with one body. A pair of medical examiners find themselves battling a dead man who won’t stay dead. It spreads quickly. In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come. Everywhere, people are targeted by both the living and the dead. We think we know how this story ends. We. Are. Wrong. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Each week the oil and gas fields of sub-Saharan Africa produce well over a billion dollars' worth of oil, an amount that far exceeds development aid to the entire African continent. Yet the rising tide of oil money is not promoting stability and development, but is instead causing violence, poverty, and stagnation. It is also generating vast corruption that reaches deep into American and European economies. In Poisoned Wells, Nicholas Shaxson exposes the root causes of this paradox of poverty from plenty, and explores the mechanisms by which oil causes grave instabilities and corruption around the globe. Shaxson is the only journalist who has had access to the key players in African oil, and is willing to make the connections between the problems of the developing world and the involvement of leading global corporations and governments.
Vampire horror from the author of A Terrible Beauty. “Riveting . . . her compromised heroine . . . is a strikingly drawn and hauntingly memorable figure.” —USA Today Dependable grad student Ardeth Alexander finds herself trapped in a nightmare as the unwilling blood source for a captive vampire named Dimitri Rozokov. “Baker’s engrossing debut alternates the present-day story with the 1898 diary of obsessed businessman Ambrose Dale, who drove Rozokov into hiding and a 100-year sleep . . . Learning his story, Ardeth gradually loses her horror of Rozokov and begins to see their human jailers as the real monsters. Their only hope of salvation is to trace the links to Rozokov’s Victorian nemesis and discover the person behind his 20th-century captivity . . . In prose studded with passages of dark luster, Baker offers a truly original scenario” (Publishers Weekly). “It’s almost impossible not to finish The Night Inside in one frenzied, chocolate donut munching sitting. It’s also impossible not [to] root for its feisty, feminist vampiress heroine.” —Charles Busch, author of Vampire Lesbians of Sodom “Terrific . . . The unrelenting tension between the monstrous and the human propels this unique tale of gripping suspense.” —Katherine Ramsland, author of The Vampire Companion “The metamorphosis is achieved in a highly charged ritual as sensuous as any written: this is consummation as bloodbath, as mutual blood-letting and blood-sucking . . . breathless, lingering, erotic . . .” —The Globe and Mail (Toronto) “Baker has obviously thought about what surrendering to the dark side means that lifts this book up above the vast . . . morass of romantic vampire fiction.” —Quill & Quire
