Chronicles the rich human, plant, and animal diversity of this Isle off the East Coast of Africa, home to lemurs, unusual reptiles, and other creatures more at home in mythology than natural science.
From internationally acclaimed author-illustrator Dan Yaccarino comes a heartwarming tale about finding your own courage. Meet Morris Mole—he has always been a little bit different. When the moles are running low on food, it's up to clever Morris to save the day. With a little help from an unexpected friend and a lot of digging, Morris learns that even the smallest creatures can do big things. Featuring Dan Yaccarino’s bright and distinctive art, Morris Mole is sure to win the hearts of all readers.
Some primate field studies have been on-going for decades, covering significant portions of individual life cycles or even multiple generations. In this volume, leading field workers report on the history and infrastructure of their projects in Madagascar, Africa, Asia and South America. More importantly, they provide summaries of their long-term research efforts on primate behaviour, ecology and life history, highlighting insights that were only possible because of the long-term nature of the study. The chapters of this volume collectively outline the many scientific reasons for studying primate behaviour, ecology and demography over multiple generations. This kind of research is typically necessitated by the relatively slow life histories of primates. Moreover, a complete understanding of social organization and behaviour, factors often influenced by rare but important events, requires long-term data collection. Finally, long-term field projects are also becoming increasingly important foci of local conservation activities.
"Anyone who looks beyond the bestseller lists can see that the literary landscape outside its commercial walls is just as varied as that of visual art, just as wild, just as conceptual: novels in the form of dioramas, narratives read through virtual-reality glasses, or told as a series of tweets, stories told as recipes, poems in skywriting, genetic code, pixels, skin-as well as print and sound. The 100+ prose works and poems that make up Conceptualisms all have the strangeness authors have always given ordinary speech in order to transform it into literature. In fact, this strangeness, or unfamiliarity, may be the very core of what makes writing literature, and pushed to its boundaries, what makes literature conceptual. Experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, anti- or new literature.... Across the years, a variety of names have been used to describe fiction, poetry and hybrid writing that, like conceptual visual art, foregrounds its ideas, explores new forms, challenges mainstream writing traditions, strives for ways to speak to the present. Along with whatever else they do, they ask, Why isn't this also literature?-and keep the boundaries of literature flexible and unresolved. Now, for the first time, here is an anthology that offers an overview of this other tradition as it lives in the early decades of the 21st century. The first major anthology of this other tradition, Conceptualisms presents writing by over 90 authors, across three generations, representing a plethora of aesthetics and approaches to their subjects. Readers will recognize authors who have shaped the nature of contemporary writing, such Lydia Davis, Charles Bernstein, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. They'll also find authors, and responses to the canon, that they haven't yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live"--
'An enchanting book...poignant and passionate.' Geographical 'A captivating and absorbing account.' Sir David Attenborough Madagascar is one of the world’s natural jewels, with over ninety per cent of its wildlife found nowhere else on Earth. Few people knew it better than the pioneering primatologist and conservationist, Alison Jolly. Thank You, Madagascar is her eyewitness account of the extraordinary biodiversity of the island, and the environment of its people. At the book’s heart is a conflict between three different views of nature. Is the extraordinary forest treasure-house of Madagascar a heritage for the entire world? Is it a legacy of the forest dwellers’ ancestors, bequeathed to serve the needs of their living descendants? Or is it an economic resource to be pillaged for short-term gain and to be preserved only to deliver benefits for those with political power? Exploring and questioning these different views, this is a beautifully written diary and a tribute to Madagascar.