A Companion to Literature, Film, and Adaptation

A Companion to Literature, Film, and Adaptation

Author: Deborah Cartmell

Publisher: John Wiley & Sons

Published: 2014-08-25

Total Pages: 450

ISBN-13: 1118917537

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This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studies Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives Showcases work by leading Shakespeare adaptation scholars Explores fascinating topics such as ‘unfilmable’ texts Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness


The Literary Filmography

The Literary Filmography

Author: Leonard Mustazza

Publisher: McFarland

Published: 2006-05-31

Total Pages: 408

ISBN-13: 9780786424719

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From the very infancy of the film industry, filmmakers have relied heavily upon literature as the foundation for their movie material. Well-known literary works such as Dickens's A Christmas Carol and Hawthorne's The Scarlet Letter were adapted to film in the silent era, as were such books as Thomas Dixon's Jr.'s The Klansman, basis for the film Birth of a Nation. In recent years, Nick Hornsby's About a Boy and each of Helen Fielding's Bridget Jones's Diary novels were the basis for popular movies bearing the same names. A guide to English-language works that have been adapted as theatrical and television films, this volume includes books (both fiction and non-fiction), short stories, newspaper and magazine articles and poems. Entries are arranged alphabetically by literary title with cross-listings for films made under different titles. Each entry includes the original work's title, author, year of first publication, literary prizes, and a brief plot summary. Information on film adaptation(s) of the work, including adaptation titles, director, screenwriter, principal cast and the names of the characters they portray, major awards, and availability in the most common formats (DVD, VHS), is also offered.


Film and Literature

Film and Literature

Author: Timothy Corrigan

Publisher:

Published: 1999

Total Pages: 392

ISBN-13:

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This book is a wide-ranging introduction to the long history and provocative debates about the interactions between film and literature.KEY TOPICS: Film and Literature: A Reader presents essays from a variety of cultures that address the major issues in the exchange between film and literature since the beginning of the twentieth century. The book provides landmark discussions of different genres and practices (such as poetry and movies or film scripts as literature) through writings by such figures as Vachel Lindsay, Walter Benjamin, and Alexander Astruc. It presents a concise, but detailed history of film and literature and the critical terms and techniques used in film and literary analysis as well as a detailed history of the bond between film and literature, from theatrical narratives of the silent film era to recent blockbuster adaptations of Shakespeare and Jane Austen. It also features introductions to each essay and suggests how the essays may be used to analyze works involving film and literature. An essential resource for every reader interested in film.


Now a Major Motion Picture

Now a Major Motion Picture

Author: Christine Geraghty

Publisher: Rowman & Littlefield

Published: 2008

Total Pages: 236

ISBN-13: 9780742538214

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Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall--elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.


The Literary Filmography: Preface, A-L

The Literary Filmography: Preface, A-L

Author: Leonard Mustazza

Publisher:

Published: 2006

Total Pages: 340

ISBN-13:

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A guide to English-language works that have been adapted as theatrical and television films, this volume includes books (both fiction and non-fiction), short stories, newspaper and magazine articles and poems. Entries are arranged alphabetically by literary title with cross-listings for films made under different titles. Each entry includes the original work's title, author, year of first publication, literary prizes, and a brief plot summary. Information on film adaptation(s) of the work, including adaptation titles, director, screenwriter, principal cast and the names of the characters they portray, major awards, and availability in the most common formats (DVD, VHS), is also offered. The book is published as a set of two volumes. Replacement volumes can be obtained individually under ISBN 0-7864-2503-2 (for Volume 1) and ISBN 0-7864-2504-0 (for Volume 2).


Film Books

Film Books

Author: Breixo Viejo

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9781584563433

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Film Books: A Visual History covers cinema literature from 1895 until the present day. It comprises a 20-page introduction, 140 brief essays on major film books of the 20th-century, and 360 bibliographical descriptions. The introduction presents a detailed historical analysis of cinema literature, emphasizing the importance of film books in the history of motion pictures. Individual entries examine the relevance of a particular film book, both in content and design, and include one or more illustrations of dust jackets, book covers, page layouts, photographs and film stills. This work is the first truly comprehensive study of film books. -- Amazon.com.


Ridley Scott

Ridley Scott

Author: William B. Parrill

Publisher: McFarland

Published: 2011-08-10

Total Pages: 191

ISBN-13: 0786485930

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Ridley Scott, the director of such seminal films as Blade Runner, Alien and Thelma & Louise, is one of the most important directors of the last fifty years. Unlike many directors, Scott has been remarkably transparent about his craft, offering the audience glimpses into his creative process. This book explores Scott's oeuvre in depth, devoting a chapter to his 22 primary works, from his first effort, Boy and Bicycle (1962), through Robin Hood (2010). Topics discussed include the critical reception of the films, and the ways in which Scott's works function as cinematic mediators of issues such as religion, women's rights and history.


Death and Garden Narratives in Literature, Art, and Film

Death and Garden Narratives in Literature, Art, and Film

Author: Feryal Cubukcu

Publisher: Rowman & Littlefield

Published: 2020-07-30

Total Pages: 222

ISBN-13: 1793625891

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Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.


Writing and Filming the Painting

Writing and Filming the Painting

Author: Laura M. Sager Eidt

Publisher: Rodopi

Published: 2008

Total Pages: 243

ISBN-13: 9042024577

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This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.


Main Street Movies

Main Street Movies

Author: Martin L. Johnson

Publisher: Indiana University Press

Published: 2018-01-23

Total Pages: 316

ISBN-13: 0253032547

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"See yourself in the movies!" Prior to the advent of the home movie camera and the ubiquitousness of the camera phone, there was the local film. This cultural phenomenon, produced across the country from the 1890s to the 1950s, gave ordinary people a chance to be on the silver screen without leaving their hometowns. Through these movies, residents could see themselves in the same theaters where they saw major Hollywood motion pictures. Traveling filmmakers plied their trade in small towns and cities, where these films were received by locals as being part of the larger cinema experience. With access to the rare film clips under discussion, Main Street Movies documents the diversity and longevity of local film production and examines how itinerant filmmakers responded to industry changes to keep sponsors and audiences satisfied. From town pride films in the 1910s to Hollywood knockoffs in the 1930s, local films captured not just images of local people and places but also ideas about the function and meaning of cinema that continue to resonate today.