Never Lose Your Voice Again
Never Lose Your Voice Again

Author: Katti Power

Publisher:

Published: 2021-12-10

Total Pages:

ISBN-13: 9781736681237

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As humans, we tend to be on the lookout for shortcuts or quick fixes to our problems. Everyone who loses their voice goes on a mad dash to find the cure, the quick fix, the solution that will allow them to get back to life as usual because nobody has time to go on vocal rest.This book is NOT about how to CURE voice loss and vocal fatigue, it's about preventing voice loss and vocal fatigue from happening. There are no quick fixes for vocal damage. This is why I'm so hardcore about singers knowing how to prevent it in the first place. This book is for you if:?Vocal fatigue or voice loss prevents you from experiencing the life you desire?You feel tired after using your voice for an extended period of time?You feel tired after using your voice with more volume than is typical?Voice loss is more normal to you than a healthy voice?You have never experienced any signs of vocal fatigue or voice loss and you want to keep it that wayTo prevent voice loss FOR GOOD, you'll learn my three-step system that must be mastered to achieve lasting results. Individually, these three steps are excellent components of singing, but voice loss prevention will not be possible to achieve without a mastery of all three steps working together. Also, the same three steps you master for your singing are required for your speaking voice too, or you'll still be susceptible to voice loss. Whether you sing, act, speak, or coach people who do these things, after reading this book, you may find you want more custom help implementing what you've learned, and I'd love to coach you. The best place to start is www.getmypowerup.com. Once you implement what you've read in this book, voice loss will no longer be a struggle for you. You'll have uncovered THE SECRET.

The Quest for Voice
The Quest for Voice

Author: Lydia Goehr

Publisher:

Published: 2002

Total Pages: 252

ISBN-13: 9780198166962

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Concentrating on the music, politics, and philosophy of Richard Wagner, Lydia Goehr addresses some fundamental questions of German Romanticism: Is all music musical? Is music made less musical by the presence of words? What is musical autonomy? How do composers avoid censorship? How are composers affected by exile? Can music articulate a 'politics for the future'? What is the relation between music and philosophy?

Voice in Qualitative Inquiry
Voice in Qualitative Inquiry

Author: Alecia Y Jackson

Publisher: Routledge

Published: 2008-09-02

Total Pages: 261

ISBN-13: 1134107900

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Voice in Qualitative Inquiry is a critical response to conventional, interpretive, and critical conceptions of voice in qualitative inquiry. A select group of contributors focus collectively on the question, "What does it mean to work the limits of voice?" from theoretical, methodological, and interpretative positions, and the result is an innovative challenge to traditional notions of voice. The thought-provoking book will shift qualitative inquiry away from uproblematically engaging in practices and interpretations that limit what "counts" as voice and therefore data. The loss and betrayal of comfort and authority when qualitative researchers work the limits of voice will lead to new disruptions and irruptions in making meaning from data and, in turn, will add inventive and critical dialogue to the conversation about voice in qualitative inquiry. Toward this end, the book will specifically address the following objectives: To promote an examination of how voice functions to communicate in qualitative research To expose the excesses and instabilities of voice in qualitative research To present theoretical, methodological, and interpretative implications that result in a problematizing of voice To provide working examples of how qualitative methodologists are engaging the multiple layers of voice and meaning To deconstruct the epistemological limits of voice that circumscribe our view of the world and the ways in which we make meaning as researchers This compelling collection will challenge those who conduct qualitative inquiry to think differently about how they collect, analyze, and represent meaning using the voices of others, as well as their own.

Offensive Speech, Religion, and the Limits of the Law
Offensive Speech, Religion, and the Limits of the Law

Author: Nicholas Hatzis

Publisher: Oxford University Press

Published: 2021

Total Pages: 209

ISBN-13: 0198758448

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Is the government ever justified in restricting offensive speech? This question has become particularly important in relation to communications which offend religious sensibilities. It is often argued that insulting a person's beliefs is tantamount to disrespecting the believer; that insults are a form of hatred or intolerance; that the right to religious freedom includes a more specific right not to be insulted in one's beliefs; that religious minorities have a particularly strong claim to be protected from offence; and that censorship of offensive speech is necessary for the prevention of social disorder and violence. None of those arguments is convincing. Drawing on law and philosophy, this book argues that there is no moral right to be protected from offence and that, while freedom of religion is an important right that grounds negative and positive obligations for the state, it is unpersuasive to interpret constitutional and human rights provisions as including a right not to be caused offence. Rather, we have good reasons to think of public discourse as a space for the expression of all viewpoints about the ethical life, including those which some will find offensive. This is necessary to sustain a society's capacity for self-reflection and change.

The Philosopher's Voice
The Philosopher's Voice

Author: Andrew Fiala

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 325

ISBN-13: 0791488071

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This analysis of the relationship between philosophy and politics recognizes that political philosophers must continually struggle to distinguish their voices from others that clamor within political life. Author Andrew Fiala asks whether it is possible to maintain a distinction between philosophical speech and other political and poetic language. His answer is that philosophy's methodological self-consciousness is what distinguishes its voice from the voice of politics. By focusing on the different ways in which this methodological norm was enacted in the lives and work of Kant, Fichte, Hegel, and Marx, the author puts the problem in a larger context and considers the roles that these thinkers played in the political history of the nineteenth century.

An Innovative Approach to Voice Education and Voice Therapy
An Innovative Approach to Voice Education and Voice Therapy

Author: Hugo Lycke

Publisher: Cambridge Scholars Publishing

Published: 2024-10-15

Total Pages: 295

ISBN-13: 1036412652

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This innovative manual provides 148 Figures and Tables, deducted from a recently enlarged database of more than 1.000 phonetograms (Voice Range Profiles) from professional voice users (singers, actors, and dancers) of both genders, of ages between 8 and 88 years. The E.T.M. (Eclectic Therapy Method) offers the possibility to objectively evaluate, in real time, the capacities of a given voice, as expressed by the different parameters for each tone of the vocal range, and to expand them to their maximum potentiality, considering the general rules of vocal hygiene. This way, the interested reader can compare their own results of voice analysis, voice education or voice therapy with the exceptional data provided in this study.

Exit, Voice, and Loyalty
Exit, Voice, and Loyalty

Author: Albert O. Hirschman

Publisher: Harvard University Press

Published: 1970

Total Pages: 180

ISBN-13: 9780674276604

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An innovator in contemporary thought on economic and political development looks here at decline rather than growth. Albert O. Hirschman makes a basic distinction between alternative ways of reacting to deterioration in business firms and, in general, to dissatisfaction with organizations: one, “exit,” is for the member to quit the organization or for the customer to switch to the competing product, and the other, “voice,” is for members or customers to agitate and exert influence for change “from within.” The efficiency of the competitive mechanism, with its total reliance on exit, is questioned for certain important situations. As exit often undercuts voice while being unable to counteract decline, loyalty is seen in the function of retarding exit and of permitting voice to play its proper role. The interplay of the three concepts turns out to illuminate a wide range of economic, social, and political phenomena. As the author states in the preface, “having found my own unifying way of looking at issues as diverse as competition and the two-party system, divorce and the American character, black power and the failure of ‘unhappy’ top officials to resign over Vietnam, I decided to let myself go a little.”

Borrowed Voices
Borrowed Voices

Author: Jennifer Glaser

Publisher: Rutgers University Press

Published: 2016-03-10

Total Pages: 225

ISBN-13: 0813577411

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In the decades following World War II, many American Jews sought to downplay their difference, as a means of assimilating into Middle America. Yet a significant minority, including many prominent Jewish writers and intellectuals, clung to their ethnic difference, using it to register dissent with the status quo and act as spokespeople for non-white America. In this provocative book, Jennifer Glaser examines how racial ventriloquism became a hallmark of Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Rather than simply condemning this racial ventriloquism as a form of cultural appropriation or commending it as an act of empathic imagination, Borrowed Voices offers a nuanced analysis of the technique, judiciously assessing both its limitations and its potential benefits. Glaser considers how the practice of racial ventriloquism has changed over time, examining the books of many well-known writers, including Bernard Malamud, Cynthia Ozick, Philip Roth, Michael Chabon, Saul Bellow, and many others. Bringing Jewish studies into conversation with critical race theory, Glaser also opens up a dialogue between Jewish-American literature and other forms of media, including films, magazines, and graphic novels. Moreover, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about ethnic identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.