The Likhaan Book of Philippine Drama, 1991-1996
Author: Anton Juan
Publisher:
Published: 2000
Total Pages: 472
ISBN-13:
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Author: Anton Juan
Publisher:
Published: 2000
Total Pages: 472
ISBN-13:
DOWNLOAD EBOOKAuthor: Gémino H. Abad
Publisher: University of Philippines Press
Published: 1996
Total Pages: 382
ISBN-13:
DOWNLOAD EBOOKHere is a rich selection of poetry and short stories representing the best of Philippine writing in English. The selections were made by the distinguished editors at Likhaan, the Creative Writing Center, University of the Philippines.
Author:
Publisher:
Published: 1997
Total Pages: 290
ISBN-13:
DOWNLOAD EBOOKAuthor: Denise L. Montgomery
Publisher: Scarecrow Press
Published: 2011-08-11
Total Pages: 834
ISBN-13: 081087721X
DOWNLOAD EBOOKRepresenting the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Author:
Publisher:
Published: 2000
Total Pages: 528
ISBN-13:
DOWNLOAD EBOOKAuthor: Robbie B.H. Goh
Publisher: Rodopi
Published: 2011
Total Pages: 283
ISBN-13: 9401207089
DOWNLOAD EBOOKPreliminary Material -- INTRODUCTION: WRITING RACE AND ASIA-PACIFIC MOBILITIES - CONSTRUCTIONS AND CONTESTATIONS /Robbie B.H. Goh -- VIVAN SUNDARAM'S “AMRITA”: TOWARDS A STYLE OF THE BODY /Tania Roy -- THE RETURN OF THE SCIENTIST: ESSENTIAL KNOWLEDGE AND GLOBAL TRIBALISM IN AMITAV GHOSH'S THE HUNGRY TIDE AND THE CALCUTTA CHROMOSOME /Robbie B.H. Goh -- ETHNICITY AND THE SOUTHEAST ASIAN DIASPORA IN LI-YOUNG LEE'S THE WINGED SEED /Walter S.H. Lim -- NARRATING RACE, GENDER, AND SEXUALITY IN R.K. NARAYAN'S THE PAINTER OF SIGNS /Chitra Sankaran -- CHINESE ETHNICITY IN POST-REFORMATION INDONESIAN WOMEN'S FICTION: A COMPARATIVE STUDY OF TWO NOVELS BY AYU UTAMI AND DEWI LESTARI /Harry Aveling -- RESI(G)NIFYING THE CHINESE AND FILIPINO IN CINEMATIC NARRATIVES /Caroline S. Hau -- PERFORMING ETHNICITY, ETHNICIZING HISTORY: THE EURASIANS OF SINGAPORE IN REX SHELLEY'S THE SHRIMP PEOPLE /Lily Rose Tope -- PERFORMING THE SELF: RACE AND IDENTITY IN TWO HONG KONG ENGLISH-LANGUAGE PLAYS /Kwok-Kan Tam -- BORDER CROSSING: PLACE, IDENTITY AND DIS/LOCATION OF THE SELF IN XU XI'S THE UNWALLED CITY /Terry Siu-Han Yip -- HYBRID BROWN GAIJIN IS A “DISTINGUISHED ALIEN” IN SAKOKU JAPAN /Julie Mehta -- UGLY AMERICANS AND LITTLE BROWN BROTHERS: SPECTACLES OF IDENTITY IN CONTEMPORARY PHILIPPINE DRAMA /Judy Celine Ick -- DISAPPEARING RACE: NORMATIVE WHITENESS AND CULTURAL APPROPRIATION IN AUSTRALIAN REFUGEE NARRATIVES /Wenche Ommundsen -- RACE IN ASIAN POETRY IN ENGLISH: ETHNIC, NATIONAL AND COSMOPOLITAN REPRESENTATIONS /Agnes S.L. Lam -- NOTES ON CONTRIBUTORS -- INDEX.
Author: Ronald D. Klein
Publisher: UP Press
Published: 2008
Total Pages: 253
ISBN-13: 9715425623
DOWNLOAD EBOOKIn this survey of literary images of Japan, Ronald Klein has identified more than 160 works with Japanese characters, providing both comprehensive overviews as well as individual monographs on specific writers. This book creates a subgenre of thematic work, positing an alternative postcolonial relationship.
Author: Rajeev S. Patke
Publisher: Routledge
Published: 2009-09-10
Total Pages: 285
ISBN-13: 1135257620
DOWNLOAD EBOOKThe Routledge Concise History of Southeast Asian Writing in English traces the development of literature in the region within its historical and cultural contexts, establishing connections from the colonial activity of the early modern period through to contemporary writing across nations such as Thailand, China, Malaya, Singapore and Hong Kong.
Author: Priscelina Patajo-Legasto
Publisher: UP Press
Published: 2008
Total Pages: 791
ISBN-13: 9715425917
DOWNLOAD EBOOKThese essays by Philippine and U.S.-based scholars illustrate the dynamism and complexities of the discursive field of Philippine studies as a critique of vestiges of "universalist" (Western/hegemonic) paradigms; as an affirmation of "traditional" and "emergent" cultural practices; as a site for new readings of "old" texts and "new" popular forms brought into the ambit of serious scholarship; and as a liberative space for new art and literary genres.