Using Leberecht Migge (modernist landscape architect) as a base, Haney creates a comprehensive history of German ecological design. Linking with modern ideas of "green" design, this is a unique look at how one man changed the way planning could unite house and garden.
"Compared with the land, everything else is illusion. The cities are the startled thoughts of sleep." -- Alfred Caldwell Alfred Caldwell is one of the twentieth century's pre-eminent landscape designers. Called a "genius"by Jens Jensen, he corresponded with Frank Lloyd Wright and visited him at Taliesin in Wisconsin. He collaborated regularly with German city planner Ludwig Hilberseimer and worked behind the scenes with Craig Ellwood in California on projects that brought Ellwood prominence. Caldwell taught architecture at the Illinois Institute of Technology at Mies van der Rohe's invitation and at the University of Southern California, earning a reputation at both institutions as the most demanding and inspiring professor on the faculty. Yet this radical thinker consistently attacked academic peers and the parks and roads they designed, cried out against the loss of natural prairie lands to unchecked urban expansion, often began lectures with provocative discussions of the atom bomb, and even asserted that capitalism would likely collapse and be replaced by a more just communist economic system. In Alfred Caldwell, Dennis Domer has collected essays, poetry, drawings, autobiographical writings, and correspondence of this enigmatic figure who has guided and inspired a generation of landscape designers and architects. Caldwell's writings -- on topics ranging from landscape design to the role of technology in the twentieth century to the history of architecture -- offer proof of the creative genius of this passionate individual. He attacked the ideas behind urban renewal and promoted instead an organic, decentralized city that carefully exploited the environmental advantages ofplacing polluting industries downwind, gave residents ready access to healthful sunlight, separated traffic from pedestrians with green space, made walking to work possible, and formed neighborhoods into new settlement units. Dennis Domer's introduction provides more than just a complete chronology of Alfred Caldwell's life. Through his exhaustive use of varied sources as well as taped interviews and letters, Domer offers an unprecedented study of Alfred Caldwell that establishes irrefutably his place beside the other giants of twentieth-century landscape design.
Tells the remarkable story of Cornelia Hahn Oberlander, who, at a young age and in the wake of Hitler's persecution of the Jews, pursued her dream of becoming a landscape architect, struggling to carve out a place for herself in a male-dominated profession.
Twenty-eight years ago I went to England for a three-month visit and rest. What I found changed my life." So begins this memoir by one of America's best-known landscape architects, Laurie Olin. Raised in a frontier town in Alaska, trained in Seattle and New York, Olin found himself dissatisfied with his job as an urban architect and accepted an invitation to England to take a respite from work. What he found, in abundance, was the serendipity of a human environment built over time to respond to the land's own character and to the people who lived and worked there. For Olin, the English countryside was a palimpsest of the most eloquent and moving sort, yet whose manifestation was of ordinary buildings meant to shelter their inhabitants and further their work. With evocative language and exquisite line drawings, the author takes us back to his introduction to the scenes of English country towns, their ancient universities, meandering waterways, and dramatic cloudscapes racing in from the Atlantic. He limns the geologic histories found within the rock, the near-forgotten histories of place-names, and the recent histories of train lines and auto routes. Comparing the growth of building in the English countryside, Olin draws some sobering conclusions about our modern lifestyle and its increasing separation from the landscape. As much a plea for saving the modern American landscape as it is a passionate exploration of what makes the English landscape so characteristically English, Across the Open Field is "an affectionate ramble through real places of lasting worth.
For 60 years, Fletcher Steele practised landscape architecture as a fine art, designing nearly 700 gardens. Often brilliant, always original, Steele's work is considered by many as a link between 19th century beaux arts formalism & modern landscape design.
This long-awaited monograph traces the career of Thomas Church, one of the true innovators of American landscape design. This first complete book on Church's forward-thinking designs is drawn from UC Berkeley's Environmental Design archive by historian Marc Treib. In mid-century America, Church's fresh ideas, like the kidney-shaped swimming pool, commanded immediate recognition. Includes essays and extensive historical reproductions.
The only monograph to chronicle the life and work of one of the most important figures in American landscape architecture. Beatrix Farrand, the only female founder of the American Society of Landscape Architects, is one of the most important landscape architects of the early twentieth century. Today the scope of her work and her influence on the profession are widely acknowledged, and her gardens are being studied, restored, and opened to the public. A long-awaited updated edition of the 2009 definitive monograph, Beatrix Farrand: Garden Artist, Landscape Architect chronicles the life and work of one of the most important figures in American landscape architecture. Born into a prominent New York family (she was Edith Wharton’s niece), Farrand designed lavish gardens for the leaders of society, including the Harknesses, the Rockefellers, and the Blisses. Ultimately, her portfolio extended to college and university campuses, including Princeton, Yale, and the University of Chicago, and public gardens, the Santa Barbara Botanic Garden and the Rose Garden at the New York Botanical Garden among them. Her best-known design is the landscape at Dumbarton Oaks in Washington, D.C., originally a private residence with extensive grounds and now a research center for Harvard University surrounded by a naturalistic park restored and maintained by the National Park Service. Deeply influenced by the English garden designer Gertrude Jekyll, Farrand was known for broad expanses of lawn with deep swaths of borders planted in a subtle palette of foliage and flowers. In her public work, she adapted this design strategy to create paths and plantings that define the character of the space and the hecirculation through it. Heavily illustrated with archival images and photographs of her gardens at their peak—many taken especially for this book, Beatrix Farrand: Garden Artist, Landscape Architect also displays beautiful watercolor wash renderings of her designs, now preserved at College of Environmental Design of the University of California at Berkeley. The new edition includes updated images that reflect the current state of gardens including the Peggy Rockefeller Rose Garden at the New York Botanical Garden, the International House Courtyard at the University of Chicago, Garland Farm (Farrand’s last home and garden, which has recently been restored), Dumbarton Oaks, Dumbarton Oaks Park (which was not included in the first edition), among others. The book concludes with a comprehensive list of Farrand’s commissions and the gardens open to the public, providing direction for further study and exploration. It also features a new preface outlining the milestones in research since the first edition's publication, updated details about ownership and renovations of many properties, and a revised bibliography including articles and books published over the past ten years. Published to coincide with the 150th anniversary of Farrand's birth and written by landscape historian and preservation consultant Judith B. Tankard, Beatrix Farrand: Garden Artist, Landscape Architect takes readers on a tour of Farrand’s finest works, celebrating her influence on succeeding generations of women landscape architects.
The name Lancelot 'Capability' Brown has become synonymous with the eighteenth-century English landscape garden: between 1751 and 1783 his consultancy handled over 170 major commissions. Ruthlessly efficient, he could stake out the 'capabilities' of a particular terrain within an hour on horseback. Rising to the position of Master Gardener to George III, his trademark features included bald lawns, clumped trees, undulating lakes and enclosing belts of woodland on the estate's perimeter. With this standard park formula Brown and his followers held the commercial monopoly on garden design well into the following century, resisting the more rugged topography advocated by Richard Payne Knight's new generation of Romantics.
An exploration of the work of the English architect and landscape designer who practiced almost exclusively in Italy from 1907 to midcentury. English expatriate Cecil Ross Pinsent was responsible for the design and construction of new villas and gardens such as the elegant rural estate La Foce, and the renovation of many historically sensitive ones, including Villa I Tatti, Villa Le Balze, and Villa Medici. Edith Wharton sought his advice; Vita Sackville-West and Harold Nicolson admired and were influenced by him. Geoffrey Scott, author of The Architecture of Humanism, dedicated the book to him; and Sir Geoffrey Jellicoe, England’s premier landscape architect, regarded Pinsent as his “first maestro on the placing of buildings in the landscape.” This first book dedicated to bringing to light Pinsent’s contribution to garden design is generously illustrated with photographs from his previously unpublished albums and archive of architectural drawings and sketches, and his letters to family friends and clients.