This translation of the "Registrum epistularum" of Gregory the Great, the first complete version in English, will provide all medievalists access to one of the most important documentary collections to have survived from the period. All fourteen books of the letters are presented in three volumes, each with a preface of its own but sharing the introduction found in the first volume.
In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.
This is a daily prayer book for the Ordinariate those former Anglicans who have recently become a distinct part of the Roman Catholic Church. In creating the Ordinariate, Pope Benedict recognised the treasures that Anglicans brought with them from their own tradition and this book is replete with the riches of Anglican patrimony. It contains material from the Anglican tradition, adapted according to the Roman rite including: an order for morning, evening and night prayer throughout the year spiritual readings for the Christian year the minor offices calendar and lectionary tables For use throughout the English speaking world, this unique volume will fill an immediate need.
This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a “contact zone” of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the “Word that was made flesh,” the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic—an enigma—and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain—Bede, Gregory the Great, and Isidore most prominent among them. Beechy’s study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán’s De locis sanctis (“On the holy lands”); and the difficult esoterica of the wisdom tradition.
What made Pope Gregory I “great”? If the Middle Ages had no difficulty recognizing Gregory as one of its most authoritative points of reference, modern readers have not always found this question as easy to answer. As with any great figure, however, there are two sides to Gregory – the historical and the universal. The contributors to this handbook look at Gregory’s “greatness” from both of these angles: what made Gregory stand out among his contemporaries; and what is unique about Gregory’s contribution through his many written works to the development of human thought and described human experience. Contributors include: Jane Baun, Philip Booth, Matthew Dal Santo, Scott DeGregorio, George E. Demacopoulos, Bernard Green, Ann Kuzdale, Stephen Lake, Andrew Louth, Constant J. Mews, John Moorhead, Barbara Müller, Bronwen Neil, Richard M. Pollard, Claire Renkin, Cristina Ricci, and Carole Straw.
This translation of the "Registrum epistularum" of Gregory the Great, the first complete version in English, will provide all medievalists access to one of the most important documentary collections to have survived from the period. All fourteen books of the letters are presented in three volumes, each with a preface of its own but sharing the introduction found in the first volume.
Saint Gregory of Nazianzus, also known as Gregory the Theologian, lived an illustrious life as an orator, poet, priest, and bishop. Until his death, he wrote scores of letters to friends and colleagues, clergy members and philosophers, teachers of rhetoric and literature, and high-ranking officials at the provincial and imperial levels, many of which are preserved in his self-designed letter collection. Here, for the first time in English, Bradley K. Storin has translated the complete collection, offering readers a fresh view on Gregory’s life, social and cultural engagement, leadership in the church, and literary talents. Accompanying the translation are an introduction, a prosopography, and annotations that situate Gregory’s letters in their biographical, literary, and historical contexts. This translation is an essential resource for scholars and students of late antiquity and early Christianity.
