The Legend of Prism for the young reader, tells of wonderful mysteries discovered by the Johnson family. This isn't merely the start of a new chapter in their lives; it was the opening scene of an epic adventure. The Johnsons were on the verge of uncovering wonders beyond their wildest dreams, diving into adventures that would tell the story of a family not just living, but thriving in the embrace of the unknown.
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
Airpower is not widely understood. Even though it has come to play an increasingly important role in both peace and war, the basic concepts that define and govern airpower remain obscure to many people, even to professional military officers. This fact is largely due to fundamental differences of opinion as to whether or not the aircraft has altered the strategies of war or merely its tactics. If the former, then one can see airpower as a revolutionary leap along the continuum of war; but if the latter, then airpower is simply another weapon that joins the arsenal along with the rifle, machine gun, tank, submarine, and radio. This book implicitly assumes that airpower has brought about a revolution in war. It has altered virtually all aspects of war: how it is fought, by whom, against whom, and with what weapons. Flowing from those factors have been changes in training, organization, administration, command and control, and doctrine. War has been fundamentally transformed by the advent of the airplane.
An acclaimed historian of twentieth century Germany provides a vivid account of Hitler’s rise to power and its intimate connection to the Bavarian capital. The immediate aftermath of the Great War and the Versailles Treaty created a perfect storm of economic, social, political and cultural factors which facilitated the rapid rise of Adolf Hitler’s political career and the birth of the National Socialist German Worker’s Party. The breeding ground for this world-changing evolution was the city of Munich. In Hitler’s Munich, renowned historian David Ian Hall examines the origins and growth of Hitler’s National Socialism through the lens of this unique city. By connecting the sites where Hitler and his accomplices built the movement, Hall offers a clear and concrete understanding of the causes, background, motivation, and structures of the Party. Hitler’s Munich is a cultural and political portrait of the city, a biography of the Fuhrer, and a history of National Socialism. All three interacted in this expertly rendered exploration of their interconnections and significance.
Buzz Books 2021 presents passionate readers with an insider’s look at the buzziest books due out this spring season. Such major bestselling authors as Cynthia D’Aprix Sweeney, Jean Hanff Korelitz, Lisa Scottoline, and Tia Williams are featured, along with literary greats Leila Slimani and Viet Thanh Nguyen, a Pulitzer Prize-winner. Other sure-to-be popular titles are by Julie Murphy, of Dumplin’ fame, with her first adult novel; Marie Benedict’s book about J.P Morgan’s personal librarian; and Flynn Berry’s thriller about two sisters and the IRA. Buzz Books has had a particularly stellar track record with highlighting the most talented, exciting debut authors, and this edition is no exception. Amanda Dennis, Honorée Fanonne Jeffers, Carolyn Ferrell, Gabriela Garcia, are among the literary standouts, while Emma Stonex’s The Lamplighters, inspired by a true story, has already been optioned for film. Our nonfiction selections include two World War II stories, one by Boys in the Boat author Daniel James Brown and a second by Mari K. Elder. Jennifer Gunter, M.D. of The Vagina Bible renown, returns with her Menopause Manifesto. Kat Chow, Erin French, and Danielle Henderson have written three very different memoirs, about a Chinese-American family, a restaurateur, and an unconventional Black childhood, respectively. Finally, we present early looks at new work from up-and-coming young adult authors: Safia Elhillo (Home Is Not A Country), Graci Kim (The Last Fallen Star), and Alexandrea Weis (Have You Seen Me?). Be sure to look out for Buzz Books 2021: Fall/Winter, coming in May.
This sweet chapter book series features magical unicorn princesses and the human girl who befriends them. Welcome to an enchanted land ruled by unicorn princesses! Cressida Jenkins, a unicorn-obsessed girl who is sure that unicorns are real, is invited to visit, and readers will be thrilled to journey to the Rainbow Realm along with her! In each story, Cressida is called to help a unicorn princess and her sisters in a magical adventure. Princess Feather has just returned from her latest adventure, and Princess Flash wants nothing more to join her sister on her next trip. Ernest the wizard lizard creates a magical pair of wings for Flash, and the princesses invite Cressida to come with them to a new realm. But once there, Ernest's spell goes wrong and creates chaos, and Cressida will have to use all her wits to solve the problem before she can return home.
'We are all Zapatistas.' Subcomandante MarcosThis book began in 1994, when Zapatista Subcomandante Marcos replied to a 10-year-old girl from Mexico City who had sent him a drawing. The ensuing collection of related tales about the warrior-beetle, narrated by his pipe-smoking, black-ski-masked human squire is an extraordinary account for the general reader of current global political struggle.Marcos created a humorous fictitious character, Don Durito, a beetle with Quixotic fantasies which regards Marcos as his Sancho Panza. In this book, Marcos creates a new political genre, so-called "postdata": ironical commentaries which he affixes to his formal communiqués or declarations. In one of them he even offers to perform a striptease for government negotiators.'We are the product of 500 years of struggle...They [Mexican government] don't care that we have nothing, absolutely nothing, not even a roof over our heads; no land, no work, no health care, no food, no education... nor is there peace nor justice for ourselves and our children. But today, we say ENOUGH IS ENOUGH!' First EZLN declaration of war, December 31st 1993The Zapatistas are not Marxist, Rightists, or Anarchists. They seek not to replace one infrastructure of power with another, thus rejecting the normal goal of an armed struggle. They are armed but do not use violence as a tool to expand their aims. Although a localized rebellion, the Zapatistas are unified in a worldwide struggle that transcends the mainstream media's limited perspective through eloquent dictations distributed globally via the Internet.With a fresh perspective and tactics that have never been seen in relation to an armed insurrection, the EZLN (Zapatista National Liberation Army) has changed the definition of what revolution means. From the marginalized confines of the poorest region in Mexico, a new concept of revolutionary change with a new solution to societies woes is currently being proposed.
