People of Earth, It is a new age for all humanity. It is an age of order and faith. As with the death of the Phoenix, the Vazakanian Empire has fallen, and from the ashes that remained, there has risen a power like none the galaxy has ever seen. The Vazonian Empire grows with each passing moment: like a great tide from the depths of the sea, the power of Queen Jonarka cannot be halted, as she offers a path to eternity in the one true way of your all-knowing creator and master of salvation, Xiaf. The Interstellar Union will not protect Earth. The Interstellar Union is a weak and inferior grouping of star systems that cower in the presence of the great Vazonian fleet. People of Earth, are you not so different from us yourselves? We offer you a way of life founded upon the very principles you call your own: the will of the free market is unquestioned, faith is the path to salvation, government is inherently evil and, thus, we are governed by a body much like one of the great corporations you trust with your lives. Submit to the Queen, and you shall become eternal.
In an evolving universe, Gods dreams are covering Resurrection Valley, and there is no escape from the human legends. Three men find themselves in the midst of an amazing world emerging all around them. Hazar wants to be free from the vicious cycle that has monopolized his young life. Accompanied by Elem the Drifter and Atilla the Warrior of God, Hazar embarks on a dangerous and frightening journey through the Resurrection Valley. With the goal of curing his pain, Hazar begins a search for the Anarkis castle, where he hopes to meet Nil, the source of life and the love he has never been able to attain. But because Nil is a creation of the black widow that Darkon the Evil has instilled in Hazars soul, it appears that Hazar is forever enslaved. Even as Hazar falls apart in his own world and attempts to suppress his ruthlessness, the dream world opens and new horizons appear. As experienced world traveler Elem struggles with his fears and Atilla challenges mortality with his Kaledzar sword, Hazar must battle his own inner demons as he immerses himself in a complex mission revolving around love, power, and an unforgettable legend.
A landmark book of popular science that gives us a lucid and engaging account of how the human body evolved over millions of years—with charts and line drawings throughout. “Fascinating.... A readable introduction to the whole field and great on the making of our physicality.”—Nature In this book, Daniel E. Lieberman illuminates the major transformations that contributed to key adaptations to the body: the rise of bipedalism; the shift to a non-fruit-based diet; the advent of hunting and gathering; and how cultural changes like the Agricultural and Industrial Revolutions have impacted us physically. He shows how the increasing disparity between the jumble of adaptations in our Stone Age bodies and advancements in the modern world is occasioning a paradox: greater longevity but increased chronic disease. And finally—provocatively—he advocates the use of evolutionary information to help nudge, push, and sometimes even compel us to create a more salubrious environment and pursue better lifestyles.
The last Human doesn't believe the stories about his people until he meets a stranger who reveals secrets to his past. The mysteries of the lost Human civilization are discovered as he finds himself in the middle of a power struggle, where the enemies of Humans are once again surfacing. The Human Legend chronicles the post-Human world and the political turmoil that threatens to scar all the races of the earth. The last Human must connect to his past, thus revealing the secrets of his people and ultimately saving the world from an enigmatic evil that seeks to take control.
A morally profound chamber piece, A Legend of the Future is a critique of morality. It takes place inside a spaceship after a crash takes place during a failed mission to Titan, one of the Saturn moons. The journey home forces the crew to face its innermost fears while coexisting with each other in a state of desperation. This mesmerizing novel, recalling Arthur C. Clarke’s 2001: Space Odyssey, is a roman a clef about the intense pressures—economic, ideological, psychological—inside Socialist Cuba. Praise for A Legend of the Future "The best science fiction writer in Cuba; the only possible debate is which of his works is the best.... His trilogy of Spiral, A Legend of the Future, and Year 200 is still the best of Cuban science fiction.... With a very refined style and well-established scientific-social background, Agustín’s work surprises through its humanistic content. His concerns surrounding the meaning of life and the evolution of human beings put him in a privileged place among national writers.” —Cuenta Regresiva "The best and most popular novelist of this genre that the Island has ever given.... He is considered one of the principal exponents of Cuban science fiction, and he was undoubtedly the one who knew how to best combine solid scientific formation as plots and attractive characters with a confidence well-based in humanity’s socialist future.” —Yoss "One of the best science fiction writers in Cuba—and, until [his death], one of the best Cuban story tellers alive.... Today Agustín de Rojas’ work, from Spiral through Catharsis and Society, is admired by cult readers, pro-government thinkers, and elitists alike." —Félix Luis Viera, Cubaencuentro "The most elevated figure in Cuban science fiction." —Axxón Agustín de Rojas (1949-2011) is the patron saint of Cuban science fiction. A professor of the history of theater at the Escuela de Instructores de Arte in Villa Clara, he is the author of a canonical trilogy of novels: Espiral (Spiral, 1982), for which he was awarded the David Prize; La leyenda del futuro (The Legend of the Future, 1985) and El año 200 (The Year 200, 1990), all scheduled for publication in English translation by Restless Books. While influenced by Ray Bradbury and a translator of Isaac Asimov into Spanish, he aligned himself with the Soviet line of socialist realism defined by the brothers Arkady and Boris Strugatsky as well as by Ivan Antonovich Yefremov, author of The Andromeda Nebula, made into a movie directed by Yevgeni Sherstobitov and admired by de Rojas. In Cuban literature, he is said to have begun writing after reading Miguel Collazo’s El viaje (The Journey). After the fall of the Soviet Union, de Rojas stopped writing science fiction and embraced other themes such as Christianity, about which he wrote a novel called El publican (1997), about the disciples of Jesus Christ, that was awarded the Dulce María Loynaz Prize. He spent his last years persuaded—and persuading others—that Fidel Castro did not exist. Nick Caistor is a British journalist, non-fiction author, and translator of Spanish and Portuguese literature. He has translated Cesar Aira, Paulo Coelho, Eduardo Mendoza, Juan Marsé, and Manuel Vázquez Montalban, and he has twice won the Valle-Inclán Prize for translation. He regularly contributes to Radio 4, the BBC World Service, the Times Literary Supplement, and the Guardian. He lives in Norwich, England.
This is a full version of “Ancient Mythology” in English — worth everyone’s collection! This is a completely re-translated version of Mote In order to let “English readers” around the world know the purpose and history of “the true history of human civilization” and “humans built the moon” 上一頁
An entertaining cultural history and a highly original take on the power of stories in societies past and present. Trish Nicholson brings us a unique interweaving of literature and history seen through the eyes of storytellers, making a fascinating journey for general readers and students alike. From tales of the Bedouin, to Homer, Aesop and Valmiki, and from Celtic bards and Icelandic skalds to Chaucer, Rabelais, Shakespeare, Scott and Chekhov, some of the many storytellers featured will be familiar to you; others from Africa, Asia and the Pacific may be fresh discoveries. Beginning with oral tales of our foraging ancestors, the emergence of writing, the great migrations, the age of exploration and the invention of printing through to the industrial revolution and the digital age, Nicholson brings us voices from all corners of the world. Combining this extraordinary breadth with telling myths, epics, fables, fairy tales and legends, she reveals their story-power in the comedy and tragedy of human affairs. And what of Story’s future..? A Biography of Story, A Brief History of Humanity is our own human epic, thoroughly researched and referenced, and told with the imaginative flair of an accomplished storyteller. This is a book-lover’s book, illustrated and handsomely presented in hardback and paperback volumes designed ‘to have and to hold’. Key selling points • Unique in scope, beginning with pre-history through to the digital age • Deeply researched but written in an easy, entertaining and accessible style with imagination and humour • Ideal foundation reading for students of literature, history, writing, and humanities.
"This is the first English translation of a brief, scholarly, and brilliantly original work which sets out to examine the links between the legend of the artist, in all cultures, and what E.H. Gombrich, in an introductory essay, calls 'certain invariant traits of the human psyche.'"--Denis Thomas, Journal of the Royal Society of Arts "This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation. It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields.... A delightful and unrivalled study."--Howard Hibbard "Thought provoking and valuable.... To all those interested in psychiatry and art from the perspectives of history, criticism, or therapy and to the wide audience concerned with the psychology of aesthetics and of artistic creation."--Albert Rothenberg, American Journal of Psychiatry
The blue-skinned old woman who made the mountains. Finfolk, seal-people and the Makers of Dreams. Within these pages are the little-known stories of Scotland, collected and retold by an oral storyteller who performs them throughout the world. From folk-tales and local legends to ancient epics, these stories will astonish and delight readers everywhere. Daniel Allison is an acclaimed oral storyteller who performs everywhere from schools and prisons to global festivals. He hosts the House of Legends Podcast and is the author of The Bone Flute, Silverborn, Scottish Myths & Legends and Finn & The Fianna. 'A masterpiece... Celtic myths and legends at their fantastic best. Mythical, flirty, thumpingly violent and divinely nasty!' Jess Smith reviewing Finn & The Fianna 'A tremendous read... no end of dramas, surprises and reversals of fortune... wonderful stuff' Fay Sampson reviewing The Bone Flute 'The best mythology podcast I've heard' House of Legends listener review
