From the start of Prohibition to the Wall Street Crash, these lively vignettes portray the most noteworthy people and events of the 1920s. Hundreds of photographs depict gangsters, flappers, movie stars, other personalities.
It began with the best of intentions. Worried about the effects of alcohol on American families, mothers and civic leaders started a movement to outlaw drinking in public places. Over time, their protests, petitions, and activism paid off—when a Constitional Amendment banning the sale and consumption of alcohol was ratified, it was hailed as the end of public drunkenness, alcoholism, and a host of other social ills related to booze. Instead, it began a decade of lawlessness, when children smuggled (and drank) illegal alcohol, the most upright citizens casually broke the law, and a host of notorious gangsters entered the public eye. Filled with period art and photographs, anecdotes, and portraits of unique characters from the era, this fascinating book looks at the rise and fall of the disastrous social experiment known as Prohibition. Bootleg is a 2011 Kirkus Best Teen Books of the Year title. One of School Library Journal's Best Nonfiction Books of 2011. YALSA Excellence in Nonfiction Finalist in 2012.
Gabby Harnett is believed by many to be the greatest catcher of all time. This work chronicles Hartnett's life from his early years in Millville, Massachusetts, through his twenty-year career with the Chicago Cubs as player and manager, his time in various capacities in the minor leagues and with the New York Giants and Kansas City Athletics, to his post-major league career as a businessman in Chicago. His childhood, early baseball experiences with the local team and with a nearby prep school, and his first professional baseball season with the Worcester Boosters of the Eastern League are covered in detail. Hartnett's major league career as the catcher for the Cubs is well-documented, including his near career-ending arm injury in 1929, the 1932 World Series that featured Babe Ruth's legendary "called shot," and Hartnett's famous "homer in the gloamin" against the Pittsburgh Pirates that propelled Chicago to the 1938 National League pennant. The author also compares Hartnett's statistics to those of his famous contemporaries, Mickey Cochrane and Bill Dickey, on a year-by-year basis.
This invaluable resource covers all aspects of 1920s political, artistic, popular, and economic culture in America, supporting the AP U.S. history curriculum through topical and biographical entries, primary documents, sample documents-based essay questions, and period-specific learning objectives. The 1920s, despite President Harding's "return to normalcy," were a time of both great cultural and social advancement as well as various forms of oppression in the United States. Bookended in history by two world wars, this period saw the rise of tabloid journalism and mass media; the banning and reinstatement of alcohol; the advent of voting rights for women and Native Americans; movements such as the Red Scare, labor strikes, the Harlem Renaissance, and racial protests; and the global reorganization that occurred as the major powers fumbled their way through postwar foreign policy and the League of Nations. Almost no element of U.S. society was untouched. The New Era of the 1920s: Key Themes and Documents provides high school students taking the Advanced Placement (AP) U.S. history course and undergraduates taking a lower level American history survey course with an invaluable study guide and targeted test preparation material. Much more than just an AP test-taking study guide, this new title in ABC-CLIO's Unlocking American History series is a true reference source for the societal, political, and economic history of a specific period covered in the AP U.S. history course. Readers will also benefit from features designed for student exam preparation, such as a sample documents-based essay question and period-specific learning objectives that are in alignment with the 2014 AP U.S. History Curriculum Framework.
A rich and varied collection of Pete Hamill's best journalism that spans decades and covers topics as diverse as Donald Trump, stickball, and Northern Ireland.. Veteran journalist Pete Hamill never covered just politics. Or just sports. Or just the entertainment business, the mob, foreign affairs, social issues, the art world, or New York City. He has in fact written about all these subjects, and many more, in his years as a contributor to such national magazines as Esquire, Vanity Fair, and New York, and as a columnist at the New York Post, the New York Daily News, the Village Voice, and other newspapers. Seasoned by more than thirty years as a New York newspaperman, Hamill wrote on an extraordinarily wide variety of topics in powerful language that is personal, tough-minded, clearheaded, always provocative. Piecework is a rich and varied collection of Hamill's best writing, on such diverse subjects as what television and crack have in common, why winning isn't everything, stickball, Nicaragua, Donald Trump, why American immigration policy toward Mexico is all wrong, Brooklyn's Seventh Avenue, and Frank Sinatra, not to mention Octavio Paz, what it's like to realize you're middle-aged, Northern Ireland, New York City then and now, how Mike Tyson spent his time in prison, and much more. This collection proves him once again to be among the last of a dying breed: the old-school generalist, who writes about anything and everything, guided only by passionate and boundless curiosity. Piecework is Hamill at his very best.
This book offers a history of crime and the criminal justice system in America, written particularly for students of criminal justice and those interested in the history of crime and punishment. It follows the evolution of the criminal justice system chronologically and, when necessary, offers parallels between related criminal justice issues in different historical eras. From its antecedents in England to revolutionary times, to the American Civil War, right through the twentieth century to the age of terrorism, this book combines a wealth of resources with keen historical judgement to offer a fascinating account of the development of criminal justice in America. A new chapter brings the story up to date, looking at criminal justice through the Obama era and the early days of the Trump administration. Each chapter is broken down into four crucial components related to the American criminal justice system from the historical perspective: lawmakers and the judiciary; law enforcement; corrections; and crime and punishment. A range of pedagogical features, including timelines of key events, learning objectives, critical thinking questions and sources, as well as a full glossary of key terms and a Who’s Who in Criminal Justice History, ensures that readers are well-equipped to navigate the immense body of knowledge related to criminal justice history. Essential reading for Criminal Justice majors and historians alike, this book will be a fascinating text for anyone interested in the development of the American criminal justice system from ancient times to the present day.
This new, revisionist approach to the Twenties in America offers the first balanced account of the history and politics of this much-maligned decade. Focusing on the two Presidents of the 1920s, the book points out key distinctions between the governing styles and political philosophies of Warren Harding and Calvin Coolidge. It suggests Harding's executive style and achievements were not as poor as traditional portraits have claimed. Coolidge is presented in terms of his largely successful efforts to distance himself from the financial scandals associated with his predecessor and his encouragement of the major revival of much of the US economy. The author argues that the pace of social and technological change resulted in lines of conflict over poverty, race, religion and employment rights being redrawn as living standards rose, home and working conditions changed and old prejudices were challenged. Consequently, politicians found that old solutions became increasingly irrelevant to new realities. The narrative is placed in the familiar context of the Twenties: the motor car, jazz, F. Scott Fitzgerald, Hollywood, mass consumerism and the flapper.