The Laurel & Hardy Advertising Scrapbook

The Laurel & Hardy Advertising Scrapbook

Author: Antony Mitchell-Waite

Publisher:

Published: 2014-10-13

Total Pages: 214

ISBN-13: 9781326041410

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The Laurel & Hardy Advertising Scrapbook is an updated and stripped back version of our previous book, "Advertising Antics." This time, we let the pictures speak for themselves - over 600 of them. Many new, many more re-scanned as higher quality images, with newly written text sections.


Like Two Peas in a Pot

Like Two Peas in a Pot

Author: Antony Mitchell-Waite

Publisher: Lulu.com

Published: 2019-04-16

Total Pages: 168

ISBN-13: 0244777799

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Like Two Peas in a Pot is intended as a stand-alone companion to our two volumes - Like Two Peas in a Pod. While volume 1 concentrates on look-alikes in film and on TV, and volume 2 looks at theatre and ""live"" versions of Stan and Ollie, this edition bridges the gap! In here you will find stunt doubles, music videos, advertising, quiz shows, false leads, rumours and films that never saw the light of day. Full of interesting trivia, this is another fine edition for your Laurel and Hardy book shelf!


The Three Stooges Scrapbook

The Three Stooges Scrapbook

Author: John Howard Maurer

Publisher: Citadel Press

Published: 2000-06

Total Pages: 292

ISBN-13: 9780806509464

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Dour-faced Moe Howard with his sugar-bowl haircut, his bald, chubby brother Curly and frizzy-haired Larry have poked, slapped, ear-yanked and nose-twisted their way into people's hearts across the world - and into film history. Their nearly 200 two-reel comedies, made between 1933 and 1958, have been translated into over 25 languages, entertained nearly six generations of fans and are seen somewhere in the world every single day. The Three Stooges Scrapbook is a historical overview of their time in showbusiness.


The Final Film of Laurel and Hardy

The Final Film of Laurel and Hardy

Author: Norbert Aping

Publisher: McFarland

Published: 2014-01-10

Total Pages: 282

ISBN-13: 0786451742

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The remarkable story behind the planning, development and marketing of Laurel and Hardy's ill-received final film, Atoll K, has been little explored. Details on the script development, cast, crew, locations, and even basic information on running times and release dates have been sketchy at best since the film's 1951 release. This work reconstructs the circumstances surrounding this unusual international co-production (Atoll K was a French-Italian film with English-speaking stars). Through lost documents detailing the film's production and funding, previously unreleased behind-the-scenes photos, and a rare interview with French movie star Suzy Delair, the author explores the continuous changes to the film's script during its chaotic production and the final marketing of the film's many different versions (Atoll K was also released as Robinson Crusoeland in the United Kingdom and as Utopia in the United States). Several appendices detail alternative sequences and cut scenes in various versions of the film and include French box-office reports from 1951 to 1952 as well as a complete filmography.


Assembling the Dinosaur

Assembling the Dinosaur

Author: Lukas Rieppel

Publisher: Harvard University Press

Published: 2019-06-24

Total Pages: 227

ISBN-13: 0674240340

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A lively account of the dinosaur’s role in Gilded Age America, examining the connection between business, paleontology, and museums. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history. Praise for Assembling the Dinosaur “A penetrating study of legitimacy and capitalism in the realm of fossils.” —Verlyn Klinkenborg, The New York Review of Books “A solid entry into the growing body of literature on Gilded Age American paleontology, but it is particularly valuable for its contribution to enhancing our understanding of how science and its representation during that period were influenced by, and in turn affected, society as a whole. By incorporating cultural, economic, and scientific developments, Rieppel shines new light on the history of both American paleontology and museum exhibition practice.” —Ilja Nieuwland, Science