First published in 2004. This five volume set collects together a series of writings on the role of women in the late-Victorian Era. This final volume of the set, brings together the voices of female New Woman writers and late Victorian literary criticism. The contemporary debate on New Woman fiction formed part of a wider discourse on decadence, degeneration and the crises of gender and sexuality in culture, literature and political life.
First published in 2004. This five volume set collects together a series of writings on the role of women in the late-Victorian Era. Volume 1 includes texts on the concept of the 'New Woman', a social phenomenon around 1894, a woman with a college education, professional aspirations and feminist convictions.
First published in 2004. This five volume set collects together a series of writings on the role of women in the late-Victorian Era. Volume 2 places the controversy on marriage and motherhood in the context of the New Woman debate. While the three debates were linked, each had its own dynamic and saw shifting alliances and antagonisms. The marriage debate pitted the three different groups and their opposing interests against each other: the Old (traditionalist) Woman defended the ideals of marriage, while the progressive man advocated 'free Iove', and the New Woman emphasized female independence within and outside marriage.
First published in 2004. This five volume set collects together a series of writings on the role of women in the late-Victorian Era. New Woman fiction left its mark on fin-de-siecle British culture, transforming the literary landscape well beyond the turn of the century; it also had a considerable impact on the formation of popular as well as political thought. The next two volumes (3 and 4) make available a selection of narrative texts which were widely debated at the time.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD In 1960, Harvard’s sister college, Radcliffe, announced the founding of an Institute for Independent Study, a “messy experiment” in women’s education that offered paid fellowships to those with a PhD or “the equivalent” in artistic achievement. Five of the women who received fellowships—poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen—quickly formed deep bonds with one another that would inspire and sustain their most ambitious work. They called themselves “the Equivalents.” Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation. “Rich and powerful. . . . A love story about art and female friendship.” —Harper’s Magazine “Reads like a novel, and an intense one at that. . . . The Equivalents is an observant, thoughtful and energetic account.” —Margaret Atwood, The Globe and Mail (Toronto)
