Award-winning writer Inga Simpson terrifies and enthralls with this truly remarkable novel of a woman who must face her worst fears to survive and find beauty in the Australian bush. Fear is her cage. But what's outside is worse... It's night, and the walls of Rachel's home creak in the darkness of the Australian bush. Her fear of other people has led her to a reclusive life as far from them as possible, her only occasional contact with her sister. A hammering on the door. There stand a mother, Hannah, and her sick baby. They are running for their lives from a mysterious death sweeping the Australian countryside - so soon, too soon, after everything. Now Rachel must face her worst fears to help Hannah, search for her sister, and discover just what terror was born of us. . . and how to survive it. For fans of STATION ELEVEN, BIRDBOX and A QUIET PLACE, this remarkable, frightening yet ultimately hopeful novel holds a mirror up to the world we live in today.
"In Amy Gentry's follow-up to her acclaimed debut, Good As Gone, two assaulted women make a pact to kill each other's tormentor. But in the fallout, their paranoia grows until neither is sure whom she can trust. At what cost will their vengeance come?"--
From the national bestselling author of Breaking Wild, a riveting and powerful thriller about a woman whose greatest threat could be the man she loves.… Marian Engström has found her true calling: working with rescue dogs to help protect endangered wildlife. Her first assignment takes her to northern Alberta, where she falls in love with her mentor, the daring and brilliant Tate. After they’re separated from each other on another assignment, Marian is shattered to learn of Tate’s tragic death. Worse still is the aftermath in which Marian discovers disturbing inconsistencies about Tate’s life, and begins to wonder if the man she loved could have been responsible for the unsolved murders of at least four women. Hoping to clear Tate’s name, Marian reaches out to a retired forensic profiler who’s haunted by the open cases. But as Marian relives her relationship with Tate and circles ever closer to the truth, evil stalks her every move.…
Born at the turn of the 21st century, The Storyteller, also known as Ishkwegaabawiikwe (Last Standing Woman), carries her people’s past within her memories. The White Earth Anishinaabe people have lived on the same land for over a thousand years. Among the towering white pines and rolling hills, the people of each generation are born, live out their lives, and are buried. The arrival of European missionaries changes the community forever. Government policies begin to rob the people of their land, piece by piece. Missionaries and Indian agents work to outlaw ceremonies the Anishinaabeg have practised for centuries. Grave-robbing anthropologists dig up ancestors and whisk them away to museums as artifacts. Logging operations destroy traditional sources of food, pushing the White Earth people to the brink of starvation. Battling addiction, violence, and corruption, each member of White Earth must find their own path of resistance as they struggle to reclaim stewardship of their land, bring their ancestors home, and stay connected to their culture and to each other. In this highly anticipated 25th anniversary edition of her debut novel, Winona LaDuke weaves a nonlinear narrative of struggle and triumph, resistance and resilience, spanning seven generations from the 1800s to the early 2000s.
In the heart of cottage country in Ontario, bordering on a native reservation, Ann and Richard are confronted with the abrupt reappearance after ten years of a local man, Billy. His presence once again in their lives brings back powerful memories and rekindles old conflicts, love, and a betrayal, as each of their past and present stories gradually unfolds during one 1980s summer. Containing all of the elements for which The Island Walkers was celebrated, The Last Woman envelops us in Bemrose’s flawlessly crafted and complete world, where each character is unforgettably alive and real, and the land itself breathes its own story into our hearts.
WINNER OF THE NOBEL PEACE PRIZE • In this “courageous” (The Washington Post) memoir of survival, a former captive of the Islamic State tells her harrowing and ultimately inspiring story. Nadia Murad was born and raised in Kocho, a small village of farmers and shepherds in northern Iraq. A member of the Yazidi community, she and her brothers and sisters lived a quiet life. Nadia had dreams of becoming a history teacher or opening her own beauty salon. On August 15th, 2014, when Nadia was just twenty-one years old, this life ended. Islamic State militants massacred the people of her village, executing men who refused to convert to Islam and women too old to become sex slaves. Six of Nadia’s brothers were killed, and her mother soon after, their bodies swept into mass graves. Nadia was taken to Mosul and forced, along with thousands of other Yazidi girls, into the ISIS slave trade. Nadia would be held captive by several militants and repeatedly raped and beaten. Finally, she managed a narrow escape through the streets of Mosul, finding shelter in the home of a Sunni Muslim family whose eldest son risked his life to smuggle her to safety. Today, Nadia's story—as a witness to the Islamic State's brutality, a survivor of rape, a refugee, a Yazidi—has forced the world to pay attention to an ongoing genocide. It is a call to action, a testament to the human will to survive, and a love letter to a lost country, a fragile community, and a family torn apart by war.
A ?sassy? (USA Today), ?funny, fast-talking? (New York Daily News) ?great read? (People) that unfolds like a conversation with your bawdy best friend over a glass?or a bottle?of wine Whether she?s being greeted by the news that her brother has thrown her underwear off a Mardi Gras float, desperately trying to kick Dave Matthews out of her car before he discovers that her 6-CD changer contains six Dave Matthews CDs, or hosting a friend?s baby shower after learning that her boyfriend has impregnated another woman, Cindy Guidry writes with the ease of a born raconteur. This is the rare book that provokes both belly laughs and tears, as Guidry barrels through the obstacle course of life, refusing to see her grass as anything other than green. The Last Single Woman in America belongs on the same shelf as bestsellers like Don?t Get Too Comfortable by David Rakoff, I Was Told There?d Be Cake by Sloane Crosley, and I Feel Bad About My Neck by Nora Ephron.
Two husbands, four trials and one bloody execution: Winner of the 2015 Davitt Award for Best Crime Book (Non-fiction) -- the terrible true story of Louisa Collins. In January 1889, Louisa Collins, a 41-year-old mother of ten children, became the first woman hanged at Darlinghurst Gaol and the last woman hanged in New South Wales. Both of Louisa's husbands had died suddenly and the Crown, convinced that Louisa poisoned them with arsenic, put her on trial an extraordinary four times in order to get a conviction, to the horror of many in the legal community. Louisa protested her innocence until the end. Much of the evidence against Louisa was circumstantial. Some of the most important testimony was given by her only daughter, May, who was just 10-years-old when asked to take the stand. Louisa Collins was hanged at a time when women were in no sense equal under the law -- except when it came to the gallows. They could not vote or stand for parliament -- or sit on juries. Against this background, a small group of women rose up to try to save Louisa's life, arguing that a legal system comprised only of men -- male judges, all-male jury, male prosecutor, governor and Premier -- could not with any integrity hang a woman. The tenacity of these women would not save Louisa but it would ultimately carry women from their homes all the way to Parliament House. Caroline Overington is the author of eleven books of fiction and non-fiction, including the top-selling THE ONE WHO GOT AWAY psychological crime novel. She has said: 'My hope is that LAST WOMAN HANGED will be read not only as a true crime story but as a letter of profound thanks to that generation of women who fought so hard for the rights we still enjoy today.' Praise for LAST WOMAN HANGED 'The story she tells ... is a useful challenge to any tendency to simple moral indignation' -- Beverley Kingston, Sydney Morning Herald 'This is a fascinating book, a terrific read, and an excellent reminder of who tells the stories, and whose stories are forgotten' -- Frances Rand, South Coast Register '... what's ... interesting is Caroline Overington's even-handed appraisal of Collins's alleged crime(s) that led her to become the last woman hanged in New South Wales in 1889' -- Launceston Sunday Examiner
"London, 1953. Mrs Harriet Wallis is found guilty of the murder of her husband, Cecil. One year earlier, and Harriet's life is thrown into turmoil by the reappearance of a man she did not expect to ever see again. A new nanny, Jean Corbett, arrives at the Wallis household - a young woman still traumatised by the devastating loss of her entire family during the War. And two policemen come to the house investigating a theft at Mr Wallis's shipping firm. Thus, a chain of events is set in place, and when Mr Wallis makes the momentous decision to purchase a television set on which to watch the Coronation, his and Harriet's fates are sealed."--Publisher description.
