"In the murky London gloom, a knife-wielding gentleman prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. And all manner of players, both human and undead, are preparing to participate."--Publisher.
Seventy-year-old Gerald Forsyth dreads Halloween. Every year, on October 31st, a lone child has knocked on his door-a nightmarish reminder of a tragedy from his past. As each Halloween came and went, Gerald has been able to keep his door locked and the monstrous memory at bay, but the ravages of emphysema have left him a disgruntled and feeble-minded old man.When a new hospice nurse named Kelli arrives unexpectedly to replace his regular nurse on Halloween night, Gerald is caught unaware and before he can warn her, Kelli invites the threat into his home. The horrors that unfold will be no trick and the only treat the child will accept is the old man's soul. Before the night ends, Gerald will have no choice but to bring his dark secret into the light.
New York Times-bestselling October Daye series • Hugo Award-winning author Seanan McGuire • "Top of my urban-paranormal series list!" —Felicia Day Changeling knight in the court of the Duke of Shadowed Hills, October "Toby" Daye has survived numerous challenges that would destroy fae and mortal alike. Now Toby must take on a nightmarish new assignment. Someone is stealing both fae and mortal children—and all signs point to Blind Michael. When the young son of Toby's closest friends is snatched from their Northern California home, Toby has no choice but to track the villains down, even when there are only three magical roads by which to reach Blind Michael's realm—home of the legendary Wild Hunt—and no road may be taken more than once. If she cannot escape with all the children before the candle that guides and protects her burns away, Toby herself will fall prey to Blind Michael's inescapable power. And it doesn't bode well for the success of her mission that her own personal Fetch, May Daye—the harbinger of Toby's own death—has suddenly turned up on her doorstep...
Winner of the National Book Award A New York Times Bestseller "The queer romance we’ve been waiting for.”—Ms. Magazine Seventeen-year-old Lily Hu can't remember exactly when the feeling took root—that desire to look, to move closer, to touch. Whenever it started growing, it definitely bloomed the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. Suddenly everything seemed possible. But America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day. (Cover image may vary.)
Ed Logan is 20 years old and a sophomore at Willmington University. He's also been dumped by his girlfriend. Lonesome and broken-hearted, he decides to go for an aimless late-night walk. He doesn't know where he's headed. He doesn't know what he's going to do when he gets there. And he has absolutely no idea of the strange people he is about to meet. Like Casey, the athletic blonde who roams the streets as if she's on a mission. And then there's Randy, who's definitely on a mission - to make Ed's life hell. And then there's the others. Not exactly people. And very definitely not friendly. If Ed's not careful, he's not going to make it home at all...
NEW YORK TIMES BESTSELLER • From the Pulitzer Prize-winning author of The Looming Tower—a riveting thriller and “all-too-convincing chronicle of science, espionage, action and speculation” (The Wall Street Journal). At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When epidemiologist Henry Parsons travels there on behalf of the World Health Organization to investigate, what he finds will have staggering repercussions. Halfway across the globe, the deputy director of U.S. Homeland Security scrambles to mount a response to the rapidly spreading pandemic leapfrogging around the world, which she believes may be the result of an act of biowarfare. And a rogue experimenter in man-made diseases is preparing his own terrifying solution. As already-fraying global relations begin to snap, the virus slashes across the United States, dismantling institutions and decimating the population. With his own wife and children facing diminishing odds of survival, Henry travels from Indonesia to Saudi Arabia to his home base at the CDC in Atlanta, searching for a cure and for the origins of this seemingly unknowable disease. The End of October is a one-of-a-kind thriller steeped in real-life political and scientific implications, filled with the insight that has been the hallmark of Wright’s acclaimed nonfiction and the full-tilt narrative suspense that only the best fiction can offer.
SHORTLISTED FOR THE ROGERS WRITERS' TRUST FICTION PRIZE: An infectious and heartbreaking novel from "one of this country's great kinetic writers" (Globe and Mail)--Craig Davidson's first new literary fiction since his bestselling, Giller-shortlisted Cataract City When neurosurgeon Jake Baker operates, he knows he's handling more than a patient's delicate brain tissue--he's altering their seat of consciousness, their golden vault of memory. And memory, Jake knows well, can be a tricky thing. When growing up in 1980s Niagara Falls, a.k.a. Cataract City--a seedy but magical, slightly haunted place--one of Jake's closest confidantes was his uncle Calvin, a sweet but eccentric misfit enamored of occult artefacts and outlandish conspiracy theories. The summer Jake turned twelve, Calvin invited him to join the "Saturday Night Ghost Club"--a seemingly light-hearted project to investigate some of Cataract City's more macabre urban myths. Over the course of that life-altering summer, Jake not only fell in love and began to imagine his future, he slowly, painfully came to realize that his uncle's preoccupation with chilling legends sprang from something buried so deep in his past that Calvin himself was unaware of it. By turns heartwarming and devastating, written with the skill and cinematic immediacy that has made Craig Davidson a star, The Saturday Night Ghost Club is a bravura performance from one of our most remarkable literary talents: a note-perfect novel that poignantly examines the fragility and resilience of mind, body and human spirit, as well as the haunting mutability of memory and story.
In this UPDATED AND ILLUSTRATED COLLECTION Australian horror author Greg Chapman will take you deeper in the recesses of the psyche and introduce you to abominations that only hell would welcome.
A ghost story that begins in everyday tragedy, from a distinctly American master of both forms: a "scary, sad, funny . . . mesmerizing read" (Stephen King) At Midnight on Halloween in a cloistered New England suburb, a car carrying five teenagers leaves a winding road and slams into a tree, killing three of them. One escapes unharmed, another suffers severe brain damage. A year later, summoned by the memories of those closest to them, the three that died come back on a last chilling mission among the living. A strange and unsettling ghost story, The Night Country creeps through the leaf-strewn streets and quiet cul-de-sacs of one bedroom community, reaching into the desperately connected yet isolated lives of three people changed forever by the accident: Tim, who survived yet lost everything; Brooks, the cop whose guilty secret has destroyed his life; and Kyle's mom, trying to love the new son the doctors returned to her. As the day wanes and darkness falls, one of them puts a terrible plan into effect, and they find themselves caught in a collision of need and desire, watched over by the knowing ghosts. Macabre and moving, The Night Country elevates every small town's bad high school crash into myth, finding the deeper human truth beneath a shared and very American tragedy. As in his highly-prized Snow Angels and A Prayer for the Dying, once again Stewart O'Nan gives us an intimate look at people trying to hold on to hope, and the consequences when they fail.
From the author of the bestselling Caucasia, a sad, revealing memoir of the mixed-race marriage of her parents, and the very different American origins that brought them together and pulled them apart. When Danzy Senna's parents got married in 1968, they seemed poised to defy history. They were two brilliant young American writers from wildly divergent backgrounds—a white woman with a blue-blood Bostonian lineage and a black man, the son of a struggling single mother and an unknown father. They married in a year that seemed to separate the past from the present; together, these two would snub the histories that divided them and embrace a radical future. When their marriage disintegrated eight years later, it was, as one friend put it, "the ugliest divorce in Boston's history"—a violent, traumatic war that felt all the more heartrending given the hopeful symbolism of their union. Decades later, Senna looks back not only at her parents' divorce but beyond it, to the opposing American histories that her parents had tried so hard to overcome. On her mother's side of the family she finds—in carefully preserved documents—the chronicle of a white America both illustrious and shameful. On her father's she discovers, through fragments and shreds of evidence, a no less remarkable history. As she digs deeper into this unwritten half of the story, she reconstructs a long buried family mystery that illuminates her own childhood. In the process, she begins to understand her difficult father, the power and failure of her parents' union, and, finally, the forces of history. Where Did You Sleep Last Night? is at once a potent statement of personal identity, a challenging look at the murky waters of American ancestry, and an exploration of narratives—the narratives we create and those we forget. Senna has given us an unforgettable testimony to the paradoxes—the pain and the pride—embedded in history, family, and race.