This book examines the struggle between President Obama and the United States Congress to manage federal spending and tax policy for the three and one half years between 2009 and the summer of 2012. More than half the book focuses on the intense 44-day crisis in June and July 2011 when the United States came to the brink of a potentially catastrophic default on its debt."--Note to readers.
Essays by Thomas Frank, Clay Shirky, David Simon, and others: “Anyone concerned about the state of journalism should read this book.” —Library Journal The sudden meltdown of the news media has sparked one of the liveliest debates in recent memory, with an outpouring of opinion and analysis crackling across journals, the blogosphere, and academic publications. Yet, until now, we have lacked a comprehensive and accessible introduction to this new and shifting terrain. In Will the Last Reporter Please Turn Out the Lights, celebrated media analysts Robert W. McChesney and Victor Pickard have assembled thirty-two illuminating pieces on the crisis in journalism, revised and updated for this volume. Featuring some of today’s most incisive and influential commentators, this comprehensive collection contextualizes the predicament faced by the news media industry through a concise history of modern journalism, a hard-hitting analysis of the structural and financial causes of news media’s sudden collapse, and deeply informed proposals for how the vital role of journalism might be rescued from impending disaster. Sure to become the essential guide to the journalism crisis, Will the Last Reporter Please Turn Out the Lights is both a primer on the news media today and a chronicle of a key historical moment in the transformation of the press.
When the school board shuts down the student newspaper, the Ameche Brothers, two budding entrepreneurs with a knack for refurbishing junk but a shaky command of journalistic ethics, step in to help.
Bronze Medalist, 2014 Independent Publisher Book Awards in the Autobiography / Memoir I (Celebrity / Political / Romance) category Bronze Winner, 2013 ForeWord IndieFab Book of the Year Award in the Autobiography & Memoir Category In this powerful memoir, Harry Rosenfeld describes his years as an editor at the New York Herald Tribune and the Washington Post, two of the greatest American newspapers in the second half of the turbulent twentieth century. After playing key roles at the Herald Tribune as it battled fiercely for its survival, he joined the Post under the leadership of Ben Bradlee and Katharine Graham as they were building the paper's national reputation. As the Post's Metropolitan editor, Rosenfeld managed Bob Woodward and Carl Bernstein as they broke the Watergate story, overseeing the paper's standard-setting coverage that eventually earned it the Pulitzer Prize Gold Medal for Public Service. In describing his complicated relationship with Bradlee and offering an insider's perspective on the unlikely partnership of Woodward and Bernstein, Rosenfeld depicts the tensions and challenges, triumphs and setbacks that accompanied the Post's key role in Watergate, the most potent political scandal in America's history. Rosenfeld also tells the gripping story of growing up in Hitler's Berlin. He saw his father taken away by the Gestapo in the middle of the night, and on Kristallnacht, the prelude to the Holocaust, he witnessed the burning of his synagogue and walked through streets littered with the shattered glass of Jewish businesses. After his family found refuge in America, his childhood experiences stayed with him and ultimately influenced his decision to make journalism his life's work. At a time when newspapers and other media are under financial pressure to cut back on investigative reporting, From Kristallnacht to Watergate reminds us why journalism matters, and why good journalism is essential to our democracy.
A dead body. A dark past. An ordinary man with everything to lose. Marcus Kemp is a regular beat cop living a normal life in San Diego, California. Until the day he makes a shocking discovery: a dead body in the trunk of a stolen car. Worse, the victim turns out to be the man who abused him as a child. Marcus instinctively wants to help the killer get away with murder and, disregarding his police oath, will stop at nothing to make it happen. With both his job and freedom in jeopardy, his investigation leads him to an unexpected killer, and Marcus is soon faced with an impossible decision. Can he finally bury the past before it drags him under?
#1 NEW YORK TIMES BEST SELLER • In 1970, one of Mississippi's more colorful weekly newspapers, The Ford County Times, went bankrupt. To the surprise and dismay of many, ownership was assumed by a 23 year-old college dropout, named Willie Traynor. The future of the paper looked grim until a young mother was brutally raped and murdered by a member of the notorious Padgitt family. Willie Traynor reported all the gruesome details, and his newspaper began to prosper. The murderer, Danny Padgitt, was tried before a packed courthouse in Clanton, Mississippi. The trial came to a startling and dramatic end when the defendant threatened revenge against the jurors if they convicted him. Nevertheless, they found him guilty, and he was sentenced to life in prison. But in Mississippi in 1970, "life" didn't necessarily mean "life," and nine years later Danny Padgitt managed to get himself paroled. He returned to Ford County, and the retribution began. Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM, coming soon!
A timely and revelatory new biography of Queen Elizabeth (and her family) exploring how the Windsors have evolved and thrived, as the modern world has changed around them. Clive Irving’s stunning new narrative biography The Last Queen probes the question of the British monarchy’s longevity. In 2021, the Queen Elizabeth II finally appears to be at ease in the modern world, helped by the new generation of Windsors. But through Irving’s unique insight there emerges a more fragile institution, whose extraordinarily dutiful matriarch has managed to persevere with dignity, yet in doing so made a Faustian pact with the media. The Last Queen is not a conventional biography—and the book is therefore not limited by the traditions of that genre. Instead, it follows Elizabeth and her family’s struggle to survive in the face of unprecedented changes in our attitudes towards the royal family, with the critical eye of an investigative reporter who is present and involved on a highly personal level.
Winner of the Pulitzer Prize, Annie Proulx’s The Shipping News is a vigorous, darkly comic, and at times magical portrait of the contemporary North American family. Quoyle, a third-rate newspaper hack, with a “head shaped like a crenshaw, no neck, reddish hair...features as bunched as kissed fingertips,” is wrenched violently out of his workaday life when his two-timing wife meets her just desserts. An aunt convinces Quoyle and his two emotionally disturbed daughters to return with her to the starkly beautiful coastal landscape of their ancestral home in Newfoundland. Here, on desolate Quoyle’s Point, in a house empty except for a few mementos of the family’s unsavory past, the battered members of three generations try to cobble up new lives. Newfoundland is a country of coast and cove where the mercury rarely rises above seventy degrees, the local culinary delicacy is cod cheeks, and it’s easier to travel by boat and snowmobile than on anything with wheels. In this harsh place of cruel storms, a collapsing fishery, and chronic unemployment, the aunt sets up as a yacht upholsterer in nearby Killick-Claw, and Quoyle finds a job reporting the shipping news for the local weekly, the Gammy Bird (a paper that specializes in sexual-abuse stories and grisly photos of car accidents). As the long winter closes its jaws of ice, each of the Quoyles confronts private demons, reels from catastrophe to minor triumph—in the company of the obsequious Mavis Bangs; Diddy Shovel the strongman; drowned Herald Prowse; cane-twirling Beety; Nutbeem, who steals foreign news from the radio; a demented cousin the aunt refuses to recognize; the much-zippered Alvin Yark; silent Wavey; and old Billy Pretty, with his bag of secrets. By the time of the spring storms Quoyle has learned how to gut cod, to escape from a pickle jar, and to tie a true lover’s knot.
This collection of Wolfe's essays, articles, and chapters from previous collections is filled with observations on U.S. popular culture in the 1960s and 1970s.
