Growing up deep in the mountains of rural Japan in 1861, Sachi has always felt different. Her life is turned upside down at 11 when she is taken to the women’s palace in the great city of Edo. There she is chosen to be the young shogun’s concubine. Set in one of the most tumultuous eras in Japanese history, The Last Concubine is an epic evocation of a country in revolution, and of a young woman’s quest to find out who she really is.
Farewell My Concubine, one of three new QUEER FILM CLASSICS this fall, is a thought-provoking consideration of Chen Kaige's acclaimed 1992 Chinese film set in the mid-20th century about two male Peking opera stars and the woman who comes between them, set against the political turmoil of a China in transition. The film's treatment of gender performance and homosexuality was a first in Chinese cinema, and the subject of much controversy there. The movie, which helped to bring contemporary Chinese films onto the world stage, won the Palme d'Or at the Cannes Film Festival (the first Chinese film to do so), and was nominated for a Best Foreign-Language Film Oscar. This book, one of two new QFCs to focus on Asian queer cinema, places the film in its historical and cultural context while drawing on fresh insights from recent works on transgender and queer studies to provide readers with an intimate, provocative, and original look at the film.
Story of a male Beijing opera star, his love for another male singer, and the beautiful courtesan who comes between them, sweeps through five decades of Chinese history.
A sweeping novel set in war-torn 1928 China, with a star-crossed love story at its center. In a city full of thieves and Communists, danger and death, spirited young Lydia Ivanova has lived a hard life. Always looking over her shoulder, the sixteen-year-old must steal to feed herself and her mother, Valentina, who numbered among the Russian elite until Bolsheviks murdered most of them, including her husband. As exiles, Lydia and Valentina have learned to survive in a foreign land. Often, Lydia steals away to meet with the handsome young freedom fighter Chang An Lo. But they face danger: Chiang Kai Shek's troops are headed toward Junchow to kill Reds like Chang, who has in his possession the jewels of a tsarina, meant as a gift for the despot's wife. The young pair's all-consuming love can only bring shame and peril upon them, from both sides. Those in power will do anything to quell it. But Lydia and Chang are powerless to end it.
Set in a remote village in Eastern Nigeria, an area yet to be affected by European values and where society is orderly and predictable, the story concerns a woman "of great beauty and dignity" who inadvertently brings suffering and death to all her lovers. The novel portrays a society still ruled by traditional gods, offering a glimpse into the human relationships that such a society creates.
The USA Today–bestselling author of The Dragon and the Pearl “combines wit, seduction, skill, and intelligence in a tantalizing take on ‘My Fair Lady’” (Publishers Weekly, starred review). Yan Ling tries hard to be servile—it’s what’s expected of a girl of her class. Being intelligent and strong-minded, she finds it a constant battle. Proud Fei Long is unimpressed by her spirit—until he realizes she’s the answer to his problems. He has to deliver the emperor a “princess.” In two months can he train a tea girl to pass as a noblewoman? Yet it’s hard to teach good etiquette when all Fei Long wants to do is break it, by taking this tea girl for his own . . . “Lin has a gift for bringing the wondrous and colorful world of ancient China to readers. The history and culture of the era are beautifully bound together with a classic romance theme. Those yearning for new worlds and age-old adventures will savor Lin’s novel.” —Romantic Times
Japan, and the year is 1853. Growing up among the samurai of the Satsuma Clan, in Japan's deep south, the fiery, beautiful and headstrong Okatsu has like all the clan's women been encouraged to be bold, taught to wield the halberd, and to ride a horse. But when she is just seventeen, four black ships appear. Bristling with cannon and manned by strangers who to the Japanese eyes are barbarians, their appearance threatens Japan's very existence. And turns Okatsu's world upside down. Chosen by her feudal lord, she has been given a very special role to play. Given a new name Princess Atsu and a new destiny, she is the only one who can save the realm. Her journey takes her to Edo Castle, a place so secret that it cannot be marked on any map. There, sequestered in the Women's Palace home to three thousand women, and where only one man may enter: the shogun she seems doomed to live out her days.
Requirements for being a royal consort: 1) Exemplify purity. 2) Pass all demanding tests. 3) Gracefully withstand petty backstabbing. 4) Be chaste. Very chaste. Check to all! Chen Ji Yue is on her way to empress superstardom in nineteenth-century China. She only has to vanquish 300 rivals to bring her family great honor. Oh, and she may not find the deliciously sexy Sun Bo Tao—the emperor's best friend—at all delicious. Or sexy. Damn. Ji Yue is in big trouble. Because Bo Tao is definitely very sexy…. And Ji Yue is about to discover that chastity is overrated….
A child born in the plague year of 1348, abandoned and raised within the oppressive walls of a convent, Alice Perrers refused to take the veil, convinced that a greater destiny awaited her. Ambitious and quick witted, she rose above her obscure beginnings to become the infamous mistress of Edward III. But always, essentially, she was alone... Early in Alice’s life, a chance meeting with royalty changes everything: Kindly Queen Philippa, deeply in love with her husband but gravely ill, chooses Alice as a lady-in-waiting. Under the queen’s watchful eye, Alice dares to speak her mind. She demands to be taken seriously. She even flirts with the dynamic, much older king. But she is torn when her vibrant spirit captures his interest...and leads her to a betrayal she never intended. In Edward’s private chambers, Alice discovers the pleasures and paradoxes of her position. She is the queen’s confidante and the king’s lover, yet she can rely only on herself. It is a divided role she was destined to play, and she vows to play it until the bitter end. Even as she is swept up in Edward’s lavish and magnificent court, amassing wealth and influence for herself, becoming an enemy of his power-hungry son John of Gaunt, and a sparring partner to resourceful diplomat William de Windsor, she anticipates the day when the political winds will turn against her. For when her detractors voice their hatred,and accusations of treason swirl around her,threatening to destroy everything she has achieved, who will stand by Alice then? Includes a readers guide
