The Art of Thomas Gainsborough
The Art of Thomas Gainsborough

Author: Michael Rosenthal

Publisher: Paul Mellon Ctr for Studies

Published: 1999

Total Pages: 312

ISBN-13: 9780300081374

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"The book begins by charting the geography and professional tactics of a career that took Gainsbourgh from London to Suffolk, Bath and eventually back to London. Rosenthal looks at such wide-ranging topics as how artists manipulated the press, the issue of likeness in portraiture, how rivalries between painters were handled in public and private, and the pressures of the public exhibition. The second part of the book explores the manifestations of Gainsborugh's aesthetic in portraiture, landscape painting and paintings of sensibility. Rosenthal concludes with a discussion of the problem of defining a role and proper form for the fine arts at a time of rapid social change and innovation."--BOOK JACKET.

Romantic Geography
Romantic Geography

Author: Yi-Fu Tuan

Publisher: University of Wisconsin Pres

Published: 2013

Total Pages: 216

ISBN-13: 0299296830

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Geography is useful, indeed necessary, to survival. Everyone must know where to find food, water, and a place of rest, and, in the modern world, all must make an effort to make the Earth -- our home -- habitable. But much present-day geography lacks drama, with its maps and statistics, descriptions and analysis, but no acts of chivalry, no sense of quest. Not long ago, however, geography was romantic. Heroic explorers ventured to forbidding environments -- oceans, mountains, forests, caves, deserts, polar ice caps -- to test their power of endurance for reasons they couldn't fully articulate. Why climb Everest? "Because it is there." In this book, the author considers the human tendency -- stronger in some cultures than in others -- to veer away from the middle ground of common sense to embrace the polarized values of light and darkness, high and low, chaos and form, mind and body. In so doing, venturesome humans can find salvation in geographies that cater not so much to survival needs (or even to good, comfortable living) as to the passionate and romantic aspirations of their nature

Thomas Gainsborough
Thomas Gainsborough

Author: Martin Postle

Publisher:

Published: 2002

Total Pages: 86

ISBN-13:

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Thomas Gainsborough is the most perennially popular of British artists, admired for the grandeur of his society portraits and his sumptuous pastoral landscapes. In his life and art he wished to project an image of effortless accomplishment, demonstrated by a dazzling painting techniques and immense personal charm. He was also competitive, opinionated and possessed of a finely tuned business brain.

Sleuth
Sleuth

Author: Philip Mould

Publisher: HarperCollins

Published: 2011-06-01

Total Pages: 307

ISBN-13: 9780007319152

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In 'Sleuth' we encounter the fascinating dealers, experts, auctioneers and restorers who risk fortunes and reputations to turn overlooked artworks into coveted treasures.

Gainsborough's Cottage Doors
Gainsborough's Cottage Doors

Author: Hugh Belsey

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9781907372506

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This work examines the significance of the multiple versions of designs for 'The Cottage Door', by Thomas Gainsborough.

Thomas Gainsborough and the Modern Woman
Thomas Gainsborough and the Modern Woman

Author: Aileen Ribeiro

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9781904832850

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The "grand" portrait has long been understood to have played a pivotal part in the self-definition of Georgian society: not only was a likeness presented to a curious public, but social station and financial rank were also advertised, if not flaunted. Leca, curator at the Cincinnati Art Museum, claims that in addition portraiture was the vehicle for "modernist" ideas. He uses as an example the museum's portrait by Thomas Gainsborough titled Ann Ford, the subject of this exhibition catalogue. In a wide-ranging essay, Leca shows how Gainsborough, the most maverick of the period's portraitists, deliberately piqued establishment taste by seeking out and painting "modern women"--courtesans, dancers, and musicians--who mirrored his own edgy persona, and by rendering them in a provocative and "unfinished" style, thus challenging viewers both morally and visually. In a second essay, Ribeiro (emer., Courtauld Institute, London) discusses the decorum surrounding female portraiture and how Gainsborough's picture deviated or violated accepted notions through pose, dress, and countenance. As an authority on period costume, Ribeiro offers an essay that is rich in observations regarding the social nuances of female attire. Ludwig (doctoral candidate, Boston Univ.) offers a survey of the portraiture of British "progressive" women. Summing Up: Recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by L. R. Matteson.