The Lady on the Drawingroom Floor with Selected Poetry and Prose, by Mary Elizabeth Coleridge, seeks to reclaim Coleridge’s reputation as a novelist, poet, critic, and educator by featuring familiar works alongside unpublished or out-of-print works. This collection includes a substantial introduction to Coleridge, analyzing her life and legacy; the whole of Coleridge’s final published novel; and a selection of important poems, short stories, essays, and letters. This discussion of her career invites the reader to consider her poetry and other writing alongside the novel that early critics called her most reflective and mature. In restoring the integrity of Coleridge’s literary canon, this volume offers new ways of understanding the complexities of an innovative Victorian writer who deserves to be better known and featured more prominently in anthologies and college courses. This collection is intended to introduce scholars, undergraduate and graduate students, and the general reading public to Coleridge’s specific and considerable contributions to late-Victorian literature.
Coinciding with a traveling exhibition opening at the National Museum of Women in the Arts in June, this volume presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color 34 of the 40 nudes and portraits she painted. Includes an essay by Joe Lucchesi.
Chatterjee analyzes how writing over the period of a century justified and was affected by the introduction and extension of British domination of India, demonstrating the link between written representations and the ideological, economic and political climate and debates. By showing how the representations of Britons in India, Indian religion and society and government evolved over the period 1740 to 1840, the author fills the gap between the early colonial 'exotic East' and the later 'primitive subject nation' perceptions.
Born into wealth and aristocracy, Edith Wharton (1862–1937) was a member as well as an observer of fashionable New York society. Aspirations to authorship consigned her to outsider status among the idle rich; nevertheless, she drew upon her privileged social position to create witty and psychologically insightful novels and short stories about people from all walks of life. This well-rounded introduction to Wharton's works features the complete text of her Pulitzer Prize–winning novel, The Age of Innocence, as well as her haunting novella, Ethan Frome. Several excerpts from her highly influential guide to interior design, The Decoration of Houses, offer samples of Wharton's nonfiction style. The collection also includes four short stories as well as several poems.
Architecture in the Family Way explores the relationship between domestic architecture, health reform, and feminism in late nineteenth-century England. Annmarie Adams examines the changing perceptions about the English middle-class house from 1870 to 1900, highlighting how attitudes toward health, women, home life, and even politics were played out in architecture.
The British led the way in holidaymaking. This four-volume primary resource collection brings together a diverse range of texts on the various forms of transport used by tourists, the destinations they visited, the role of entertainments and accommodation and how these affected the way that tourism evolved over two centuries. Volume 2: Spa Tourism This volume traces the development of the spa from modest arrangements that emerged in the early modern period, to the large, thriving spa towns that existed in the nineteenth century. Documents show how spas evolved as well as the treatments they offered. Specific case studies of key spas - Bath, Tunbridge Wells and Cheltenham - are used to illustrate this process. Bath's popularity as a tourist destination grew throughout the eighteenth century. In the eighteenth century it was one of the most popular destinations in Britain. Royal Tunbridge Wells was its greatest rival, and both towns benefited from the patronage of celebrated dandy, Beau Nash. Cheltenham's fashionable status was ensured by a visit from George III and his court in 1788.