This book relates the story of the controversial trial, conviction and imprisonment of William Burke Kirwan, a Dublin artist, for the murder of his wife, Sarah, in 1852. His trial and the extensive and divisive social commentary it provoked provide a representation of the strata of society to which he belonged, the Protestant middle class of the mid-nineteenth century, allowing an examination of many of the attitudes and values that they subscribed to.
A tragic death, a murder trial and a 170-year-old mystery – but what really happened? Shortly after Maria Kirwan died in a lonely inlet on Ireland's Eye, it was decided that she had drowned accidentally during a day spent with her husband on the picturesque island. This inquest verdict appeared to conclude the melancholy events that consumed the fishing village of Howth, Co Dublin, in September 1852. But not long afterwards, suspicion fell upon Maria's husband, William Burke Kirwan, as whispers of unspeakable cruelty, an evil character and a secret life rattled through the streets of Dublin. Investigations led to William's arrest and trial for murder. The story swelled into one of the most bitterly divisive chapters in the dark annals of Irish criminal history. Yet questions remain: Does the evidence stand up? What role did the heavy hand of Victorian moral outrage play? Was William really guilty of murder, or did the ever-present 'moral facts' fill in gaps where hard proof was absent? Now, this compelling modern analysis revisits the key evidence, asking sober questions about the facts, half-facts and fantasies buried within the yellowed pages of the Ireland's Eye case files.
On a fine calm morning in September 1852, a strikingly handsome man and his beautiful wife stepped onto a hired boat in Howth Harbour, Dublin, to set out on a day trip. The destination was Ireland’s Eye, a small uninhabited island less than a mile to the north of the harbour. He was an artist, she a keen and adventurous swimmer. By sunset, when the boat returned to fetch them, she would be dead. Despite certain gruesome features, the inquest ruled that it was a drowning, and Maria Kirwan was laid to rest. Then a startling secret emerged about the private life of her husband, the artist William Burke Kirwan. After an exhumation, he was arrested for her murder. The case caused a sensation, the public fascinated by its extraordinary elements. Added to this and almost eclipsing the murder was the scandal: a sexual triangle that aroused the full force of Victorian moral outrage. The trial was destined to become steeped in controversy and a veil of mystery has hung over the death of Maria Kirwan for the last 160 years. But now, at last, a forgotten medical paper has thrown light on what really happened on that fateful day.
Focusing on women's relationships, life-circumstances and agency, Elaine Farrell reveals the voices, emotions and decisions of incarcerated women and those affected by their imprisonment, offering an intimate insight into their experiences of the criminal justice system across urban and rural post-Famine Ireland.
The collected essays explore the lives of several writers in Georgian and Victorian Britain, in terms of their knowledge and experience of prison life. This book focuses on the lives of the writers themselves, or on the prison stretches endured by their relatives or acquaintances. Some of these writers were locked up for debt, while others were deprived of liberty for sedition or treason. Here the reader will find, amongst many other stories, accounts of Dickens's father in debtors' prison, of Leigh Hunt living with his whole family in The Surrey House of Correction and of Oscar Wilde in Reading Gaol.
Criminoloogist Robin Odell has compiled this gruesome gallery of cases from all over the world, revealing the growth in serial slayings, contract killings and middle-class murders and investigating what motivates people to commit the ultimate crime. As well as gangsters and ordinary felons, the book includes doctors, millionaries, housewives, children, lawyers, accountants, officers and gentlemen who have succumbed to the killing instinct. Behind the sensational names concocted by the tabloid press - 'Boston Strangler', 'Dracula Killer', 'Night Stalker', 'Granny Killer' - lurk real murderers committing acts of violence in circumstances often more bizarre than fiction. Arranged in an easy-to-use A-Z format, the book contains over 500 cases from serial killers such as Dennis Nilsen and Ted Bundy, to those such as Jeremy Bamber and Steven Benson who dispatched their parents for money; from murderous New Zealand teenagers whose story made a successful film, to the many doctors and nurses who took life instead of saving it; from unsolved murders such as the murder of Little Gregory in France to the paid assignments of John Waynes Hearn, a Vietnam veteran who killed to order. The result is a classic of true crime, a definitive work on murder as a worldwide phenomenon.
This book offers a fascinating view of many aspects of Irish rural life from the eighteenth to the mid twentieth century. Illustrated with more than 250 images, many of which have not been published before, the book evokes the hardships and celebrations of laborers and farmers, men and women, the old and the young as depicted in oil paintings, watercolors, drawings, prints, postcards, and cartoons. Most of the illustrations show people engaged in indoor activities at home, but schools, shops, pubs, and doctors' surgeries are also included. Claudia Kinmonth draws on extensive knowledge of the material culture of rural life to present a new social history of Irish country people. Working within a broadly chronological framework, the author addresses such themes and patterns of rural life as the architecture of houses, where people slept, cooking over the open hearth, rural dress, display, childcare, work within the home, the arrangement of marriages, weddings, wakes, and celebrations. The book also explores why Irish and foreign artists depicted rural interiors and sets their work in the context of art history.
