Emily's dad is accused of killing a teenage girl. She's sure he's innocent, and is determined to discover the truth of what happened. But her journey leads her to discover that dangerous games are being played in the woods at night ...
Will Lee, the courageous and uncompromising senator from Georgia, is back—now as President of the United States—in the fifth book in the New York Times bestselling series that began with Chiefs. When a prominent conservative politician is killed inside his lakeside cabin, authorities have no suspect in sight. And two more deaths—seemingly isolated incidents, achieved by very different means—might be linked to the same murderer. With the help of his CIA director wife, Kate Rule Lee, Will is facing a perilous challenge: catch the most clever and professional of killers before he can strike again. From a quiet D.C. suburb to the corridors of power to a deserted island hideaway in Maine, Will, Kate, and the FBI will track their man and set a trap with extreme caution and care—and await the most dangerous kind of quarry, a killer with a cause to die for...
A stunning debut novel with an intriguing literary hook: written in part as a letter from a victim to her abductor. Sensitive, sharp, captivating!Gemma, 16, is on layover at Bangkok Airport, en route with her parents to a vacation in Vietnam. She steps away for just a second, to get a cup of coffee. Ty--rugged, tan, too old, oddly familiar--pays for Gemma's drink. And drugs it. They talk. Their hands touch. And before Gemma knows what's happening, Ty takes her. Steals her away. The unknowing object of a long obsession, Gemma has been kidnapped by her stalker and brought to the desolate Australian Outback. STOLEN is her gripping story of survival, of how she has to come to terms with her living nightmare--or die trying to fight it.
Every fall in northern Michigan brings a spate of dogman sightings. A radio DJ’s invention, the dogman was created as an attention-getting joke. But millions of Michiganders believe in angels and vampires, werewolves, Bigfoot . . . and the dogman. Late summer, the horribly mutilated bodies of two Native American girls are found in a tent in a remote campground in the Huron Mountains. Grady Service, who wants nothing more than to return to patrolling his beloved Mosquito Wilderness, is called into the case. Strange animal tracks are found, mayhem ensues, a bloody trail of victims begins to accumulate, and the governor, in a political panic, and on her way out of office, orders Grady to hunt down and eliminate the killer--on her office’s dime. Grady Service does not believe in Easter bunnies, Santa Claus, or dogmen, and the "monster" hunt that unfolds in Killing a Cold One builds to a violent finish in some of the Upper Peninsula’s harshest and deadliest terrain. Joseph Heywood's legendary woods cop is called upon to use all of his investigative skills to sort fantasy from reality in order to do what the governor wants.
While her father is in the hospital, 13-year-old Isla befriends Harry, the first boy to understand her love of the outdoors, and as Harry's health fails, Isla tries to help both him and the lone swan they see, struggling to fly, on the lake outside Harry's window.
What Walter reads that day changes him. Not in any way someone would really notice. He still goes to school, hangs out with his friends Jimmy and Mothball, and tries to avoid the Troll, the town recluse. But something in him has changed. It's as if he can feel a part of him growing—the part that can stand by and watch a house burn down or the life flow out of a fox, without doing anything to stop either. He knows he could—should—do something to help. But some part of him keeps him glued in place, watching with fascination and curiosity. Maybe it would have been better if Walter had never found out the things he did. Maybe he didn't really want to know. But then again, maybe he did. Richly atmospheric, The Hanging Woods is at times disturbing, but it is always riveting. It's a tale of deception, delusion, and the dark places a troubled mind can go.
In this New York Times bestseller from Stuart Woods, Stone Barrington gets a big payday and gets set up for an even bigger fall... Stone Barrington is enjoying his usual dinner at Elaine’s when his boss at Woodman & Weld, the law firm where Stone is “of counsel,” walks in, sits down and hands Stone a check for one million dollars. It seems Stone’s undercover dealings with MI6 had brought in a big new client for the firm, and they’re willing to pay Stone a huge bonus and make him a partner. But almost as soon as he’s taken the deal, Stone gets wind of an impending scandal that might torpedo his big promotion: it seems the lucrative new client he’s introduced to the firm might be a devil in disguise...
A politician’s past war crimes are revealed in this psychologically haunting novel by the National Book Award–winning author of The Things They Carried. Vietnam veteran John Wade is running for senate when long-hidden secrets about his involvement in wartime atrocities come to light. But the loss of his political fortunes is only the beginning of John’s downfall. A retreat with his wife, Kathy, to a lakeside cabin in northern Minnesota only exacerbates the tensions rising between them. Then, within days of their arrival, Kathy mysteriously vanishes into the watery wilderness. When a police search fails to locate her, suspicion falls on the disgraced politician with a violent past. But when John himself disappears, the questions mount—with no answers in sight. In this contemplative thriller, acclaimed author Tim O’Brien examines America’s legacy of violence and warfare and its lasting impact both at home and abroad.
An analysis of the fundamental narrative structure, why it works, the meanings of stories, and why we tell them in the first place. The idea of Into the Woods is not to supplant works by Aristotle, Lajos Egri, Robert McKee, David Mamet, or any other writers of guides for screenwriters and playwrights, but to pick up on their cues and take the reader on a historical, philosophical, scientific, and psychological journey to the heart of all storytelling. In this exciting and wholly original book, John Yorke not only shows that there is truly a unifying shape to narrative—one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within—he explains why, too. With examples ranging from The Godfather to True Detective, Mad Men to Macbeth, and fairy tales to Forbrydelsen (The Killing), Yorke utilizes Shakespearean five-act structure as a key to analyzing all storytelling in all narrative forms, from film and television to theatre and novel-writing—a big step from the usual three-act approach. Into the Woods: A Five-Act Journey into Story is destined to sit alongside David Mamet’s Three Uses of the Knife, Robert McKee’s Story, Syd Field’s Screenplay, and Lajos Egri’s The Art of Dramatic Writing as one of the most original, useful, and inspiring books ever on dramatic writing. Praise for Into the Woods “Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive.” —Chris Chibnall, creator/writer, Broadchurch and Gracepoint “Outrageously good and by far and away the best book of its kind I’ve ever read. I recognized so much truth in it. But more than that, I learned a great deal. Time and again, Yorke articulates things I’ve always felt but have never been able to describe. . . . This is a love story to story—erudite, witty and full of practical magic. I struggle to think of the writer who wouldn’t benefit from reading it—even if they don’t notice because they’re too busy enjoying every page.” —Neil Cross, creator/writer, Luther and Crossbones “Part ‘how-to’ manual, part ‘why-to’ celebration, Into the Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises . . . exciting and thought-provoking.” —Emma Frost, screenwriter, The White Queen and Shameless