The first-ever biography of wilderness preservationist Ernest Oberholtzer, environmental pioneer, explorer, and caretaker of Minnesota and Ontario's boundary waters region.
Get back to nature and explore sites unspoilt by humankind with the latest addition to the Inspired Traveller’s Guide series. We humans don't just love wild places. We need them; we need their scale, their breath, their drama and enigma. Wild places can be a balm and a solace; an escape or a returning; a best friend; an inner cleanse. And they can remind us of our unimportance in the world. Travel writer Sarah Baxter presents 25 untameable natural wonders that reveal the curious story of our wild planet and why we need to protect it. Despite all the advances of human civilisation, we’ve yet to come up with anything to rival the majesty of Lapland's snow-capped mountain summits, the haunting song of humpback whales in a Namibian paradise or the epic sculptural forms of Utah's vast Canyonlands. Escape to each of these unforgettable sites and more with Wild Places, an insightful and stunningly illustrated guide to all Mother Nature has to offer. Discover spectacular and little-known gems with visits to... Great Dismal Swamp, USA Canyonlands, USA Great Bear Rainforest, Canada Cenotes, Mexico Galápagos Islands, Ecuador Kaieteur Falls, Guyana South Georgia, Atlantic Ocean Ennerdale, England Strumble Head, Wales St Kilda, Scotland Camargue, France Sápmi, Lapland, Sweden Green Belt, Germany Wadden Sea, Netherlands Stromboli, Italy Las Medulas, Spain Coa Valley, Portugal Skeleton Coast, Namibia Erg Chigaga, Morocco Kinabatangan, Malaysia Mount Siguniang, China Raja Ampat, Indonesia Gangkar Puensum, Bhutan Wilpena Pound, Australia Wahipounamu, New Zealand This is the perfect title for anyone who is fascinated by the marvels of the natural world. For more wanderlust-filled adventures, discover and collect the complete Inspired Traveller's Guide series: Artistic Places, Spiritual Places, Literary Places, Hidden Places and Mystical Places.
There is no doubt at all that when young Frank Willoughby brought out his book with him, and seated himself on the trunk of the old fallen tree, he meant to read it; but this intention had soon been abandoned, and, at the moment our tale commences, the book lay on the grass at his feet, and Frank was dreaming. He was not asleep, not a bit of it; his eyes were as wide open as yours or mine are at this moment; but there was a far-away look in them, and you could tell by the cloud that seemed to hang on his lowered brow that his thoughts were none of the pleasantest. He was not alone, at least not quite, for, not a yard away from his feet, there sat gazing up into his face—why, what do you think? A great toad! Do not start; men in solitude have taken up with stranger companions than this. And Frank was solitary, or at least he conceived himself to be so; and day after day he left his home on the borders of the great forest of Epping, and wandered down here into the depths of the wood, and seated himself idly on that log as we see him now. The toad had come to know him, and he to know the toad. He even brought crumbs for him, which the batrachian never failed to discuss, and seemed to enjoy. So the two took a kindly interest in each other’s welfare. On this particular forenoon the summer sun was very bright; it shimmered down through the trees like a shower of gold, it glittered on the grass-stems, it brightened the petals of the wild flowers, and burnished the backs of myriads of beetles, as they opened their cloaks and tried to fly in it. No wonder that on this glorious morning the birds sang in every tree, and that the happy hum of insect life was everywhere around. “Well, old gentleman,” said Frank at last, addressing the toad, “you are like myself, I think; you are not over happy.” “Pooh!” the toad seemed to reply. “I’m enjoying the sunshine and the free, fresh air, ain’t I? My house isn’t many yards round the corner. I’m a jolly old bachelor, that’s what I am, and there’s no life like it. No, I’m not unhappy, if you are. Pooh!” “Heigho!” sighed Frank.
What does it mean to bring indigenous wisdom to the postmodern world? How do divination and ritual fit into modern society? How does one integrate ancient spiritual teachings into a western mindset while remaining true to the original meaning? Notes from a Diviner in the Postmodern World: A Handbook for Spirit Workers is a guidebook for both diviners and spirit workers of any tradition. In this book Dintino describes what she calls the landscape of the otherworld, revealed to her through spirits—ancestors, archangels, elemental and light beings—in her divinations. Whatever your spiritual tradition, there’s always a shared landscape of the otherworld. Understanding the landscape will help you navigate your own spiritual terrain. Learning how to be an effective diviner and spirit worker also means that you must interact fully with the wisdom of the place where you live, which includes learning from all living things including mountains and water. This powerful handbook teaches you how to heal your world by exploring inter-dimensional realms and ultimately becoming a spiritual steward of the Earth. “When I became a diviner, I did not expect to encounter a landscape in the otherworld that I would become familiar with and navigate more easily as I continued to divine. I am still exploring this landscape, but wanted to share some of the things I have learned in order to help those interested in the dimensional realms understand better what they are seeing. What I have included in this book is not meant to be rigid; it is a conversation and a guide.”
Though born in the Northeast and raised in the Midwest, Constance Fenimore Woolson (the grand-niece of renowned American author James Fenimore Cooper) spent many summers traveling in Florida and throughout the South. Woolson draws on her life experiences as an outsider in that often intensely insular culture to craft the insightful and sensitive stories and vignettes collected in Rodman the Keeper: Southern Sketches.
In Cormac McCarthy and the Writing of American Spaces Andrew Estes examines ideas about the land as they emerge in the later fiction of this important contemporary author. McCarthy's texts are shown to be part of larger narratives about American environments. Against the backdrop of the emerging discipline of environmental criticism, Estes investigates the way space has been constructed in U.S. American writing. Cormac McCarthy is found to be heir to diametrically opposed concepts of space: as something Americans embraced as either overwhelmingly positive and reinvigorating or as rather negative and threatening. McCarthy's texts both replicate this binary thinking about American environments and challenge readers to reconceive traditional ways of seeing space. Breaking new ground as to how literary landscapes and spaces are critically assessed this study seeks to examine the many detailed descriptions of the physical world in McCarthy on their own terms. Adding to so-called 'second wave' environmental criticism, it reaches beyond an earlier, limited understanding of the environment as 'nature' to consider both natural landscapes and built environments. Chapter one discusses the field of environmental criticism in reference to McCarthy while chapter two offers a brief narrative of conceptions of space in the U.S. Chapter three highlights trends in McCarthy criticism. Chapters four through eight provide close readings of McCarthy's later novels, from Blood Meridian to The Road.