A translation of a popular Buddhist work on worldly ethics by Tibet's most famous philosopher. Leadership. Power. Responsibility. From Sun Tzu to Plato to Machiavelli, sages east and west have advised kings and rulers on how to lead. Their motivations and techniques have varied, but one thing they all have had in common is that their advice has been as relevant to the millions who have read their works as it has been to the few kings and princes they were, on the surface, addressed to. The nineteenth-century Buddhist monk and luminary Jamgön Mipham’s letter to the king of Dergé, whose small kingdom straddled China and Tibet during a particularly turbulent period, is similar in the universality of its message. This work, however, is unique in that it stresses compassion, impartiality, self-control, and virtue as essential for long-lasting success—whether as a leader or an individual trying to live a meaningful life. Mipham’s historic contribution to ethics and governance, until now little studied outside of Buddhist circles, teaches us the importance of protecting life, fair taxation, environmental sustainability, aiding the poor, and freedom of religion. Both present day leaders and those they lead will find this classic work, finally available in English, profoundly illuminating on political, societal, and personal levels.
In the Beginning, James. Orphaned, bullied, lonely, and unloved as a boy, in time the young King of Scots overcame his troubled beginnings to ascend the English throne at the height of England’s Golden Age. In an effort to pacify rising tensions in the Anglican Church, and to reflect the majesty of his new reign, he spearheaded the most important literary undertaking in Western history—the translation of the Bible into a beautiful, lyrical, and accessible English. David Teems’s narrative crackles with wit, using a thoroughly modern tongue to reanimate the life of this seventeenth century king—a man at the intersection of political, literary, and religious thought, yet a man of contrasts, dubbed by one French king as “the wisest fool in Christendom.” Warm, insightful, even at times amusing, Teems’s depiction of King James has all the elements of a grand tale—conspiracy, kidnapping, witchcraft, murder, love, despair, loss. Majestie offers an engaging new look at the world’s most cherished, revered, and influential translation of Sacred Writ and the king behind it. “Engrossing and entertaining…a delightful read in every way.” – Publishers Weekly
These are the only writings of KING OG the Rephaim. The Rephaim being a Biblical race of Giants that Moses eventually had to eradicate in Numbers 21 of the Bible. Originally transcribed during a several hundred year swath in and around 1400 BCE, THE LOST BOOK OF KING OG is a controversial, heretical tome that reads like the Bible. In fact, it has been heavily speculated that the original architects of the Bible were on intimate terms with THE LOST BOOK OF KING OG, which explains instances of similarity in metaphor and verbiage. Previously, the only way to look into this particular pre-Biblical flood, Rephaim/Nephilim world of Giants was through THE BOOK OF ENOCH and other DEAD SEA SCROLLS. Author DEMMON has brought forward a previously lost, heretical book that features the only Aramaic to English translation of the remaining mostly-complete copy of THE BOOK OF KING OG the Rephaim. While not entirely complete, THE LOST BOOK OF KING OG offers the greatest comprehension yet of the antediluvian (PRE-FLOOD) and postdiluvian world, from the eyes and ears of the Rephaim. The Catholic suppression of this text has always been due to the fact that THE BOOK OF KING OG is a pagan book. The pagan/blasphemous aspects of the tome (a championing of the uncircumcised for example) make its "burial" by the Catholic Church completely logical. Soaked in Baal worship and child-sacrifice, it is no wonder that the book had been silenced. The Catholic argument that the decision to rid the earth of the text was "God-inspired," is in fact, spiritually sound. With Constantine's systematic destruction of non-Christian texts in and around 326 CE, and the following Gelasian Decree of the 5th century CE, knowledge and/or reproduction of Og's verses was rendered impossible. In fact, the Catholic Church originally posted the following words of anathema in regards to THE BOOK OF KING OG and other forbidden texts: "... and whatever disciples of heresy and of the heretics or schismatics, whose names we have scarcely preserved, have taught or compiled, we declare to be not merely rejected but excluded from the whole Roman catholic and apostolic church, and its authors and their adherents to be damned in the inextricable shackles of anathema for ever [sic]." THE BOOK OF KING OG is referenced by association throughout (relatively) recent history, perhaps most notably in the NEW HISTORY OF ECCLESIASTICAL WRITERS published in 1693. In this reference book, the BOOK OF KING OG is described as, "Forged by Jews and Hereticks both Fabulous and Erroneous." Written closely with Vatican translator FATHER MARTIN, THE LOST BOOK OF KING OG serves as a warning, a prophecy and an explanation as to why the Rephaim and Nephilim Giants no longer walk the face of the earth. The recent uncovering of the CASSIODORUS DONATION of 550 CE to the Catholic Church has revealed the most intact, albeit horribly preserved, copy of The BOOK OF KING OG yet. The CASSIODORUS text was used as the primary source material FATHER MARTIN used for his translation THE LOST BOOK OF KING OG. Providing information on a modern, unspeakable evil, THE LOST BOOK OF KING OG will make all who read it consider their religious beliefs and their conclusions about the giants of antiquity.
One of NPR’s 50 Best Science Fiction and Fantasy Books of the Decade: A fifteenth-century palace mapmaker must hide his powers in the time of the Inquisition . . . Award-winning author G. Willow Wilson’s debut novel Alif the Unseen was an NPR and Washington Post Best Book of the Year and established her as a vital American Muslim literary voice. Now she delivers The Bird King, an epic journey set during the reign of the last sultan in the Iberian peninsula at the height of the Spanish Inquisition. Fatima is a concubine in the royal court of Granada, the last emirate of Muslim Spain. Her dearest friend, Hassan, the palace mapmaker and the one man who doesn’t leer at her with desire, has a secret—he can draw maps of places he’s never seen and bend the shape of reality. When representatives of the newly formed Spanish monarchy arrive to negotiate the sultan’s surrender, Fatima befriends one of the women, not realizing that she will see Hassan’s gift as sorcery and a threat to Christian Spanish rule. With their freedoms at stake, what will Fatima risk to save Hassan and escape the palace walls? As the two traverse Spain with the help of a clever jinn to find safety, The Bird King asks us to consider what love is and the price of freedom at a time when the West and the Muslim world were not yet separate. “Wilson has a deft hand with myth and with magic, and the kind of smart, honest writing mind that knits together and bridges cultures and people.” —Neil Gaiman, author of Norse Mythology “A triumph . . . one of the best fantasy writers working today.” —BookPage “A treasure-house of a novel, thrilling, tender, funny, and achingly gorgeous. I loved it.” —Lev Grossman, author of the Magicians trilogy
A monumentally devastating plague leaves only a few survivors who, while experiencing dreams of a battle between good and evil, move toward an actual confrontation as they migrate to Boulder, Colorado.
“Gracefully interweav[es] Arthurian legend, realistic and magical elements, humor, and heartbreak . . . an engrossing conclusion to a notable series.” —Booklist In this final installment of the Squire’s Tale series, Terence and his fellow Knights of the Round Table must come together in a last stand to save Camelot. The characters Gerald Morris has brought to life throughout his series—Terence and Gawain, Lynet and Gaheris, Luneta and Rhience, Dinadan and Palomides—each have an important role to play in this climactic final conflict. Maintaining their faith, selflessness, and honor, Arthur’s court bands together to try to defeat Morgause and Mordred and banish the dark magic from England forever. “Morris pulls off a spectacular conclusion to his humane and witty Squire’s Tales series as destructive intrigues both provide a backdrop for a fan-pleasing reunion of favorite figures from past episodes and lead up to the final battle between Arthur and his brilliant, hideously warped son Mordred . . . Well done.” —Kirkus Reviews (starred review) “The knights’ simplicity, honor, and kitchen-table philosophizing will continue to entrance readers, straight through to the end of this thrilling, elegiac, hope-from-the-ashes saga.” —The Horn Book (starred review) “In this final title in the series, Morris once again makes the adventure, excitement, and magic of King Arthur and his court accessible to every reader . . . An excellent end to a worthwhile and well-written series that can be recommended to reluctant and skilled readers alike.” —School Library Journal
Little Bear was bored with his home in the snow. There was nothing to do and nowhere to go! Come and join Little Bear as he is taken on a playful adventure by Big Bear. There is always fun to be found, you just need to know where to look! Discover all the wonderful things Little Bear never noticed before in this charming tale about finding fun and friendship.
