When Esti Legard starts theater school on Cariba, she's determined to step out of the shadow of her late father, a famous Shakespearean actor. But on an island rife with superstition, Esti can't escape the darkness. In the black of the theater, an alluring phantom voice-known only as Alan-becomes her brilliant drama tutor, while in the light of day Esti struggles to resist her magnetic attraction to Rafe, the local bad boy. Toppled sets, frightening rumors of jumbee ghosts, and brewing tropical storms culminate in a tantalizingly spooky finale where romance sizzles and truths are unmasked. Laced with eerie mystery and the lush scenery of the West Indies, this modern Phantom is perfect for readers who like their love stories served with spine-tingling suspense.
Devastated by the death of her Shakespearean-actor father, Esti Legard moves to a tropical island for her senior year in high school, where she finds herself torn between a mysterious, masked mentor and a seductive island boy, as she tries to escape the overpowering shadow of her famous father.
Collected here are eight of Henry S. Whitehead's creepy tales of magic and voodoo: "Jumbee" (Weird Tales, 1926), "The Shadows" (Weird Tales, 1927), "Cassius" (Strange Tales, 1931), "Black Tancrede" (Weird Tales, 1929), "Sweet Grass" (Weird Tales, 1929), "Mrs. Lorriquer" (Weird Tales, 1932), "The Passing of a God" (Weird Tales, 1931), and "Hill Drums" (Weird Tales, 1931).
Corinne La Mer claims she isn’t afraid of anything. Not scorpions, not the boys who tease her, and certainly not jumbies. They’re just tricksters made up by parents to frighten their children. Then one night Corinne chases an agouti all the way into the forbidden forest, and shining yellow eyes follow her to the edge of the trees. They couldn’t belong to a jumbie. Or could they? When Corinne spots a beautiful stranger at the market the very next day, she knows something extraordinary is about to happen. When this same beauty, called Severine, turns up at Corinne’s house, danger is in the air. Severine plans to claim the entire island for the jumbies. Corinne must call on her courage and her friends and learn to use ancient magic she didn’t know she possessed to stop Severine and to save her island home.
Deep beneath the waves, a great enemy awakens . . . Corinne LaMer defeated the wicked jumbie Severine months ago, but things haven’t exactly gone back to normal in her Caribbean island home. Everyone knows Corinne is half-jumbie, and many of her neighbors treat her with mistrust. When local children begin to go missing, snatched from the beach and vanishing into wells, suspicious eyes turn to Corinne. To rescue the missing children and clear her own name, Corinne goes deep into the ocean to find Mama D’Leau, the dangerous jumbie who rules the sea. But Mama D’Leau’s help comes with a price. Corinne and her friends Dru, Bouki, and Malik must travel with mermaids across the ocean to fetch a powerful object for Mama D’Leau. The only thing more perilous than Corinne’s adventures across the sea is the jumbie that waits for her back home. With action-packed storytelling and inventive twists on Caribbean and West African mythology and fairy tales, Rise of the Jumbies is a breathlessly exciting tale of courage and friendship. An NPR Best Book of 2017 A Kirkus Reviews Best Book of 2017 A School Library Journal Best Book of 2017
New York Times bestselling author Tracey Baptiste and acclaimed illustrator Amber Ren take readers on a fun, creepy, storytime-ready romp through a forest filled with creatures from Caribbean folklore. I'm looking for a jumbie, I'm going to find a scary one. But Mama says jumbies exist only in stories. So Naya sets out on a nighttime adventure to find out for herself. No such thing, say the friends she makes along the way. But Naya is sure that jumbies are real. Some have big mouths. Or thick fur. Or glowing skin. Or sharp teeth. Kind of like her new friends...Looking for a Jumbie is a gentle, bouncy, and creepily fun read-aloud inspired by traditional Caribbean tales.
For fans of Hatchet and Island of the Blue Dolphins comes Theodore Taylor’s classic bestseller and Lewis Carroll Shelf Award winner, The Cay. Phillip is excited when the Germans invade the small island of Curaçao. War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed. When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.” But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy. “Mr. Taylor has provided an exciting story…The idea that all humanity would benefit from this special form of color blindness permeates the whole book…The result is a story with a high ethical purpose but no sermon.”—New York Times Book Review “A taut tightly compressed story of endurance and revelation…At once barbed and tender, tense and fragile—as Timothy would say, ‘outrageous good.’”—Kirkus Reviews * “Fully realized setting…artful, unobtrusive use of dialect…the representation of a hauntingly deep love, the poignancy of which is rarely achieved in children’s literature.”—School Library Journal, Starred “Starkly dramatic, believable and compelling.”—Saturday Review “A tense and moving experience in reading.”—Publishers Weekly “Eloquently underscores the intrinsic brotherhood of man.”—Booklist "This is one of the best survival stories since Robinson Crusoe."—The Washington Star · A New York Times Best Book of the Year · A School Library Journal Best Book of the Year · A Horn Book Honor Book · An American Library Association Notable Book · A Publishers Weekly Children’s Book to Remember · A Child Study Association’s Pick of Children’s Books of the Year · Jane Addams Book Award · Lewis Carroll Shelf Award · Commonwealth Club of California: Literature Award · Southern California Council on Literature for Children and Young People Award · Woodward School Annual Book Award · Friends of the Library Award, University of California at Irvine
Challenging the human understanding of life and death, the zombie figure represents a fragmentation of personhood. From its earliest appearances in literature, the zombie characterized a human being that was no longer an indivisible whole, embodying the ontological debate over which elements of personhood are most uniquely human. Through its literary evolution, the zombie's missing element gradually approached a finer definition, as narratives moved beyond highlighting metaphysically opaque concepts like "soul" or "will." Studying over a century of American literary history, this book explores how zombies translate cultural concepts and definitions of personhood. Chapters detail how literary zombies have long presented narratives of American cultural self-examination.
