The author, Saiokuken Socho (1448-1532)—the preeminent linked-verse (renga) poet of his time—provides in his journal a vivid portrayal of cultural life in the capital and the provinces, together with descriptions of battles and great warrior families, the dangers of travel through war-torn countryside, and the plight of the poor.
Traditional Japanese Literature features a rich array of works dating from the very beginnings of the Japanese written language through the evolution of Japan's noted aristocratic court and warrior cultures. It contains stunning new translations of such canonical texts as The Tales of the Heike as well as works and genres previously ignored by scholars and unknown to general readers.
The Muromachi age may well emerge in the eyes of historians as one of the most seminal periods in Japanese history. So concluded the participants in the 1973 Conference on Japan. The proceedings, as edited for this volume, reveal this new interpretation of the Muromachi age (1334-1573), which was among the most neglected and misunderstood chapters in Japanese history. Both Western and Japanese scholars looked upon the period chiefly as an interlude between a classical era (the Heian period) and an early modern age (the Tokugawa period), the interim being regarded as a time of social confusion and institutional decay. As they learned more, historians saw the Muromachi age giving rise to new patterns that became important elements in a distinctly Japanese tradition; e.g., the arts of noh drama, suiboku painting, landscape gardening and the tea ceremony were perfected during Muromachi times.The volume brings together the work of Japanese and American specialists and shows that many features of Edo-period culture were anticipated by Muromachi developments. Although the volume was first published nearly three decades ago, it remains of great interest for anyone wanting to know more about Japan's historical development.
Kyoto was Japan’s political and cultural capital for more than a millennium before the dawn of the modern era. Until about the fifteenth century, it was also among the world’s largest cities and, as the eastern terminus of the Silk Road, it was a place where the political, artistic, and religious currents of Asia coalesced and flourished. Despite these and many other traits that make Kyoto a place of both Japanese and world historical significance, the physical appearance of the premodern city remains largely unknown. Through a synthesis of textual, pictorial, and archeological sources, this work attempts to shed light on Kyoto’s premodern urban landscape with the aim of opening up new ways of thinking about key aspects of premodern Japanese history. The book begins with an examination of Kyoto’s highly idealized urban plan (adapted from Chinese models in the eighth century) and the reasons behind its eventual failure. The formation of the suburbs of Kamigyō and Shimogyō is compared to the creation of large exurban temple-palace complexes by retired emperors from the late eleventh century. Each, it is argued, was a material manifestation of the advancement of privatized power that inspired a medieval discourse aimed at excluding “outsiders.” By examining this discourse, a case is made that medieval power holders, despite growing autonomy, continued to see the emperor and classical state system as the ultimate sources of political legitimacy. This sentiment was shared by the leaders of the Ashikaga shogunate, who established their headquarters in Kyoto in 1336. The narrative examines how these warrior leaders interacted with the capital’s urban landscape, revealing a surprising degree of deference to classical building protocols and urban codes. Remaining chapters look at the dramatic changes that took place during the Age of Warring States (1467–1580s) and Kyoto’s postwar revitalization under the leadership of Oda Nobunaga and Toyotomi Hideyoshi. Nobunaga’s construction of Nijō Castle in 1569 transformed Kyoto’s fundamental character and, as Japan’s first castle town, it set an example soon replicated throughout the archipelago. In closing, the book explores how Hideyoshi—like so many before him, yet with much greater zeal—used monumentalism to co-opt and leverage the authority of Kyoto’s traditional institutions. Richly illustrated with original maps and diagrams, Kyoto is a panoramic examination of space and architecture spanning eight centuries. It narrates a history of Japan’s premodern capital relevant to the fields of institutional history, material culture, art and architectural history, religion, and urban planning. Students and scholars of Japan will be introduced to new ways of thinking about old historical problems while readers interested in the cities and architecture of East Asia and beyond will benefit from a novel approach that synthesizes a wide variety of sources. For more on Kyoto: An Urban History of Japan’s Premodern Capital, visit www.kyotohistory.com.
This is an updated edition of Conrad Totman's authoritative history of Japan from c.8000 BC to the present day. The first edition was widely praised for combining sophistication and accessibility. Covers a wide range of subjects, including geology, climate, agriculture, government and politics, culture, literature, media, foreign relations, imperialism, and industrialism. Updated to include an epilogue on Japan today and tomorrow. Now includes more on women in history and more on international relations. Bibliographical listings have been updated and enlarged. Part of The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.
The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins in Sixteenth-Century Japan illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century.